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Musical Equipment Store For Rock Music Bands Including Electric Guitars, Acoustic Guitars, Bass Guitars, Drum Sets and Drum Kits, Electronic Drum Sets and Drum Machines, Cymbals, Drum Thrones, Drum Sticks, Drum Pedals and Drum Accessories, Keyboard Synthesizers and Digital Pianos, Amplifiers, Hard-Disc Multi-Track Recorders, Stage and Studio Microphones, Disc Jockey (DJ) Equipment- Stage Lighting and Special Effects and Rock Instrument 2010 Calendars For Sale Online NOVEMBER 2009
Musical Equipment Store For Rock Music Bands Including Electric Guitars, Acoustic Guitars, Bass Guitars, Drum Sets and Drum Kits, Electronic Drum Sets and Drum Machines, Cymbals, Drum Thrones, Drum Sticks, Drum Pedals and Drum Accessories, Keyboard Synthesizers and Digital Pianos, Amplifiers, Hard-Disc Multi-Track Recorders, Stage and Studio Microphones, Disc Jockey (DJ) Equipment- Stage Lighting and Special Effects and Rock Instrument 2010 Calendars For Sale Online ***************************************************************************************************
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Musical Equipment Store For Rock Music Bands Including Electric Guitars, Acoustic Guitars, Bass Guitars, Drum Sets and Drum Kits, Electronic Drum Sets and Drum Machines, Cymbals, Drum Thrones, Drum Sticks, Drum Pedals and Drum Accessories, Keyboard Synthesizers and Digital Pianos, Amplifiers, Hard-Disc Multi-Track Recorders, Stage and Studio Microphones, Disc Jockey (DJ) Equipment- Stage Lighting and Special Effects and Rock Instrument 2010 Calendars For Sale Online
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Related Wikipedia Articles
Rock and roll (often written as rock & roll or rock ’n’ roll) is a genre of popular music that evolved in the United States after World War II in the late 1940s,[1][2] from a combination of the rhythms of the blues, from the African American culture, and from America's country music[3] and gospel music[4] scenes. Though elements of rock and roll can be heard in country records of the 1930s,[3] and in blues records from the 1920s,[5] rock and roll did not acquire its name until the 1950s.[6][7] An early form of rock and roll was rockabilly,[8] which combined country and jazz, with influences from traditional Appalachian folk, and gospel music.[9]
The term "rock and roll" now has at least two different meanings, both in common usage. The American Heritage Dictionary[10] and the Merriam-Webster Dictionary[11] both define rock and roll as synonymous with rock music. Conversely, Allwords.com defines the term to refer specifically to the music of the 1950s.[12] For the purpose of differentiation, this article uses the latter definition, while the broader musical genre is discussed in the rock music article.
In the earliest rock and roll styles of the late 1940s and early 1950s, either the piano or saxophone was often the lead instrument, but these were generally replaced or supplemented by guitar in the middle to late 1950s.[13] The beat is essentially a boogie woogie blues rhythm with an accentuated backbeat, the latter almost always provided by a snare drum.[14] Classic rock and roll is usually played with one or two electric guitars (one lead, one rhythm), a string bass or (after the mid-1950s) an electric bass guitar, and a drum kit.[13]
The massive popularity and eventual worldwide view of rock and roll gave it a widespread social impact. Far beyond simply a musical style, rock and roll, as seen in movies and in the new medium of television, influenced lifestyles, fashion, attitudes, and language. It went on to spawn various sub-genres, often without the initially characteristic backbeat, that are now more commonly called simply "rock music" or "rock".
The origins of rock and roll have been fiercely debated by commentators and historians of music.[15] There is general agreement that it arose in the southern United States of America - the region which would produce most of the major early rock and roll acts - through the meeting of the different musical traditions which had developed from transatlantic African slavery and largely European immigration in that region.[16] The migration of many freed slaves and their descendants to major urban centers like Memphis and north to New York City, Detroit, Chicago, Cleveland and Buffalo meant that black and white residents were living in close proximity in larger numbers than ever before, and as a result heard each other's music and even began to emulate each others fashions.[17][18] Radio stations that made white and black forms of music available to other groups, the development and spread of the gramophone record, and musical styles such as jazz and swing which were taken up by both black and white musicians, aided this process of "cultural collision".[19]
The immediate roots of rock and roll lay in the so-called "race music" and hillbilly music (later called rhythm and blues and country and western) of the 1940s and 1950s.[15] Particularly significant influences were blues, boogie woogie, country, folk and gospel music.[15] Commentators differ in their views of which of these forms were most important and the degree to which the new music was a re-branding of African American rhythm and blues for a white market, or a new hybrid of black and white forms.[20][21][22]
In the 1930s jazz, and particularly swing, both in urban based dance bands and blues-influenced country swing, was among the first music to present African American sounds for a predominately white audience.[21][23] The 1940s saw the increased use of blaring horns (including saxophones), shouted lyrics and boogie woogie beats in jazz based music. During and immediately after World War II, with shortages of fuel and limitations on audiences and available personnel, large jazz bands were less economical and tended to be replaced by smaller combos, using guitars, bass and drums.[15][24] In the same period, particularly on the West Coast and in the Midwest, the development of jump blues, with its guitar riffs, prominent beats and shouted lyrics, prefigured many later developments.[15] Similarly, country boogie and Chicago electric blues supplied many of the elements that would be seen as characteristic of rock and roll.[15]
Rock and roll arrived at time of considerable technological change, soon after the development of the electric guitar, amplifier and microphone, and the 45 rpm record.[15] There were also changes in the record industry, with the rise of independent labels like Atlantic, Sun and Chess servicing niche audiences and a similar rise of radio stations that played their music.[15] It was the realization that relatively affluent white teenagers were listening to this music that led to the development of what was to be defined as rock and roll as a distinct genre.[15]
Alan Freed broadcasting in the early 1950sIn 1951, Cleveland, Ohio disc jockey Alan Freed began broadcasting rhythm and blues and country music for a multi-racial audience. Freed is often credited with first using the phrase "rock and roll" to describe the music he aired; its use is also credited to Freed's sponsor, record store owner Leo Mintz, who encouraged Freed to play the music on the radio.[25] However, the term had already been introduced to US audiences, particularly in the lyrics of many rhythm and blues records, like Bob Robinson's "Rock and Rolling" (1939), Buddy Jones's "Rock and Rolling Mamma" (1939) and Joe Turner's "Cherry Red" (1939).[26] Three different songs with the title "Rock and Roll" were recorded in the late 1940s; by Paul Bascomb in 1947, Wild Bill Moore in 1948, and by Doles Dickens in 1949, and the phrase was in constant use in the lyrics of R&B songs of the time.[26] One such record where the phrase was repeated throughout the song was "Rock and Roll Blues", recorded in 1949 by Erline "Rock and Roll" Harris.[27] The phrase was also included in advertisements for the film Wabash Avenue, starring Betty Grable and Victor Mature. An ad for the movie that ran April 12, 1950 billed Ms. Grable as "the first lady of rock and roll" and Wabash Avenue as "the roaring street she rocked to fame".[citation needed]
Before then, the word "rock" had a long history in the English language as a metaphor for "to shake up, to disturb or to incite". "Rocking" was a term used by black gospel singers in the American South to mean something akin to spiritual rapture.[28] In 1916, the term "rocking and rolling" was used with a religious connotation, on the phonograph record "The Camp Meeting Jubilee" by an unnamed male "quartette".[29] In 1937, Chick Webb and Ella Fitzgerald recorded "Rock It for Me", which included the lyric, "So won't you satisfy my soul with the rock and roll".[30] The verb "roll" was a medieval metaphor which meant "having sex". Writers for hundreds of years have used the phrases "They had a roll in the hay" or "I rolled her in the clover".[31] The phrase "rocking and rolling", was secular black slang for dancing or sex by the early twentieth century,[32] appearing on record for the first time in 1922 on Trixie Smith's "My Man Rocks Me With One Steady Roll",[33] and as a double entendre, ostensibly referring to dancing, but with the subtextual meaning of sex, as in Roy Brown's "Good Rocking Tonight" (1948).[34]
The terms were often used together ("rocking and rolling") to describe the motion of a ship at sea, for example as used in 1934 by the Boswell Sisters in their song "Rock and Roll",[35] which was featured in the 1934 film Transatlantic Merry-Go-Round,[36][37] and in Buddy Jones' "Rockin' Rollin' Mama" (1939). Country singer Tommy Scott was referring to the motion of a railroad train in the 1951 "Rockin and Rollin'".[38] An alternative claim is that the origins of "rocking and rolling" can be traced back to steel driving men working on the railroads in the Reconstruction South. These men would sing hammer songs to keep the pace of their hammer swings. At the end of each line in a song, the men would swing their hammers down to drill a hole into the rock. The shakers — the men who held the steel spikes that the hammer men drilled — would "rock" the spike back and forth to clear rock or "roll", twisting the spike to improve the "bite" of the drill.[39]
Original 1954 Decca issue of Bill Haley's Rock Around the ClockMain article: First rock and roll record
There is much debate as to what should be considered the first rock & roll record. Big Joe Turner was one of many forerunners and his 1939 recording, "Roll 'Em Pete", is close to '50s rock and roll.[40] Sister Rosetta Tharpe was also recording shouting, stomping music in the 1930s and 1940s that in some ways contained major elements of mid-1950s rock and roll. She scored hits on the pop charts as far back as 1938 with her gospel songs, such as "This Train" and "Rock Me", and in the 1940s with "Strange Things Happenin' Every Day", "Up Above My Head", and "Down by the Riverside".[41] Other significant records of the 1940s and early 1950s included Roy Brown's "Good Rocking Tonight" (1947), Hank Williams' "Move It On Over" (1947), Amos Milburn's "Chicken Shack Boogie" (1947),[42] Jimmy Preston's "Rock the Joint" (1947),[43] Fats Domino's "The Fat Man" (1949),[44] and Les Paul and Mary Ford's "How High the Moon" (1951).[45]
A leading contender as the first fully formed rock 'n' roll recording is "Rocket 88" by Jackie Brenston and his Delta Cats (which was, in fact, Ike Turner and his band The Kings of Rhythm recording under a different name), recorded by Sam Phillips for Sun Records in 1951.[40] Three years later the first rock and roll song to enter Billboard magazine's main sales and airplay charts was Bill Haley's "Crazy Man, Crazy" and the first to top the charts, in July 1955, was his "Rock Around the Clock" (recorded in 1954), opening the door worldwide for this new wave of popular culture.[40] Rolling Stone magazine argued in 2004 that "That's All Right (Mama)" (1954), Elvis Presley's first single for Sun Records in Memphis, was the first rock and roll record,[46] but, at the same time, Big Joe Turner's "Shake, Rattle & Roll", later covered by Haley, was already at the top of the Billboard R&B charts.[47]
Early rock and roll used the twelve-bar blues chord progression and shared with boogie woogie the four beats (usually broken down into eight eighth-notes/quavers) to a bar. Rock and roll however has a greater emphasis on the backbeat than boogie woogie.[48] Bo Diddley's 1955 hit "Bo Diddley", with its b-side "I'm A Man", introduced a new, pounding beat, and unique guitar playing that inspired many artists.[49]
Also formative in the sound of rock and roll were Little Richard and Chuck Berry. From 1955, Little Richard combined gospel with New Orleans R&B, heavy backbeat,[50] pounding piano and wailing vocals.[51] His explosive music, with songs such as "Tutti Frutti" (1955), "Long Tall Sally" (1956) and "Good Golly, Miss Molly" (1958), has been seen as laying the foundation for rock and roll and influenced generations of rhythm and blues, rock and soul music artists.[52][53][54] Chuck Berry, between his cover of "Maybellene" in 1955, through hits including "Roll over Beethoven" (1956) and "Rock and Roll Music" (1957) to "Johnny B. Goode" (1958), refined and developed the major elements that made rock and roll distinctive, focusing on teen life and introducing guitar intros and lead breaks that would be a major influence on subsequent rock music.[53]
Soon rock and roll was the major force in American record sales and crooners such as Eddie Fisher, Perry Como, and Patti Page, who had dominated the previous decade of popular music, found their access to the pop charts significantly curtailed.[55]
The cover of Elvis Presley's debut RCA Victor album. Photo taken on January 31, 1955
"Rockabilly" usually (but not exclusively) refers to the type of rock and roll music which was played and recorded in the mid 1950s by white singers such as Elvis Presley, Carl Perkins and Jerry Lee Lewis, who drew mainly on the country roots of the music.[56] Many other popular rock and roll singers of the time, such as Fats Domino and Little Richard, came out of the black rhythm and blues tradition, making the music attractive to white audiences, and are not usually classed as "rockabilly".
In July 1954, Elvis Presley recorded the regional hit "That's All Right (Mama)" at Sam Phillips' Sun studios in Memphis.[57] Two months earlier in May 1954, Bill Haley & His Comets recorded "Rock Around the Clock". Although only a minor hit when first released, when used in the opening sequence of the movie Blackboard Jungle, a year later, it really set the rock and roll boom in motion. The song became one of the biggest hits in history, and frenzied teens flocked to see Haley and the Comets perform it, causing riots in some cities. "Rock Around the Clock" was a breakthrough for both the group and for all of rock and roll music. If everything that came before laid the groundwork, "Clock" introduced the music to a global audience.[57]
Many of the earliest white rock and roll hits were covers or partial re-writes of earlier rhythm and blues or blues songs. Through the late 1940s and early 1950s, R&B music had been gaining a stronger beat and a wilder style, with artists such as Fats Domino and Johnny Otis speeding up the tempos and increasing the backbeat to great popularity on the juke joint circuit.[58] Before the efforts of Freed and others, black music was taboo on many white-owned radio outlets, but artists and producers quickly recognized the potential of rock and roll.[59] Most of Presley's early hits were covers, like "That's All Right" (a countrified arrangement of a blues number), its flip side "Blue Moon of Kentucky", "Baby, Let's Play House", "Lawdy Miss Clawdy" and "Hound Dog".[60]
Original rock'n'roller Little Richard performing in 2007Covers were customary in the music industry at the time; it was made particularly easy by the compulsory license provision of United States copyright law (still in effect).[61] One of the first successful rock and roll covers was Wynonie Harris's transformation of Roy Brown's "Good Rocking Tonight" from a jump blues to a showy rocker[62] and the Louis Prima rocker "Oh Babe" in 1950, as well as Amos Milburn's cover of what may have been the first white rock and roll record, Hardrock Gunter's "Birmingham Bounce" in 1949.[63] The most notable trend, however, was white pop covers of black R&B numbers. The more familiar sound of these covers may have been more palatable to white audiences, there may have been an element of prejudice, but labels aimed at the white market also had much better distribution networks and were generally much more profitable.[64] Most famously, Pat Boone recorded sanitized versions of Little Richard songs, though Boone found "Long Tall Sally" so intense that he couldn't cover it. Later, as those songs became popular, the original artists' recordings received radio play as well.[65]
The cover versions were not necessarily straightforward imitations. For example, Bill Haley's incompletely bowdlerized cover of "Shake, Rattle and Roll" transformed Big Joe Turner's humorous and racy tale of adult love into an energetic teen dance number,[66] while Georgia Gibbs replaced Etta James's tough, sarcastic vocal in "Roll With Me, Henry" (covered as "Dance With Me, Henry") with a perkier vocal more appropriate for an audience unfamiliar with the song to which James's song was an answer, Hank Ballard's "Work With Me, Annie".[67] Elvis' rock and roll version of "Hound Dog" was very different from the blues shouter that Big Mama Thornton had recorded.[68]
Commentators have traditionally perceived a decline of rock and roll in the late 1950s and early 1960s. In 1959, the death of Buddy Holly, The Big Bopper and Richie Valens in a plane crash, the departure of Elvis for the army, the retirement of Little Richard to become a preacher, prosecutions of Jerry Lee Lewis and Chuck Berry and the breaking of the payola scandal (which implicated major figures, including Alan Freed, in bribery and corruption in promoting individual acts or songs), gave a sense that the initial rock and roll era had come to an end.[40] There was also a process that has been described as the "feminisation" of rock and roll, with the charts beginning to be dominated by love ballads, often aimed at a female audience, and the rise of girl groups like The Shirelles and The Crystals.[69] Some historians of music have pointed to important and innovative developments that built on rock and roll in this period, including new recording techniques, continued desegregation of the charts, the rise of surf music, garage rock and the Twist dance craze.[70]
In the 1950s, Britain was well placed to receive American rock and roll music and culture.[71] It shared a common language, had been exposed to American culture through the stationing of troops in the country, and shared many social developments, including the emergence of distinct youth sub-cultures, which in Britain included the Teddy Boys.[72] Trad Jazz became popular, and many of its musicians were influenced by related American styles, including boogie woogie and the blues.[73] The skiffle craze, led by Lonnie Donegan, utilised amateurish versions of American folk songs and encouraged many of the subsequent generation of rock and roll, folk, R&B and beat musicians to start performing.[74] At the same time British audiences were beginning to encounter American rock and roll, initially through films including Blackboard Jungle (1955) and Rock Around the Clock (1955).[75] Both films contained the Bill Haley & His Comets hit "Rock Around the Clock", which first entered the British charts in early 1955 - four months before it reached the US pop charts - topped the British charts later that year and again in 1956, and helped identify rock and roll with teenage delinquency.[76] American rock and roll acts such as Elvis Presley, Little Richard and Buddy Holly thereafter became major forces in the British charts.
The initial response of the British music industry was to attempt to produce copies of American records, recorded with session musicians and often fronted by teen idols.[71] More grassroots British rock and rollers soon began to appear, including Wee Willie Harris and Tommy Steele.[71] During this period American Rock and Roll remained dominant, however, in 1958 Britain produced its first "authentic" rock and roll song and star, when Cliff Richard reached number 2 in the charts with "Move It".[77] At the same time, TV shows such as Six-Five Special and Oh Boy! promoted the careers of British rock and rollers like Marty Wilde and Adam Faith.[71] Cliff Richard and his backing band The Shadows, were the most successful home grown rock and roll based acts of the era.[78] Other leading acts included Billy Fury, Joe Brown, and Johnny Kidd & The Pirates, whose 1960 hit song "Shakin' All Over" became a rock and roll standard.[71]
As interest in rock and roll was beginning to subside in America in the late 1950s and early 1960s, it was taken up by groups in major British urban centres like Liverpool, Manchester, Birmingham and London.[79] About the same time, a British blues scene developed, initially led by purist blues followers such as Alexis Korner and Cyril Davies who were directly inspired by American musicians such as Robert Johnson, Muddy Waters and Howlin' Wolf.[80] Many groups moved towards the beat music of rock and roll and rhythm and blues from skiffle, like the Quarrymen who became The Beatles, producing a form of rock and roll revivalism that carried them and many other groups to national success from about 1963 and to international success from 1964, known in America as the British Invasion.[81] Groups that followed the Beatles included the beat influenced Freddie and the Dreamers, Wayne Fontana and the Mindbenders, Herman's Hermits and the Dave Clark Five, and the more blues influenced The Animals, The Rolling Stones and The Yardbirds.[82] As the blues became an increasingly significant influence, leading to the creation of the blues-rock of groups like The Moody Blues, Small Faces, The Move, Traffic and Cream, and developing into rock music, the influence of early rock and roll began to subside.[81]
The social effects of rock and roll were worldwide and massive. Far beyond simply a musical style, rock and roll influenced lifestyles, fashion, attitudes, and language.[83] In addition, rock and roll may have helped the cause of the civil rights movement because both African American teens and white American teens enjoyed the music.[84] It also gave rise to many other styles, including psychedelic rock, progressive rock, glam rock, alternative rock, punk and heavy metal.
Rock and roll appeared at a time when racial tensions in the United States were entering a new phase, with the beginnings of the civil rights movement for desegregation, leading to the Supreme Court ruling that abolished the policy of "separate but equal" in 1954, but leaving a policy which would be extremely difficult to enforce in parts of the United States.[85] The combination of elements of white and black music in rock and roll, inevitably provoked strong reactions within the US, with many condemning its breaking down of barriers based on colour.[84] On the other side of the argument rock and roll has been seen as both appropriating African American music for a white audience and white performers, and conversely, in opening the door for many black performers to reach a wider audience.[86] Many observers saw rock and roll as heralding the way for desegregation, in creating a new form of music that encouraged racial cooperation and shared experience.[87]
Rock and roll is often identified with the emergence of teen culture among the first baby boomer generation, who had both greater relative affluence, leisure and who adopted rock and roll as part of a distinct sub-culture.[88] This involved not just music, absorbed via radio, record buying, jukeboxes and T.V. programmes like American Bandstand, but it also extended to film, clothes, hair, cars and motorbikes, and distinctive language. The contrast between parental and youth culture exemplified by rock and roll was a recurring source of concern for older generations, who worried about juvenile delinquency and social rebellion, particularly as to a large extent rock and roll culture was shared by different racial and social groups.[88] In Britain, where post-war prosperity was more limited, rock and roll culture became attached pre-existing to the Teddy Boy movement, largely working class in origins, and eventually to the longer lasting rockers.[89] Rock and roll has been seen as reorientating popular music towards a teen market, often celebrating teen fashions, as in Carl Perkins' "Blue Suede Shoes" (1956), or Dion and the Belmonts "Teenager in Love" (1960).[90]
From its early-1950s inception through the early 1960s, rock and roll music spawned new dance crazes.[91] Teenagers found the irregular rhythm of the backbeat especially suited to reviving the jitterbug dancing of the big-band era. "Sock hops," gym dances, and home basement dance parties became the rage, and American teens watched Dick Clark's American Bandstand to keep up on the latest dance and fashion styles.[92] From the mid-1960s on, as "rock and roll" yielded gradually to "rock," later dance genres followed, starting with the twist, and leading up to funk, disco, house and techno.
An electric guitar is a guitar that uses pickups to convert the vibration of its steel-cored strings (sometimes nickel) into an electrical current, which is made louder with an instrument amplifier and a speaker. The signal that comes from the guitar is sometimes electronically altered with guitar effects such as reverb or distortion. While most electric guitars have six strings, seven-string instruments are used by some jazz guitarists and metal guitarists (especially in nu metal),[1] and 12-string electric guitars (with six pairs of strings, four of which are tuned in octaves) are used in genres such as jangle pop and rock.
The electric guitar was first used by jazz guitarists (MV DANK), who used amplified hollow-bodied instruments to get a louder sound in Swing-era big bands. The earliest electric guitars were hollow bodied acoustic instruments with tungsten steel pickups made by the Rickenbacker company in 1931. While one of the first solid-body guitars was invented by Les Paul, the first commercially successful solid-body electric guitar was the Fender Esquire (1950). The electric guitar was a key instrument in the development of many musical styles that emerged since the late 1940s, such as Chicago blues, early rock and roll and rockabilly, and 1960s blues rock. It is also used in a range of other genres, including country music, Ambient (or New Age), and in some contemporary classical music.
Solid body electric guitars have no hollow internal cavity to accommodate vibration and no sound holes such as those used to amplify string vibrations in acoustic guitars. Solid body instruments are generally made of hardwood with a lacquer coating and have six steel strings. The wood is dried for 3 to 6 months in heated storage before being cut to shape. The sound that is audible in music featuring electric guitars is produced by pickups on the guitar that convert the string vibrations into an electrical signal. The signal is then fed to an amplifier (or amp) and speaker.
One of the first solid body guitars was invented by Les Paul. Gibson did not present their 'Les Paul' guitar prototypes to the public, as they did not believe it would catch on. The first mass-produced solid-body guitar was Fender's Broadcaster (later to become the 'Telecaster') first made in 1948, five years after Les Paul made his prototype. The Gibson Les Paul appeared soon after to compete with the Broadcaster.[12]
These guitars have a hollow body and electronic pickups mounted on its body. They work in a similar way to solid body electric guitars except that because the hollow body also vibrates, the pickups convert a combination of string and body vibration into an electrical signal. A variant form, the semi-hollow body guitar, strikes a balance between the characteristics of solid-body and hollow-body guitars. Advocates of semi-hollow-body guitars[who?] argue that they have greater resonance and sustain than true solid-body guitars,[13][not in citation given] as well as lighter overall weight. Typically, a semi-hollow body guitar will have a form factor more similar to a solid-body electric guitar, and may include two sound holes, one, or none.
An Epiphone brand semi-acoustic hollow-body guitar.A number of metal-bodied guitars have worked with the unique acoustic/sustaining qualities of metal. These are not hollow-bodied guitars, like a blues steel-bodied guitar, although most are chambered for weight; instead, these metal-bodied guitars are built to play as a solid wood body. Several metal bodies were made in the 1950s by violin and cello makers. In the 1970s, John Veleno made a polished aluminum guitar. Liquid Metal Guitars makes a metal body guitar made out of a solid block of aluminum and then chrome or gold-plates the instrument. Many guitars otherwise sold as solid-bodied instruments, such as the Gibson Les Paul or the PRS Singlecut, are built with "weight relief" holes bored into the body which affect the sound of the instrument[14]. The Les Paul Supreme edition is currently described by the manufacturer as a "chambered" instrument, with a weight relief system designed to positively affect the sound.
Some steel-string acoustic guitars are fitted with pickups purely as an alternative to using a separate microphone. They may also be fitted with a piezo-electric pickup under the bridge, attached to the bridge mounting plate, or with a low mass microphone (usually a condenser mic) inside the body of the guitar that will convert the vibrations in the body into electronic signals, or even combinations of these types of pickups, with an integral mixer/preamp/graphic equalizer. These are called electric acoustic guitars, and are regarded as acoustic guitars rather than electric guitars because the pickups do not produce a signal directly from the vibration of the strings, but rather from the vibration of the guitar top or body. These should not be confused with hollow body electric guitars, which have pickups of the type found on solid body electric guitars.
Double-neck (or, less commonly, "twin-neck") guitars enable guitarists to play guitar and bass guitar or, more commonly, a six-string and twelve-string. The double-neck guitar was popularized by Jimmy Page, who used a custom-made Gibson EDS-1275 to perform the Led Zeppelin song "Stairway to Heaven", and "The Song Remains the Same". Guitarist Don Felder also used the Gibson EDS-1275 during the Hotel California tour.
There were also some double necks that had two six-string necks with different pickup configurations. The most popular 6 and 6 were made by Ibanez in the early 1980s, which were copies of the Gibson SG style 6 and 12, and were also referred to as the "pre-lawsuit" guitars. Ibanez stopped production when they lost a lawsuit to Gibson. The Gibson 6-string and 12-string was also popularized by the Eagles song "Hotel California".
English progressive rock bands such as Genesis used custom-made double-neck instruments produced by the Shergold company. Rick Nielsen, guitarist for Cheap Trick, uses a variety of custom guitars mostly made by Hamer Guitars, many of which have five necks, with the strap attached to the body by a swivel so that the guitar can be rotated to put any neck into playing position. Guitarist Steve Vai occasionally uses a triple-neck guitar; one neck is twelve string, one is six string and the third is a fretless six-string. In the 2000s, a small number of boutique guitar makers produce specialty instruments with up to six necks on a guitar, consisting of various guitar necks with different stringing and/or "drone" strings which are designed to vibrate sympathetically.
Popular music and rock groups often use the electric guitar in two roles: as a rhythm guitar which provides the chord sequence or "progression" and sets out the "beat" (as part of a rhythm section), and a lead guitar, which is used to perform melody lines, melodic instrumental fill passages, and guitar solos. In some rock or metal bands with two guitarists, the two performers may perform as a guitar tandem, and trade off the lead guitar and rhythm guitar roles. In bands with a single guitarist, the guitarist may switch between these two roles, playing chords to accompany the singer's lyrics, and then playing a guitar solo in the middle of the song.
In the most commercially available and consumed pop and rock genres, electric guitars tend to dominate their acoustic cousins in both the recording studio and the live venue, especially in the "harder" genres such as heavy metal and hard rock. However the acoustic guitar remains a popular choice in country, western and especially bluegrass music, and it is widely used in folk music.
An acoustic guitar is a guitar that uses only acoustic methods to project the sound produced by its strings. The term is a retronym, coined after the advent of electric guitars, which depend on electronic amplification to make their sound audible.
In all types of guitars the sound is produced by the vibration of the strings. However, because the string can only displace a small amount of air, the volume of the sound needs to be increased in order to be heard. In an acoustic guitar, this is accomplished by using a soundboard and a resonant cavity, the sound box. The body of the guitar is hollow. The vibrating strings drive the soundboard through the bridge, making it vibrate. The soundboard has a larger surface area and thus displaces a larger volume of air, producing a much louder sound than the strings alone.
As the soundboard vibrates, sound waves are produced from both the front and back faces. The sound box provides both a support for the sound board and a resonant cavity and reflector for the sound waves produced on the back face of the soundboard. The air in this cavity resonates with the vibrational modes of the string (see Helmholtz resonance), increasing the volume of the sound again. The back of the guitar will also vibrate to a lesser extent, driven by the air in the cavity. Some sound is ultimately projected through the sound hole[1] (some variants of the acoustic guitar omit this hole, or have f holes, like a violin family instrument). This sound mixes with the sound produced by the front face of the soundboard. The resultant sound is a complex mixture of harmonics that give the guitar its distinctive sound.
No amplification actually occurs in this process, in the sense that no energy is externally added to increase the loudness of the sound (as would be the case with an electronic amplifier). All the energy is provided by the plucking of the string. The function of the entire acoustic system is to maximize intensity of sound, but since total energy remains constant, this comes at the expense of decay time. An unamplified guitar (one with no soundboard at all) would have a low volume, but the strings would vibrate much longer, like a tuning fork. This is because a damped harmonic oscillator decays exponentially, with a mean life inversely proportional to the damping, i.e. the more the volume is increased by the soundboard, the shorter the resulting sound will last.
An acoustic guitar can be amplified by using various types of pickups or microphones. The most common type of pickups used for acoustic guitar amplification are piezo and magnetic pickups. Piezo pickups are generally mounted under the bridge saddle of the acoustic guitar and can be plugged into a mixer or amplifier. Magnetic pickups are generally mounted in the sound hole of the acoustic guitar and are very similar to those found in electric guitars.
Instruments with larger areas for the guitar top were introduced by Martin in an attempt to create louder volume levels. The popularity of the larger "dreadnought" body size amongst acoustic performers is related to the greater sound volume produced.
The electric bass guitar[1] (also called electric bass,[2][3][4] or simply bass; pronounced /ˈbeɪs/, as in "base") is a stringed instrument played primarily with the fingers or thumb (either by plucking, slapping, popping, tapping, or thumping), or by using a plectrum.
The bass guitar is similar in appearance and construction to an electric guitar, but with a larger body, a longer neck and scale length, and usually four strings tuned to the same pitches as those of the double bass,[5] which correspond to pitches one octave lower than those of the four lower strings of a guitar (E, A, D, and G).[6] The bass guitar is a transposing instrument, as it is notated in bass clef an octave higher than it sounds (as is the double bass) in order to avoid the excessive use of ledger lines. Like the electric guitar, the electric bass guitar is plugged into an amplifier and speaker for live performances.
Since the 1950s, the electric bass guitar has largely replaced the upright bass in popular music as the bass instrument in the rhythm section. While the types of basslines performed by the bass guitarist vary widely from one style of music to another, the bass guitarist fulfills a similar role in most types of music: anchoring the harmonic framework and laying down the beat. The bass guitar is used in many styles of music including rock, metal, pop, country, blues, and jazz. It is used as a soloing instrument in jazz, fusion, Latin, funk, and in some rock and metal (mostly technical death metal and progressive metal) styles.
1930s
Musical instrument inventor Paul Tutmarc outside his music store in Seattle, WashingtonIn the 1930s, musician and inventor Paul Tutmarc from Seattle, Washington, developed the first guitar-style electric bass instrument that was fretted and designed to be held and played horizontally. The 1935 sales catalogue for Tutmarc's company, Audiovox, featured his "electronic bass fiddle," a four-stringed, solid-bodied, fretted electric bass guitar with a 30½-inch scale length.[7] The change to a "guitar" form made the instrument easier to hold and transport, and the addition of guitar-style frets enabled bassists to play in tune more easily and made the new electric bass easier to learn. However, Tutmarc's inventions never caught the public imagination, and little further development of the instrument took place until the 1950s.
1950s–1960s
Design patent issued to Leo Fender for the second-generation Precision BassIn the 1950s, Leo Fender, with the help of his employee George Fullerton, developed the first mass-produced electric bass.[8] His Fender Precision Bass, introduced in 1951, became a widely copied industry standard. The Precision Bass (or "P-bass") evolved from a simple, uncontoured "slab" body design similar to that of a Telecaster with a single coil pickup, to a contoured body design with beveled edges for comfort and a single four-pole "single coil pickup." This "split pickup", introduced in 1957, appears to have been two mandolin pickups (Fender was marketing a four string solid body electric mandolin at the time). Because the pole pieces of the coils were reversed with respect to each other, and the leads were also reversed with respect to each other, the two coils, wired in series, produced a humbucking effect (the same effect is achieved if the coils are wired in parallel).
Monk Montgomery was the first bass player to tour with the Fender bass guitar, with Lionel Hampton's postwar big band.[9] Roy Johnson, who replaced Montgomery in Hampton's band, and Shifty Henry with Louis Jordan & His Tympany Five, were other early Fender Bass pioneers.[8] Bill Black, playing with Elvis Presley, adopted the Fender Precision Bass around 1957.[10]
A Rickenbacker 4003; note the distinctive shape of the headstock.Following Fender's lead, Gibson released the violin-shaped EB-1 Bass in 1953,[11] followed by the more conventional-looking EB-0 Bass in 1959. As with Fender's designs, Gibson relied heavily upon an existing guitar design for this bass; the EB-0 was very similar to a Gibson SG in appearance (although the earliest examples have a slab-sided body shape closer to that of the double-cutaway Les Paul Special).
Whereas Fender basses had pickups mounted in positions in between the base of the neck and the top of the bridge, many of Gibson's early basses featured one humbucking pickup mounted directly against the neck pocket. The EB-3, introduced in 1961, also had a "mini-humbucker" at the bridge position. Gibson basses also tended to be smaller, sleeker instruments; Gibson did not produce a 34" scale bass until 1963 with the release of the Thunderbird, which was also the first Gibson bass to utilize dual-humbucking pickups in a more traditional position, about halfway between the neck and bridge.
Gibson EB-3.A small number of other companies also began manufacturing bass guitars during the 1950s: Kay in 1952, and Danelectro in 1956;[10] Rickenbacker and Höfner also produced models. With the explosion of the popularity of rock music in the 1960s many more manufacturers began making bass guitars.
First introduced in 1960, the Fender Jazz Bass was known as the Deluxe Bass and was meant to accompany the Jazzmaster guitar. The Jazz Bass (often referred to as a "J-bass") featured two single-coil pickups, one close to the bridge and one in the Precision bass' split coil pickup position, and was designed by Leo Fender to be an easier bass for a guitarist to play than the existing Precision Bass, due to the narrower nut (noted later). The earliest production basses had a 'stacked' volume and tone control for each pickup. This was soon changed to the familiar configuration of a volume control for each pickup, and a single, passive tone control. The Jazz Bass' neck was narrower at the nut than the Precision bass (1½" versus 1¾").
70's Fender Jazz Bass with maple fretboardAnother visual difference that set the Jazz Bass apart from the Precision is its "offset-waist" body. Pickup shapes on electric basses are often referred to as "P" or "J" pickups in reference to the visual and electrical differences between the Precision Bass and Jazz Bass pickups.
Fender also began production of the Mustang Bass; a 30" scale length instrument used by bassists such as Tina Weymouth of Talking Heads and Bill Wyman of The Rolling Stones ("P" and "J" basses have a scale length of 34", a design echoed on most current production electric basses of all makes).
In the 1950s and 1960s, the bass guitar was often called the "Fender bass", due to Fender's early dominance in the market for mass-produced bass guitars. The term "electric bass" began replacing "Fender bass" in the late 1960s, however, as evidenced by the title of Carol Kaye's popular bass instructional book in 1969 How to Play the Electric Bass.[12] The instrument is also referred to as an "electric bass guitar", or simply "bass".
1970s
Music Man Stingray Bass. Notice the pick-up placement that is ideal for slapping.The 1970s saw the founding of Music Man Instruments by Tom Walker, Forrest White and Leo Fender, which produced the StingRay, the first widely-produced bass with active (powered) electronics. This amounts to an impedance buffering pre-amplifier on-board the instrument to lower the output impedance of the bass's pickup circuit, increasing low-end output, and overall frequency response (more lows and highs). Specific models became identified with particular styles of music, such as the Rickenbacker 4001 series, which became identified with progressive rock bassists like Chris Squire of Yes, while the StingRay was used by Louis Johnson of the funk band The Brothers Johnson.
In 1971, Alembic established the template for what would subsequently be known as "boutique" or "high end" electric bass guitars. These expensive, custom-tailored instruments featured unique designs, premium wood bodies chosen and hand-finished by highly skilled luthiers, onboard electronics for preamplification and equalization, and innovative construction techniques such as multi-laminate neck-through-body construction and graphite necks. In the mid-1970s, Alembic and other "boutique" bass manufacturers such as Tobias, and Ken Smith produced 4- string basses and 5-string basses with a low "B" string. In 1975, bassist Anthony Jackson commissioned luthier Carl Thompson to a 6-string bass tuned (low to high) B, E, A, D, G, C.
1980s–2000s
An early 1980s-era Steinberger headless bassIn the 1980s, bass designers continued to explore new approaches. Ned Steinberger introduced a headless bass in 1979 and continued his innovations in the 1980s, using graphite and other new materials and (in 1984) introducing the Trans-Trem tremolo bar. In 1987, the Guild Guitar Corporation launched the fretless Ashbory bass, which used silicone rubber strings and a piezoelectric pickup to achieve a "double bass" sound with a short 18" scale length. In the late 1980s, MTV's "Unplugged" show, which featured bands performing with acoustic instruments, helped to popularize hollow-bodied acoustic bass guitars amplified with pickups.
During the 1990s, as five-string basses became more widely available and more affordable, an increasing number of bassists in genres ranging from metal to gospel began using five-string instruments for added lower range (a low "B" below the standard "E" string. Some bassists who performed a lot in a solo setting used five-string basses to get a higher range by adding a high "C" string as the fifth string. As well, the onboard battery-powered electronics such as preamplifiers and equalizer circuits, which were previously only available on expensive "boutique" instruments, became increasingly available on modestly priced basses.
In the 2000s, some bass manufacturers included digital modelling circuits inside the instrument to recreate tones and sounds from many models of basses (e.g., Line 6's Variax bass). Traditional bass designs such as the Fender Precision Bass and Fender Jazz Bass remain popular in the 2000s; in 2006, a 60th Anniversary P-bass was introduced by Fender, along with the introduction of the Fender Jaguar Bass.
Instruments handmade by highly skilled luthiers are becoming increasingly available. Bass bodies are typically made of wood although other materials such as graphite (for example, some of the Steinberger designs) have also been used. While a wide variety of woods are suitable for use in the body, neck, and fretboard of the bass guitar, the most common type of wood used for the body is alder, for the neck is maple, and for the fretboard is rosewood. Other commonly used woods include mahogany, maple, ash, and poplar for bodies, mahogany for necks, and maple and ebony for fretboards.
Other design options include finishes, such as lacquer, wax and oil; flat and carved designs; Luthier-produced custom-designed instruments; headless basses, which have tuning machines in the bridge of the instrument (e.g. Steinberger and Hohner designs) and several artificial materials such as luthite. The use of artificial materials (e.g. BassLab) allows for unique production techniques such as die-casting, to produce complex body shapes. While most basses have solid bodies, they can also include hollow chambers to increase the resonance or reduce the weight of the instrument. Some basses are built with entirely hollow bodies, which changes the tone and resonance of the instrument. Acoustic bass guitars are typically equipped with piezoelectric or magnetic pickups and amplified.
An Eston acoustic bass guitar, fretless but with fretlike markers, made in Italy in the 1980sMany exotic materials include woods such as bubinga, wenge, ovangkol, ebony and goncalo alves. Graphite composite is used to make lightweight necks[13][14] Exotic woods are used on more expensive instruments: for example, the company 'Alembic' is associated with the use of cocobolo as a body material or top layer because of its attractive grain. Warwick bass guitars are also well-known for exotic hardwoods: most of the necks are made of ovangkol, and the fingerboards wenge or ebony. Solid bubinga bodies are also used for tonal and aesthetic qualities.
The "long scale" necks used on Leo Fender's basses, giving a scale length (distance between nut and bridge) of 34", remain the standard for electric basses. However, 30" or "short scale" instruments, such as the Höfner Violin Bass, played by Paul McCartney, and the Fender Mustang Bass are popular, especially for players with smaller hands. While 35", 35.5" and 36" scale lengths were once only available in "boutique" instruments, in the 2000s, many manufacturers have begun offering these lengths, also called an "extra long scale." This extra long scale provides a higher string tension, which yields a more defined tone on the low "B" string of 5- and 6-stringed instruments (or detuned 4-string basses).
Another design consideration for the bass is whether to use frets on the fingerboard. On a fretted bass, the frets divide the fingerboard into semitone divisions (as on a guitar). The original Fender basses had 20 frets, but modern basses may have 24 or more. Fretless basses have a distinct sound, because the absence of frets means that the string must be pressed down directly onto the wood of the fingerboard as with the double bass. The string buzzes against the wood and is somewhat muted because the sounding portion of the string is in direct contact with the flesh of the player's finger. The fretless bass allows players to use the expressive devices of glissando, vibrato and microtonal intonations such as quarter tones and just intonation.
Some bassists use both fretted and fretless basses in performances, according to the type of material they are performing, as with Pino Palladino, whose performance on the fretless bass during the 1980s made him a highly desirable session player backing high profile musicians that included Eric Clapton, and David Gilmour. However, the late 1990s showed a shift toward fretted basses as well, as he branched out into a wide variety of genres. While fretless basses are often associated with jazz and jazz fusion, bassists from other genres use fretless basses, such as metal bassist Steve DiGiorgio and Colin Edwin of modern/progressive rock band Porcupine Tree.
Jazz fusion bassist Jaco Pastorius was known for his expressive fretless bass playing.The first fretless bass guitar was made by Bill Wyman in 1961 when he converted an inexpensive Japanese fretted bass by removing the frets.[15][16] The first production fretless bass was the Ampeg AUB-1 introduced in 1966, and Fender introduced a fretless Precision Bass in 1970. In the early 1970s, fusion-jazz bassist Jaco Pastorius created his own fretless bass by removing the frets[17] from a Fender Jazz Bass, filling the holes with wood putty, and coating the fretboard with epoxy resin.[18] Some fretless basses have "fret line" markers inlaid in the fingerboard as a guide, while others only use guide marks on the side of the neck. Tapewound (double bass type) and flatwound strings are sometimes used with the fretless bass so that the metal string windings will not wear down the fingerboard. Some fretless basses have fingerboards which are coated with epoxy to increase the durability of the fingerboard, enhance sustain and give a brighter tone. Although most fretless basses have four strings, five-string and six-string fretless basses are also available. Fretless basses with more than six strings are also available as "boutique" or custom-made instruments.
Like the electric guitar, the electric bass guitar is often connected to an amplifier and a speaker with a patch cord for live performances. Electric bassists use either a "combo" amplifier, which combines an amplifier and a speaker in a single cabinet, or an amplifier and a separate speaker cabinet (or cabinets). In some cases when the bass is being used with large-scale PA amplification, it is plugged into a "DI" or "direct box", which routes their signal directly into a mixing console, and thence to the main and monitor speakers. Recording may use a microphone setup for the amplified signal or a direct box feeding the recording console. The performer or producer may also use a blend of the miked and direct signals.
Various electronic bass effects such as preamplifiers, "stomp box"-style pedals and signal processors and the configuration of the amplifier and speaker can be used to alter the basic sound of the instrument. In the 1990s and early 2000s, signal processors such as equalizers, distortion devices, and compressors or limiters became increasingly popular. Synthesizing effects like chorus, flanging, phase shifting, delay, looping, etc. are less common on bass but are not unheard of, especially in the realm of "solo bass" performances.
Most bass players stand while playing, although sitting is also accepted, particularly in large ensemble settings, such as jazz big bands or in acoustic genres such as folk music. It is a matter of the player's preference as to which position gives the greatest ease of playing and what a bandleader expects. When sitting, right-handed players can balance the instrument on the right thigh or like classical guitar players, the left. Balancing the bass on the left thigh usually positions it in such a way that it mimics the standing position, allowing for less difference between the standing and sitting positions. Balancing the bass on the right thigh provides better access to the neck and fretboard in its entirety, especially lower frets.
In contrast to the upright bass (or double bass), the electric bass guitar is played horizontally across the body, like an electric guitar. When the strings are plucked with the fingers (pizzicato), the index and middle fingers (and sometimes with the thumb, ring, and pinky fingers as well) are used. James Jamerson, an influential bassist from the Motown era, played intricate bass lines using only his index finger, which he called "The Hook." There are also variations in how a bassist chooses to rest the right-hand thumb (or left thumb in the case of left-handed players). A player may rest his thumb on the top edge of one of the pickups or on the side of the fretboard, which is especially common among bassists who have an upright bass influence. Some bassists anchor their thumbs on the lowest string and move it off to play on the low string. Alternatively, the thumb can be rested loosely on the strings to mute the unused strings.
The string can be plucked at any point between the bridge and the point where the fretting hand is holding down the string; different timbres are produced depending on where along the string it is plucked. Some players are known for plucking near the bridge where the string is most taut, such as jazz fusion bassist Jaco Pastorius, whereas other bassists prefer the "looser" part of the string nearer to the fingerboard.
Bassists trying to emulate the sound of a double bass sometimes pluck the strings with their thumb and use palm-muting to create a short, "thumpy" tone. The late Monk Montgomery (who played in Lionel Hampton's band), Bruce Palmer (who performed with Buffalo Springfield) use thumb downstrokes. The use of the thumb was acknowledged by early Fender models, which came with a "thumbrest" or "Tug Bar" attached to the pickguard below the strings. Contrary to its name, this was not used to rest the thumb, but to provide leverage while using the thumb to pluck the strings. The thumbrest was moved above the strings in 1970s models and eliminated in the 1980s.
The slap and pop method, or "thumbstyle", most associated with funk, uses tones and percussive sounds achieved by striking, thumping, or "slapping" a string with the thumb and snapping (or "popping") a string or strings with the index or middle fingers. Bassists often interpolate left hand-muted "dead notes" between the slaps and pops to achieve a rapid percussive effect, and after a note is slapped or popped, the fretting hand may cause other notes to sound by using "hammer ons", "pull offs", or a left-hand glissando (slide). Larry Graham of Sly and the Family Stone and Graham Central Station was an early innovator of the slap style, and Louis Johnson of the The Brothers Johnson is also credited as an early slap bass player.
Slap and pop style is also used by many bassists in other genres, such as rock (e.g., J J Burnel and Les Claypool), metal (e.g. Eric Langlois, Fieldy and Ryan Martinie), and fusion (e.g. Marcus Miller, Victor Wooten (performing with Dave Matthews Band and Bela Fleck), and Alain Caron). Slap style playing was popularized throughout the 1980s and early 1990s by pop bass players such as Mark King (from Level 42) and rock bassists such as with Pino Palladino (currently a member of the John Mayer Trio and bassist for The Who),[36] Flea (from the Red Hot Chili Peppers) and Alex Katunich (from Incubus). Wooten popularized the "double thump," in which the string is slapped twice, on the upstroke and a downstroke (for more information, see Classical Thump). A rarely-used playing technique related to slapping is the use of wooden dowel "funk fingers", an approach popularized by Tony Levin.
Popular music bands and rock groups use the bass guitar as a member of the rhythm section, which provides the chord sequence or "progression" and sets out the "beat" for the song. The rhythm section typically consists of a rhythm guitarist and/or electric keyboard player, a bass guitarist and a drummer; larger groups may add additional guitarists, keyboardists, or percussionists.
The types of basslines performed by the bass guitarist vary widely from one style of music to another. Despite all of the differences in the styles of bassline, in most styles of popular music, the bass guitarist fulfills a similar role: anchoring the harmonic framework (often by emphasizing the roots of the chord progression) and laying down the beat (in collaboration with the drummer). The importance of the bass guitarist and the bass line varies in different styles of music. In some pop styles, such as 1980s-era pop and musical theater, the bass sometimes plays a relatively simple part, and the music forefronts the vocals and melody instruments. In contrast, in reggae or funk, entire songs may be centered on the bass groove, and the bassline is usually very prominent in the mix.
In traditional country music, folk rock, and related styles, the bass often plays the roots and fifth of each chord in alternation. In Chicago blues, the electric bass often performs a walking bassline made up of scales and arpeggios. In blues rock bands, the bassist often plays blues scale-based riffs and chugging boogie-style lines. In metal, the bass guitar may perform complex riffs along with the rhythm guitarist or play a low, rumbling pedal point to anchor the group's sound.
Bassist Robert Trujillo performing with metal band MetallicaThe bass guitarist sometimes breaks out of the strict rhythm section role to perform bass breaks or bass solos. The types of basslines used for bass breaks of bass solos vary by style. In a rock band, a bass break may consist of the bassist playing a riff or lick during a pause in the song. In some styles of metal, a bass break may consist of "shred guitar"-style tapping on the bass. In a funk or funk rock band, a bass solo may showcase the bassist's percussive slap and pop playing. In genres such as progressive rock, art rock, or progressive metal, the bass guitar player may play melody lines along with the lead guitar (or vocalist) and perform extended guitar solos. Other contemporary musicians, such as Edo Castro have taken the electric bass, including 4, 5, 6, 7, 8 & 9 strings, into a new and evolving genre centered entirely around the bass itself.
In other less mainstream genres, such as hardcore punk or metal, the pedagogical systems and training sequences are typically not formalized and institutionalized. As such, many players learn "by ear", by copying the basslines from records and CDs, and by playing in a number of bands. Even in non-mainstream styles, though, students may be able to take lessons from experienced players from these styles. As well, there are a range of books, playing methods, and, since the 1990s, instructional DVDs (e.g., on how to play metal bass).
A drum set (also drum kit or trap set) is a collection of drums, cymbals and sometimes other percussion instruments, such as cowbells, wood blocks, triangles, chimes, or tambourines, arranged for convenient playing by a single person (drummer).
The term "drum kit" seems to have come from Great Britain. It was first created in the 1700s. In the U.S., the terms "drum set", and "trap set" were more prevalent historically.
The individual instruments of a drum set are struck by a variety of implements held in the hand, including sticks, brushes, and mallets. Two notable exceptions include the bass drum, played by a foot-operated pedal, and the hi hat cymbals, which may be struck together using a foot pedal in addition to being played with sticks or brushes. Although other instruments can be played using a pedal, the feet are usually occupied by the bass drum and hi hat, and as a result the drummer plays in a seated position. Percussion notation is often used by drummers to signify which drum set components are to be played. A full size drum set without any additional percussion instruments has a bass drum, floor tom, snare drum, tom-toms, hi-hat cymbals, a ride cymbal and a crash cymbal.
Various music genres dictate the stylistically appropriate use of the drum kit's set-up. For example, in most forms of rock music, the bass drum, hi-hat and snare drum are the primary instruments used to create a drum beat, whereas in jazz, ride and snare patterns tend to be more prevalent.
Drum kits were first developed due to financial and space considerations in theaters where drummers were encouraged to cover as many percussion parts as possible. Up until then, drums and cymbals were played separately in military and orchestral music settings. Initially, drummers played the bass and snare drums by hand, then in the 1890s they started experimenting with footpedals to play the bass drum. William F. Ludwig made the bass drum pedal system workable in 1909, paving the way for the modern drum kit.
By World War I drum kits were characterized by very large marching bass drums and many percussion items suspended on and around it, and they became a central part of jazz music. Hi-hat stands appeared around 1926. Metal consoles were developed to hold Chinese tom-toms, with swing out stands for snare drums and cymbals. On top of the console was a "contraptions" (shortened to "trap") tray used to hold whistles, klaxons, and cowbells, thus drum kits were dubbed "trap kits."
By the 1930s, Ben Duncan and others popularized streamlined trap kits leading to a basic four piece drum set standard: bass, snare, tom-tom, and floor tom. In time legs were fitted to larger floor toms, and "consolettes" were devised to hold smaller tom-toms on the bass drum. In the 1940s, Louie Bellson pioneered use of two bass drums, or the double bass drum kit. With the ascendancy of rock and roll, the role of the drum kit player became more visible, accessible, and visceral. The watershed moment occurred between 1962 and 1964, when the Surfaris released "Wipe Out" and when Ringo Starr of The Beatles played his Ludwig kit on American television; events that motivated legions to take up the drums.
The trend toward bigger drum kits in Rock music began in the 1960s and gained momentum in the 1970s. By the 1980s, widely popular drummers like Billy Cobham, Carl Palmer, Bill Bruford, Phil Collins and Neil Peart were using large numbers of drums and cymbals[1] and had also begun using electronic drums. Double bass pedals were developed to play on one bass drum, eliminating the need for a second bass drum. In the 1990s and 2000s, many drummers in popular music and indie music have reverted back to basic four piece drum set standard.[2]
In the present, it is not uncommon for drummers to use a variety of auxiliary percussion instruments, found objects, and electronics as part of their "drum" kits. Popular electronics include: electronic sound modules; laptop computers used to activate loops, sequences and samples; metronomes and tempo meters; recording devices; and personal sound reinforcement equipment.
The exact collection of drum kit components depends on factors like musical style, personal preference, financial resources, and transportation options of the drummer. Cymbal, hi-hat, and tom-tom stands, as well as bass drum pedals and drummer thrones are usually standard. Most mass produced drum kits are sold in one of two five-piece configurations (referring to the number of drums only) which typically include a bass drum, a snare drum, two toms, and one floor tom. The standard sizes (sometimes called ‘rock’ sizes) are 22” (head size diameter) bass drum, 14” snare drum, 12” and 13” mounted toms, and a 16” floor tom. The other popular configuration is called "Fusion", a reference to Jazz Fusion music, which usually includes a 20” (or sometimes 22") bass drum, a 14” snare drum, and 10”, 12” mounted toms, and a 14” floor tom. The standard hardware pack includes a hi hat stand, a snare drum stand, two or three cymbal stands, and a bass drum pedal. Drum kits are usually offered as either complete kits which include drums and hardware, or as “shell packs” which include only the drums and perhaps some tom mounting hardware. Cymbals are usually purchased separately and are also available in either packs or as individual pieces, which enables the buyer to test for their perfect cymbal. In some Metal bands like Anthrax, Kreator, or Slayer, the drummers use a Double Bass pedal, or use 2 bass drums, instead of the standard 1 bass drum. Drummers that use the bass drum usually have their hi-hat unscrewed or have a different cymbal in place of the hi-hat, because of the extra kick pedal. Some drummers make use of a drop clutch, which is used to open or close the hi hat by tapping a device with the stick as an alternative to using the foot pedal.
Snare, tom and bass drum sizes are commonly expressed as diameter x depth, both in inches, for example 14 x 5.5 is a common snare drum size. However, some manufacturers, including Drum Workshop, Slingerland, and Tama Drums, use the opposite convention, and put the depth first, so they would call this size 5.5 x 14. Makers who use the diameter-first convention include Premier Percussion, Pearl Drums, Pork Pie Percussion, Ludwig-Musser, Sonor, Mapex, and Yamaha Drums
The standard sizes for a 5 piece, "2 up, 1 down" rock kit are: 22" x 18" bass drum, 12" x 9" rack tom, 13" x 10" rack tom, 16" x 16" floor tom and a 14" x 5.5" snare drum. Another common sized drum kit is a fusion set. A standard 5 piece fusion drum kit will consist of a 20" x 16" bass drum, 10" x 8" rack tom, 12" x 9" rack tom, 14" x 14" floor tom and a 14" x 5.5" snare drum.Jazz drum kits usually exclude the mid tom.
An electronic drum is a percussion instrument in which the sound is generated by an electronic waveform generator or sampler instead of by acoustic vibration.
When an electronic drum pad is struck, a voltage change is triggered in the embedded piezoelectric transducer (piezo) or force sensitive resistor (FSR). The resultant signals are transmitted to an electronic "drum brain" via TS or TRS cables, and are translated into digital waveforms, which produce the desired percussion sound assigned to that particular trigger pad. Most newer drum modules have trigger inputs for 2 or more cymbals, a kick, 3-4 toms, a dual-zone snare, (head and rim) and a hi-hat. The hi-hat has a foot controller which produces open and closed sounds with some models offering variations in-between. By having the ability to assign different sounds to any given pad, the electronic drummer has nearly unlimited potential for configuring many different sounding drum kits from one set of electronic drums. Additionally, electronic drummers can sample non-percussive sounds and use them as drum sounds, as is the case with most industrial music. Many see this as a great advantage over acoustic drums, as one can have a jazz, rock or ballad drumset by merely changing the kit selector switch on the module.
From an interview with Graeme Edge of The Moody Blues:
Question- "One of the strangest pieces was 'Procession' (Every Good Boy Deserves Favour, 1971) which featured the pioneering work of Graeme Edge's electronic drum kit. How did that come about?"
Graeme- "...I'd got in touch with the professor of electronics at Sussex University, Brian Groves. We worked up an electronic drum kit, a marvelous idea. I had the control panel in front of me, it's old hat now but we were the first to do it. There were pieces of rubber with silver paper on the back with a silver coil that moved up and down inside a magnet that produced a signal, so it was touch sensitive. I had 5 snares across the top and then ten tom-toms and then a whole octave of bass drums underneath my feet and then four lots of 16 sequencers, two on each side. There was a gap—to play a space—a tambourine, ebony stick, snare and three tom-toms. This was pre-chip days, back then you did it all with transistors. So it had something like 500 transistors. The electronic drums inside looked something like spaghetti. When it worked it was superb, but it was before its day, because it was so sensitive..."
Many drummers claim that early electronic drums gave only an approximation of the sound of acoustic drums, as there were often technical issues with triggering, as well as musical issues such as decreased range of dynamic and tonal subtlety. Consequently, the pioneering electronic drumsets such as the early Pollard Syndrum, Simmons and Yamaha models, were often used for certain types of rock, disco and techno genres in which the drums were usually expected to play a specific pattern or beat repeatedly with no variation in timbre. These were little more than manual sequencers, except for the Pollard Syndrum which was the first pro recording studio quality electronic drum. It had timbre, reliable triggering and full dynamic audio range beyond the human ear. The Pollard Syndrum is still highly sought after by pro drummers and musicians for recording.
It should be noted that there are inexpensive low-end drums and modules currently in production whose quality is just marginally better than some of their pioneering counterparts. For the most part, these new electronic drums are targeted toward the hobbyist or novice drummer.
Newer drum kits have addressed many of the shortcomings of early electronic drums. While each of these manufacturers have entry-level units, the professional kits are geared toward creating a sound and playing experience that is nearly indistinguishable from a quality acoustic kit. Examples include the Yamaha DTXtreme IIS, the DDrum4SE and Roland's TD-12 and TD-20 V-Drums, having 2006 MSRPs ranging between $2,195.00 and $6,699.00. [1] Typically, these high-end kits are equipped with:
High quality digital sounds- These modules offer options ranging from high quality modeled drum sounds (Roland and Yamaha) to actual 24 bit samples (DDrum4SE - no longer in production) of actual percussion sounds with hundreds of samples from which to choose. Yamaha's DTXtreme IIs even offers the ability to store user-generated samples in the module (up to 8 MB).
Positional sensing and dynamic impact detection- The module can detect which area of the drum head is impacted, and provide a sample representative of that strike on an acoustic head. Additionally, the volume and timbre of the strike is dependent on the strength of the impact.
Multiple triggers- Snares and Toms have impact zones for both the head and the rim, allowing for rim and cross shots as well as shell tapping. Cymbals can accommodate zones for edge, bow and bell strikes.
Realistic Hi-Hats- These are mounted on standard stands, and allow for actual open and closed foot playing. An electronic module within the unit detects the movement and provides variations of open, partially open, and closed samples as played, with different sounds assigned to a foot close, and a quick close-open.
Multiple outputs- These modules have multiple 'outs' to the sound board such that each percussion group (ie. Toms, Cymbals, etc) can be independently mixed (like the multiple miking of an acoustic kit). Additionally, these groups have independent volume faders on the module to fine tune volume settings for each group.
Expansion slots/MIDI connections- for upgrading samples and software as they are improved through continuing R&D efforts, as well as control of external devices. Many users have taken to utilizing their electronic drum kits as controllers for computer based instruments/plugins. The increased processing power provided by this option allows the user to utilize actual, randomized samples of professionally recorded drums. The result is phenomenally credible nuance and, by many accounts, an indistinguishable replacement for traditionally recorded drums.
Companies that produce electronic drum modules, trigger pads, and acoustic triggers:
Akai Professional
Alesis
Alternate Mode
Awowo Tech
Boom Theory
Dauz
Ddrum
Drum Tech
Hart Dynamics
Synesthesia Mandala Drums
Pintech
RET Percussion
Roland Corporation
V-Drums.com
Sherpa
Simmons
Smartrigger
Staff Drum
Wirges Percussion
XM company
Yamaha Corporation
2box
A drum machine is an electronic musical instrument designed to imitate the sound of drums and/or other percussion instruments. Drum machines are very useful instruments for a wide variety of musical genres, not just purely electronic music. They are also a common necessity when session drummers are not available or desired.
Most modern drum machines are sequencers with a sample playback (rompler) or synthesizer component that specializes in the reproduction of drum timbres as well as the sound of other traditional percussion instruments. Though features vary from model to model, many modern drum machines can also produce unique sounds (though usually percussive in nature), and allow the user to compose unique drum beats.
The famous Roland TR-808 was also launched in 1980. At the time it was received with little fanfare, as it did not have digitally sampled sounds; drum machines using digital samples were much more popular. In time, though, the TR-808, along with its successor, the TR-909 (released in 1983), would become a fixture of the burgeoning underground dance, techno, and hip-hop genres, mainly because of its low cost (relative to that of the Linn machines), and the unique character of its analogue-generated sounds. In a somewhat ironic twist it is the analogue-based Roland machines that have endured over time as the Linn sound became somewhat overused and dated by the end of the decade. The TR-808 and TR-909's beats have since been widely featured in pop music, and can be heard on countless recordings up to the present day.
Because these early drum machines came out before the introduction of MIDI in 1983, they used a variety of methods of having their rhythms synchronized to other electronic devices. Some used a method of synchronization called DIN-sync, or sync-24. Some of these machines also output analog CV/Gate voltages that could be used to synchronize or control analog synthesizers and other music equipment. The Oberheim DMX came with a feature allowing it to be synchronized to its proprietary Oberheim Parallel Buss interfacing system, developed prior to the introduction of MIDI.
By the year 2000, standalone drum machines became much less common, being partly supplanted by general-purpose hardware samplers controlled by sequencers (built-in or external), software-based sequencing and sampling and the use of loops, and music workstations with integrated sequencing and drum sounds. TR-808 and other digitized drum machine sounds can be found in archives on the Internet. However, traditional drum machines are still being made by companies such as Roland Corporation (under the name Boss), Zoom, Korg and Alesis, whose SR-16 drum machine has remained popular since it was introduced in 1991.
There are percussion-specific sound modules that can be triggered by pickups, trigger pads, or through MIDI. These are called drum modules; the Alesis D4 and Roland TD-8 are popular examples. Unless such a sound module also features a sequencer, it is, strictly speaking, not a drum machine.
Cymbals are a common percussion instrument. Cymbals consist of thin, normally round plates of various alloys; see cymbal making for a discussion of their manufacture. The greater majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sound a definite note (see: crotales). Cymbals are used in many ensembles ranging from the orchestra, percussion ensembles, jazz bands, heavy metal bands, and marching groups. Drum kits usually incorporate at least one suspended cymbal and a pair of hi-hat cymbals.
The origins of cymbals can be traced back to prehistoric times. The ancient Egyptian cymbals closely resembled modern instruments. The British Museum possesses two pairs of Egyptian cymbals which are thirteen centimeters in diameter, and one of which was found in the coffin of the mummy of Ankhhape, a sacred musician. Those used by the Assyrians were both plate- and cup-shaped, those of the Ancient Persians large-sized plates, made of brass, known as Sanj. The Greek cymbals were cup- or bell-shaped, and may be seen in the hands of innumerable fauns and satyrs in sculptures and on painted vases. The word cymbal is derived from the Latin cymbalum, which itself derives from the Greek word kumbalom, meaning a small bowl.
The anatomy of the cymbal plays a large part in the sound it creates.[1] The hole is drilled in the center of the cymbal and it is used to either mount the cymbal on a stand or straps (for hand playing). The bell, dome, or cup is the raised section immediately surrounding the hole. The bell produces a higher "pinging" pitch than the rest of the cymbal. The bow is the rest of the surface surrounding the bell. The bow is sometimes described in two areas: the ride and crash area. The ride area is the thicker section closer to the bell while the crash area is the thinner tapering section near the edge. The edge or rim is the immediate circumference of the cymbal.
Cymbals are measured by their diameter often in inches or centimeters. The size of the cymbal affects its sound, larger cymbals usually being louder and having longer sustain. The weight describes how thick the cymbal is. Cymbal weights are important to the sound they produce and how they play. Heavier cymbals have a louder volume, more cut, and better stick articulation (when using drum sticks). Thin cymbals have a fuller sound and faster response.
The profile of the cymbal is the vertical distance of the bow from the bottom of the bell to the cymbal edge (higher profile cymbals are more bowl shaped). The profile affects the pitch of the cymbal; Higher profile cymbals have higher pitch.
Cymbals offer a composer nearly endless amounts of color and effect. Their unique timbre allows them to project even against a full orchestra and through the heaviest of orchestrations and enhance articulation and nearly any dynamic. Cymbals have been utilized historically to suggest frenzy, fury or bacchanalian revels, as seen in the Venus music in Wagner's Tannhäuser, Grieg's Peer Gynt suite, and Osmin's aria "O wie will ich triumphieren" from Mozart's Die Entführung aus dem Serail.
Orchestral crash cymbals are traditionally used in pairs, each one having a strap set in the bell of the cymbal by which they are held. Such a pair is known in various terms as a pair of clash cymbals, crash cymbals, or plates.
The sound can be obtained by rubbing their edges together in a sliding movement for a "sizzle", striking them against each other in what is called a "crash", tapping the edge of one against the body of the other in what is called a "tap-crash", scraping the edge of one from the inside of the bell to the edge for a "scrape" or "zischen," or shutting the cymbals together and choking the sound in what is called a "hi-hat chick" or crush. A skilled player can obtain an enormous dynamic range from such a pair of cymbals. For example, in Beethoven's ninth symphony, the percussionist is employed to first play cymbals at pianissimo, adding a touch of colour rather than loud crash.
Clash cymbals are usually damped by pressing them against the player's body. A composer may write laissez vibrer, "Let vibrate" (usually abbreviated l.v.), secco (dry), or equivalent indications on the score; more usually, the player must judge exactly when to damp the cymbals based on the written duration of crash and the context in which it occurs.
Clash cymbals have traditionally been accompanied by the bass drum playing an identical part. This combination, played loudly, is an effective way to accentuate a note since the two instruments together contribute to both very low and very high frequency ranges and provide a satisfying "crash-bang-wallop". In older music the composer sometimes provided just one part for this pair of instruments, writing senza piatti or piatti soli (Italian: "without cymbals" or "cymbals only") if the bass drum is to remain silent. However, the modern convention is for the instruments to have independent parts.
Clash cymbals evolved into the low-sock and from this to the modern hi-hat. Even in a modern drum kit, they remain paired with the bass drum as the two instruments which are played with the player's feet. However, hi-hat cymbals tend to be heavy with little taper, more similar to a ride cymbal than to a crash cymbal as found in a drum kit, and perform a ride rather than a crash function.
Another use of cymbals is the suspended cymbal. This instrument takes its name from the traditional method of suspending the cymbal by means of a leather strap or rope, thus allowing the cymbal to vibrate as freely as possible for maximum musical effect. Early jazz drumming pioneers borrowed this style of cymbal mounting during the early 1900s and later drummers further developed this instrument in to the mounted horizontal or nearly horizontally mounted "crash" cymbals of a modern drum kit.
Suspended cymbals can be played with sponge or cord wrapped mallets. The first known instance of using a sponge-headed mallet on a cymbal is the final chord of Hector Berlioz' Symphonie Fantastique. Composers sometimes specifically request other types of mallets like yard or felt mallets or timpani beaters for different attack and sustain qualities, although a cord-wrapped mallet is generally accepted by percussionists as the best implement to use on the instrument.
Suspended cymbals can produce bright and slicing tones when forcefully struck, and give an eerie transparent "windy" sound when played quietly. A tremolo, or roll (played with two mallets alternately striking on opposing sides of the cymbal) can build in volume from almost inaudible to an overwhelming climax in a satisfyingly smooth manner (as in Humperdink's Mother Goose Suite).
The edge of a suspended cymbal may be hit with shoulder of a drum stick to obtain a sound somewhat akin to that of a pair of clash cymbals. Other methods of playing include scraping a coin or a triangle beater rapidly across the ridges on the top of the cymbal, giving a "zing" sound (as in the fourth movement of Dvořák's Symphony No. 9). Other effects that can be used include drawing a cello or bass bow across the edge of the cymbal for a sound not unlike squealing car brakes.
List of Cymbal Types
China cymbal
Clash cymbal
Crash cymbal
Hi-hat
Ride cymbal
Sizzle cymbal
Splash cymbal
Swish cymbal
Metal stands and holders are used to support percussion instruments or microphones. Floor stands are often tripods and telescoping. Snare drum stands have three arms as a "basket" to cradle the drum. Tom-Tom stands and holders may sit on the floor or be clamped through a mounting bracket on top of a bass drum, and have extending rods which attach to clamps on the tom-tom. Cymbal stands have a threaded bolt or "cymbal post" to hold a cymbal down with a nut. Cymbal "stackers" allow additional cymbals to be added to an existing stand.
Tom-tom and cymbal stands may have a "boom arm" attached to extend holder reach, and a "tilter" to move instruments into a desired position. Smaller "clamp holders" may also be used to attach more instruments to existing stands. Drum "racks" are stands surrounding a drum kit onto which percussion instrument holders may be clamped. "Memory locks" are clamps used to make drum and telescoping positions permanent.
Hi-hat stands, remote hi-hats, and X-hats are also considered to be hardware.[1]
The drum "throne" is a three or four-legged padded seat or stool the drummer sits on while playing. Thrones may be shaped like round cushions or in a saddle design. Throne heights may be adjusted to accommodate the drummer.[1]
Bass drum pedals, timpani pedals, and hi-hat pedals are considered to be drum hardware.[1]
A synthesizer (or synthesiser) is an electronic instrument that is capable of producing a variety of sounds by generating and combining signals of different frequencies. Synthesizers create electrical signals, rather than direct acoustic sounds, which are then played through a loudspeaker or set of headphones.
Synthesizers are typically, but not exclusively, controlled with a piano-style keyboard, leading the instruments to occasionally be referred to simply as "keyboards". Synthesizers can produce a wide range of sounds, which can either imitate other instruments, such as flutes or guitars, or generate unusual new timbres.
The first electric synthesizer was invented in 1876 by Elisha Gray, who is best known for his development of a telephone prototype.[1][2] Robert Moog created a revolutionary synthesizer which was used in 1968 by Wendy Carlos in Switched-On Bach, a popular recording which introduced many musicians to the sound of synthesizers. In the 1970s, the development of miniaturized solid-state components allowed synthesizers to become self-contained, portable instruments, making them easier to use in concerts. By the early 1980s, companies such as Yamaha began selling compact, modestly-priced synthesizers such as the DX7, while the development of Musical Instrument Digital Interface (MIDI) made it easier to integrate and synchronize synthesizers with other electronic instruments. In the 1990s, complex synthesizers no longer required specialist hardware and began to appear as software for the PC, often as hardware emulators with on-screen knobs and panels.
Synthesizers generate sounds through various analog and digital techniques. Early synthesizers were analog hardware based, but almost all modern synthesizers use a combination of DSP software and hardware, or are strictly software based (see softsynth). These digital synthesizers often emulate analog hardware components. A common feature is that the sound is very controllable by the operator, with many parameters which may include:
waveform generators (oscillators) - add harmonic frequency components to the sound, modifying the timbre or colour of the sound
ADSR envelopes - modify the amplitude (volume) envelope of the produced note
LFO - an oscillator with adjustable frequency that can be used to modulate many parameters of the sound. As an example, when applied to volume can create a warbling or tremolo effect, and vibrato when applied to the pitch.
Filters - shape the sound generated by the oscillators
Because the sound is so controllable, synthesizers are capable of emulating other instruments with varying degrees of accuracy.
Modern synthesizers typically look like piano keyboards with many additional knob and button controls. These are integrated controllers, where the sound synthesis electronics are integrated into the same package as the controller. This has not always been the norm: many early synthesizers were modular, and most modern synthesizers may be controlled by MIDI.
Another common form of synthesizer is as a virtual instrument, and in this case the controller is necessarily separate. Some commercial programs offer quite lavish and complex models of classic synthesizers -- everything from the Yamaha DX7 to the original Moog modular.
Like conventional instruments, synthesizers are controlled in other various ways.
Fingerboards
Wind control
Midi controls, such as
guitar
drum pad
music sequencers
Body Movements
Tangible interfaces[1]
A fingerboard synth uses a ribbon controller or other fingerboard-like user interface used to control parameters of the sound processing. A ribbon controller is similar to a touchpad. However, most ribbon controllers only register linear motion. Although it could be used to operate any sound parameter, a ribbon controller is most commonly associated with pitch control or pitch bending.
Older fingerboards used resistors with a long wire pressed to the resistive plate. Modern ribbon controllers do not contain moving parts. Instead, a finger pressed down and moved along it creates an electrical contact at some point along a pair of thin, flexible longitudinal strips whose electric potential varies from one end to the other. Different fingerboards instruments were developed like the Ondes Martenot, Hellertion, Heliophon, Trautonium, Electro-Theremin, Fingerboard-Theremin and the The Persephone.
A ribbon controller is used as an additional controller in the Yamaha CS-80 and CS-60, the Korg Prophecy, the Kurzweil synthesizers, Moog synthesizers and many others. Ribbon controllers can serve as a main MIDI controller instead of keyboard (Continuum).
The synthesizer has had a large impact on modern music over the past forty years.[3] The first significant influence of the instrument came during the 1970s and 1980s. Wendy Carlos's Switched-On Bach (1968), recorded using Moog synthesizers, influenced numerous musicians of that era. Switched-On Bach is one of the most popular classical music recordings ever made, and the first to go Platinum.[4] During the late 1960s, hundreds of other popular recordings used Moog synthesizers. The Moog synthesizer spawned a subculture of record producers who made novelty "Moog" recordings, using synthesizers to create new sounds to draw attention and sales. Musicians such as Richard Wright of Pink Floyd used the Moog and other synthesizers extensively.
The synthesizer's notable influence during the late 1970s and 1980s led to mainstream popularity among renowned music artists. The first major artists to fully use the synthesizer included Wendy Carlos,[4], Emerson, Lake & Palmer, Jean Michel Jarre, Pete Townshend, Arthur Brown, Giorgio Moroder, Vangelis, Larry Fast, Tangerine Dream, Kitaro, Stevie Wonder, Peter Gabriel, Kate Bush, Kraftwerk, Ultravox, Frank Zappa and Yellow Magic Orchestra. English musician Gary Numan was influenced by Kraftwerk, Ultravox and David Bowie. Numan's 1979 hit Are 'Friends' Electric? used synthesizers heavily.[5] Numan continued to use synthesizers throughout most of his career, including the 1980 hit Cars.[6]
Both the Roland Jupiter-4 and Jupiter-8 synthesizers were used by New Wave band Duran Duran during the early 1980s.The influence of synthesizers on the Synthpop movement in the United Kingdom during the 1980s was evident from its usage by Nick Rhodes, keyboardist of Duran Duran, who used Roland Jupiter-4 and Jupiter-8 synthesizers.[7] The emergence of Synthpop, a subgenre of New Wave, can be largely credited to the synthesizer. It lasted from the late 1970s to the mid 1980s. The influences of synthesizer technology and Germanic ambience of Kraftwerk and of David Bowie during his Berlin period (1976-77) were both crucial in the development of the synthpop genre.[8] By 1981, many artists had adopted the synthpop sound and experienced chart success, such as Depeche Mode, Visage, Japan, OMD, and Ultravox.[8] Duran Duran and Spandau Ballet were classed as leaders of the genre in 1981. Many other acts followed, including Soft Cell, Culture Club, Eurythmics and Blancmange, by which time synthesizers were one of the most important instruments within the music industry.[8]
The synthesizer introduced many recognizable sounds in the 1980s. OMD's Enola Gay (1980) used a distinctive electronic percussion and synthesized melody. Soft Cell used a synthesized melody in their 1981 hit Tainted Love.[9] Other chart hits include Depeche Mode's Just Can't Get Enough (1981),[9] and The Human League's Don't You Want Me.[10] The sounds varied between artists and songs, but all were distinctively produced using synthesizers.[11]
In 1970, Moog designed an innovative synthesizer with a built-in keyboard and without modular design - the analog circuits were retained, but made interconnectable with switches in a simplified arrangement called "normalization". Though less flexible than a modular design, normalization made the instrument more portable and easier to use. This first pre-patched synthesizer, the Minimoog, became highly popular, with over 12,000 units sold.[18] The Minimoog also influenced the design of nearly all subsequent synthesizers, with integrated keyboard, pitch wheel and modulation wheel, and a VCO->VCF->VCA signal flow.
In the 1970s miniaturized solid-state components allowed synthesizers to become self-contained, portable instruments, which soon began to be used in live performances. Electronic synthesizers had quickly become a standard part of the popular-music repertoire. The first movie to make use of synthesized music was the James Bond film On Her Majesty's Secret Service in 1969. After the release of the film, a large number of movies were made with synthesized music. A few of them, such as 1982's John Carpenter's "The Thing", used only synthesized music in their scores.[19]
By 1976, the first true music synthesizers to offer polyphony had begun to appear, most notably in the form of the Yamaha GX1, CS-50, CS-60 and Yamaha CS-80 and the Oberheim Four-Voice. These early instruments were very complex, heavy, and costly. Another feature that began to appear was the recording of knob settings in a digital memory, allowing the changing of sounds quickly. When microprocessors first appeared on the scene in the early 1970s, they were expensive and difficult to apply.
The first practical polyphonic synth, and the first to use a microprocessor as a controller, was the Sequential Circuits Prophet-5 introduced in late 1977.[20] For the first time, musicians had a practical polyphonic synthesizer that allowed all knob settings to be saved in computer memory and recalled by pushing a button. The Prophet-5 was also physically compact and lightweight, unlike its predecessors. This basic design paradigm became a standard among synthesizer manufacturers, slowly pushing out the more complex and recondite modular design. One of the first real-time polyphonic digital music synthesizers was the Coupland Digital Music Synthesizer. It was much more portable than a piano but never reached commercial production.
A Fairlight CMI keyboard, featuring signatures from 43 celebrity musicians, composers and producers.The Fairlight CMI (Computer Musical Instrument) was the first polyphonic digital sampling synthesizer.[21] It was designed in 1978 by the founders of Fairlight, Peter Vogel and Kim Ryrie, and based on a dual microprocessor computer designed by Tony Furse in Sydney, Australia. The Fairlight CMI gave musicians the ability to modify volume, attack, decay, and special effects like vibrato. Waveforms could also be modified on a computer monitor using a light pen.[22] It rose to prominence in the early 1980s and competed in the market with the Synclavier from New England Digital. The first buyers of the new system were Herbie Hancock, Peter Gabriel, Richard James Burgess, Todd Rundgren, Nick Rhodes of Duran Duran, producer Rhett Lawrence, Stevie Wonder and Ned "EBN" Liben of Ebn Ozn, who acted as Fairlight's New York expert liaison to the American musician community.[23]
The Kurzweil K250, first produced in 1983, was also a successful polyphonic digital music synthesizer.[24] It was noted for its ability to reproduce several instruments synchronously; the Kurzweil K250 also had a velocity-sensitive keyboard. It was priced at US$ 10,000.[25]
Most new synthesizers since the mid to late 1980s have been digital. Japanese manufacturers Yamaha and Casio both influenced digital synthesizers during the 1980s and 1990s. John Chowning, a professor at Stanford University, exclusively licensed his FM synthesis patent to Yamaha in 1975.[26] Yamaha subsequently released their first FM synthesizers, the GS-1 and GS-2, which were costly and heavy. The GS series followed, which used a pair of smaller, preset versions—the CE20 and CE25 Combo Ensembles. These models were targeted primarily at the home organ market and featured four-octave keyboards.[27] Yamaha's third generation of digital synthesizers was a commercial success; it consisted of the DX7 and DX9 (1983). Both models were compact, reasonably priced, and dependent on custom digital integrated circuits to produce FM tonalities. The DX7 was the first mass market all-digital synthesizer.[28] It became indispensable to many music artists of the 1980s, and demand soon exceeded supply.[29] The DX7 sold over 200,000 units within three years.[30]
After the introduction of the DX series, Bo Tomlyn, original DX7 project manager Mike Malizola, and Chuck Monte founded Key Clique, Inc, which sold thousands of ROM cartridges with new FM/DX7 sounds to DX7 owners. This led to the demise of the heavy, electro-mechanical Rhodes piano during the 1980s, until its comeback in the 1990s. Yamaha later licensed its FM technology to other manufacturers. When the Stanford patent expired, many personal computers already contained an audio input-output system with a built-in 4-operator FM digital synthesizer. Following the success of Yamaha's licensing of Stanford's FM synthesis patent, Yamaha signed a contract with Stanford University in 1989 to develop jointly digital waveguide synthesis. As such, most patents related to the technology are owned by Stanford or Yamaha. The first commercial physical modeling synthesizer was Yamaha's VL-1 in 1994.[31].
Analog synthesizers have also revived in popularity since the 1980s. In recent years, the two trends have sometimes been combined as analog modeling synthesizers, or digital synthesizers that model analog synthesis using digital signal processing techniques. New analog synthesizers now also accompany the large number from the digital world, including its many Software synthesizers.
hesizers became easier to integrate and synchronize with other electronic instruments and controllers with the introduction of Musical Instrument Digital Interface (MIDI) in 1983.[32] First proposed in 1981 by engineer Dave Smith of Sequential Circuits, the MIDI standard was developed by a consortium now known as the MIDI Manufacturers Association.[33] MIDI is an opto-isolated serial interface and communication protocol.[33] It provides for the transmission from one device or instrument to another of real-time performance data. This data includes note events, commands for the selection of instrument presets (i.e. sounds, or programs or patches, previously stored in the instrument's memory), the control of performance-related parameters such as volume, effects levels and the like, as well as synchronization, transport control and other types of data. MIDI interfaces are now almost ubiquitous on music equipment and are commonly available on personal computers (PCs).[33]
The General MIDI (GM) software standard was devised in 1991 to serve as a consistent way of describing a set of over 200 tones (including percussion) available to a PC for playback of musical scores.[34] For the first time, a given MIDI preset would consistently produce an instrumental sound on any GM-conforming device. The Standard MIDI File (SMF) format (extension .mid) combined MIDI events with delta times - a form of time-stamping - and became a popular standard for exchange of music scores between computers. In the case of SMF playback using integrated synthesizers (as in computers and cell phones), the hardware component of the MIDI interface design is often unneeded.
Open Sound Control (OSC) is a proposed replacement for MIDI, and is designed for online networking. In contrast with MIDI, OSC allows thousands of synthesizers or computers to share music performance data over the Internet in realtime.
A digital piano is a modern electronic musical instrument designed to serve primarily as an alternative to a traditional piano, both in the way it feels to play and in the sound produced. Some digital pianos are also designed to look like an acoustic piano. While digital pianos may fall short of the genuine article in feel and sound, they nevertheless have many advantages over normal pianos:
Compared to acoustic pianos, digital pianos are generally less expensive.
Most models are smaller and considerably lighter, but there are large ones as well.
They have no strings and thus do not require tuning.
Depending on the digital piano, they may include many more instrument sounds including strings, guitars, organs, and more.
They are much more likely to incorporate a MIDI implementation.
They may have more features to assist in learning and composition.
They usually include headphone output.
They often have a transposition feature.
They do not require the use of microphones, eliminating the problem of audio feedback in sound reinforcement, as well as simplifying the recording process.
In most implementations, a digital piano produces a variety of piano timbres and usually other sounds as well. For example, a digital piano may have settings for a concert grand piano, an upright piano, a tack piano, and various electric pianos such as the Fender Rhodes and Wurlitzer. Some digital pianos incorporate other basic "synthesizer" sounds such as string ensemble, for example, and offer settings to combine them with piano.
The sounds produced by a digital piano are samples stored in ROM. Despite the fact that a digital piano plays samples, it is not a sampler because it lacks the ability to record samples. It does, however, qualify as a rompler.
The samples stored in digital pianos are usually of very high quality and made using world class pianos, expensive microphones, and high-quality preamps in a professional recording studio[citation needed].
Digital pianos do have limitations on the faithfulness with which they reproduce the sound of an acoustic piano. These include the lack of implementation of harmonic tones that result when certain combinations of notes are sounded, limited polyphony, and a lack of natural reverberation when the instrument is played percussively. They often lack the incidental acoustic noises associated with piano playing, such as the sounds of pedals being depressed and the associated machinery shifting within the piano, which some actually consider a benefit. These limitations apply to most acoustic instruments and their sampled counterparts, the difference often being described as "visceral".
For the vast majority of listeners, however, professional recordings made with a digital piano are difficult or impossible to distinguish from a recording made with a real piano.
Many digital pianos include an amplifier and loudspeakers so that no additional equipment is required to play the instrument. Some do not. Most digital pianos incorporate headphone output.
The physical form of a digital piano can vary considerably. Most vaguely resemble a low upright piano (but usually lacking a fully enclosed lower section). Others, notably Yamaha's "GranTouch" range are based on the casework of traditional upright or grand instruments. An opposite and recent trend is to produce an instrument which has a unique and distinctive appearance, unobtainable with a conventional instrument. Yamaha makes a model which is designed to stand against a wall and is far shallower from keyboard to back than any possible upright design.
Yet another form is the "stage piano", designed for use with a live band. This type of digital piano normally makes no attempt to imitate the physical appearance of an acoustic piano, rather resembling a modern synthesizer or music workstation. A distinguishing feature of most stage pianos is a lack of internal loudspeakers and amplification - it is normally assumed that a powerful keyboard amplifier or PA system will be used.
There are also digital piano modules, which are simply keyboardless sound modules chiefly containing piano samples. One early example of a digital piano module is the Roland MKS-20 Digital Piano.
Just like a traditional piano, a digital piano features a keyboard. A digital piano's keyboard is weighted to simulate the action of a traditional piano and is velocity sensitive so that the volume of the sounds depends on how fast the keys are pressed. Many instruments now have a complex action incorporating actual hammers in order to better simulate the touch of a grand piano[1]; these hammers do not actually hit strings, but since a real piano's hammer is in free flight when it contacts the string it could be argued that this difference would not affect the instrument's touch anyway.
Many digital pianos, especially those which physically resemble a piano, have built-in pedals which modify the instrument's behavior in the same way pedals on a regular piano do. As with traditional pianos, some digital pianos omit the sostenuto and/or the una corda pedals. Some digital pianos have jacks for pedals to be attached at the user's option.
Most digital pianos implement a variety of features not found on a traditional piano.
Digital pianos are implemented for MIDI, so they can control or be controlled by other electronic instruments and sequencers. They may also have a disk drive or other external media slot to load MIDI data, which the piano can play automatically. In this way, a digital piano can function as a player piano.
Some digital pianos have a built-in sequencer to aid in composition. They usually let you record a minimum of 2 tracks.
A digital piano may have lights associated with keys so that a beginning piano player can learn a piece by playing lit keys.
Some digital pianos can transpose music as it is played. This allows the pianist to play a piece using the fingering of a familiar key while the piece is actually heard in another.
A standard piano creates natural reverberation inside its soundboard and in the room where it is played. Digital pianos often have a feature to electronically simulate reverb as well. Other digital pianos may have additional reverberation options such as a "stage simulation."
In addition to reverberation, some (as seen on Yamaha's and Kawai's websites) have additional effects to add to the sound such as a "chorus" effect.
Other typical high-quality voices that go along with piano are strings, harpsichords, organs, etc.
Since the 1980s, computers and digital pianos have connected via MIDI to perform various functions such as software synthesis (computer-generated sound), musical notation (printing of music), Musical sequencer (recording of MIDI and digital audio) and interactive music lessons (from lesson supplements to complete courses of study). Since 2000, a generation of CEMI (Computer Enhanced Musical Instruments) has emerged that incorporates software and internet technologies into musical instruments.
The ePiano is one example of how CEMI technology is incorporated into digital pianos.
A digital piano is essentially nothing more than a keyboard controller married to a sample playback device which specializes in piano sounds. Other electronic instruments are capable of playing piano samples. These include sample-based synthesizers, hardware and software samplers, sound modules, and music workstations. These instruments may contain piano samples as good as or perhaps even better than a digital piano. Keyboard controllers (keyboards which make no sounds on their own) are also available from many manufacturers and vary greatly in feel and feature set. Thus, one can combine a favorite controller and instrument and effectively have everything that a digital piano delivers.
Acoustic pianos can be made to compensate for some of the advantages which digital pianos ordinarily hold over them. Pianos may be retrofitted with or designed to include a MIDI interface, allowing them to control or, with the addition of electromechanical actuators under each key, be controlled by other MIDI hardware. (See player piano for more information.)
Manufacturers continue to develop technology of both sound and feel. Quality and cost are highly correlated.[citation needed] Well-known manufacturers of digital pianos include Yamaha, Roland, Kurzweil, Dynatone Clavia, Casio, Korg, Kaino, Kawai.
A stage piano is an electronic keyboard designed for use in live onstage performances by professional musicians. While stage pianos share some of the same features as digital pianos designed for in-home use and electronic synthesizers, they have a number of features which set them apart. Stage pianos usually provide a small number of sounds (acoustic piano, electric piano, and Hammond organ) in a rugged case.
Stage pianos usually have a smaller selection of voices than digital electronic keyboards and synthesizers. Instead of the hundreds of voices and complex oscillator controls available on a high-end, professional synthesizer, they often have only a few voices, typically acoustic piano, electric piano, and Hammond organ. As well, instead of scrolling through the on-screen menus used on synthesizers, stage pianos are usually controlled with knobs and buttons.
Stage pianos differ from inexpensive home digital keyboards such as the Casio CTK-533 in a number of ways. Home digital keyboards such as the Casio CTK-533 provide a hundred voices, ranging from imitation electric piano and flute sounds to buzzy synth-style sounds. However, the imitation sounds are created by relatively simple synthesis methods, rather than by sampling or complex Digital Signal Processing-modelling, as in the case of a high-end stage piano. This means that the sound quality of the Casio CTK-533 voices are not suitable for a professional performance.
Stage pianos often have a heavier, more robust body, which is better able to withstand the stress of heavy touring. Unlike digital pianos designed for home use, they do not have a fixed stand or fixed sustain pedals. Instead, they are designed to be used with a separate portable stand and portable sustain pedals.
While almost all digital pianos and lower-end synthesizers designed for home use have small onboard powered speakers, stage pianos are often designed without onboard speakers; instead, they are designed to be used with external amplification. While small, low-powered amplified speakers may be appropriate for in-home use, they cannot provide sufficient power for on-stage monitoring in rock and jazz performance settings. While most onboard powered speakers produce between 10 and 30 watts per speaker, a typical professional keyboard amplifier will produce over 300 watts. Nevertheless, some stage pianos, such as the Yamaha P-250, do have onboard powered speakers.
Most stage pianos provide a recreation of the electro-mechanical electric pianos that were based on amplifying the sound of a metal tine, reed or string hit by a hammer, such as the Fender Rhodes, Wurlitzer 200A or Yamaha CP-70/CP-80 series. Instead of using tines or strings, stage pianos reproduce sound electronically by the use of sampled or digitally modelled sounds. They usually have MIDI interfaces to permit them to be used as master keyboards, which can control other tone-generating modules, such as Hammond organ-emulators or synthesizer string modules.
Most digital stage pianos have weighted keys or semi-weighted keys. Fully weighted keys are designed to replicate the weight and playing action of acoustic piano hammer-action keys. Semi-weighted keys save weight, which is an important consideration for a mobile stage piano. Stage pianos usually have 88 keys, which is standard for all modern acoustic pianos. However, some stage pianos have fewer keys, such as the Kurzweil SP76. It has only 76 semi-weighted keys, but is still called a stage piano because of its layout and weighted keys.
While the sounds or "voices" available on stage pianos is often wider than that of a digital piano designed for home use, stage pianos have far fewer voices than a typical electronic synthesizer. Stage pianos usually have a smaller selection of voices, typically acoustic piano, electric piano, Hammond organ, and a few others. Some stage pianos also provide a few basic synthesizer functions, to enable performers to play accompaniment "pads" or synth "leads."
Clavia Nord Stage: produces organ, piano and synthesizer sounds. It comes with either 88 or 76 keys, or a lighter-weight model with semi-weighted keys.
Kurzweil SP88X: This stage pianos has 76- and 88-key semi-weighted action models, and an 88-note fully weighted action model. Its sounds include grand piano, electric piano, various Hammond-organ sounds, and synthesizer string sounds.
Roland RD-700: contains stereo sampled piano sounds. It is designed for live use, and the operation panel includes the most used functions to avoid having to navigate with on-screen menus.
Yamaha P-250: a digital stage piano designed for professional live performance or for use as a studio instrument. It includes grand piano stereo samples, 88-key Graded Hammer (GH) action, MIDI-controller capability, and on-board powered speakers.
Yamaha CP33: this series of stage piano was first introduced in 1976. It has an 88-key Graded Hammer keyboard, 28 other voices, and MIDI master keyboard controller capability.
M-Audio ProKeys 88: this digital stage piano has 88 hammer-action keys, a stereo grand piano sound, 14 other instrument sounds, and MIDI controller functionality.
Korg SP200: this digital stage piano has 88 fully weighted keys, MIDI controller functionality and a total of 30 piano, organ, string and pad sounds. Designed for touring, it is barely more than twice the size of the keyboard itself.
Kurzweil SP3X: This stage piano has 512 preset sounds, 128 effects, 60 rhythm patterns and piano-weighted keyboard action that is velocity and aftertouch sensitive. It has 88 keys and 64-note polyphony [1]
A guitar amplifier (or guitar amp) is an electronic amplifier designed to make the signal of an electric or acoustic guitar louder so that it will produce sound through a loudspeaker and modify the tone by emphasizing or de-emphasizing certain frequencies and adding electronic effects.
The amplifier comprises a preamplifier stage, which amplifies the voltage of the signal from the guitar, and a power amplifier stage which delivers a higher current to the speaker to produce sound. The preamplifier stage may also have electronic effects such as distortion, chorus, or reverb and additional controls such as a graphic equalizer. Amplifiers may use vacuum tubes (in Britain they are called valves), or solid state (transistor) devices, or a mixture of both.
There are two configurations of guitar amplifiers: combination ("combo") amplifiers, which include an amplifier and one, two, or four speakers in a wooden cabinet; and the standalone amplifier (often called a "head" or "amp head"), which does not include a speaker. Guitar amplifiers range in price and quality from small, low-powered practice amplifiers, designed for students, which sell for less than US$50, to expensive "boutique" amplifiers which are custom-made for professional musicians and can cost
The first electric instrument amplifiers were not designed for use with electric guitars. The earliest examples appeared in the early 1930s when the introduction of electrolytic capacitors and rectifier tubes allowed the production of economical built-in power supplies that could be plugged into wall sockets, instead of heavy multiple battery packs. While guitar amplifiers from the beginning were used to amplify acoustic guitar, electronic amplification of guitar was first widely popularized by the 1930s and 1940s craze for Hawaiian music, which extensively employed the amplified lap steel Hawaiian guitar.
Tone controls on early guitar amplifiers were very simple and provided a great deal of treble boost but the controls, the loudspeakers used and the low power of the amplifiers (typically 15 watts or less prior to the mid-1950s) gave poor high treble and bass output. Some models also provided effects such as spring reverb and/or an electronic tremolo unit. Early Fender amps labeled tremolo as "vibrato" and labeled the vibrato arm of the Stratocaster guitar as a "tremolo bar" (see vibrato unit, electric guitar, and tremolo).
In the 1960s, guitarists experimented with distortion produced by deliberately overdriving their amplifiers. The Kinks guitarist Dave Davies produced early distortion effects by connecting the already distorted output of one amplifier into the input of another. Later, most guitar amps were provided with preamplifier distortion controls, and "fuzz boxes" and other effects units were engineered to safely and reliably produce these sounds. In the 2000s overdrive and distortion has become an integral part of many styles of electric guitar playing, ranging from blues rock to heavy metal and hardcore punk.
Guitar amplifiers were at first used with bass guitars and electronic keyboards, but other instruments produce a wider frequency range and need a suitable amplifier and full-range speaker system. Much more amplifier power is required to reproduce low-frequency sound, especially at high volume. Reproducing low frequencies also requires a suitable woofer or subwoofer speaker and enclosure. Woofer enclosures need to be larger and more sturdily built than cabinets for mid-range or high-frequency (tweeter) speakers.
Guitar amplifiers are manufactured in two main forms. The "combination" (or "combo") amplifier contains the amplifier head and guitar speakers in a single unit which is typically housed in a rectangular wooden box. The amplifier head or "amp head" contains the electronic circuitry constituting the preamp, built-in effects processing, and the power amplifier. Combo amps have at least one 1/4" input jack where the patch cord from the electric guitar can be plugged in. Other jacks may also be provided, such as an additional input jack, "send" and "return" jacks to create an effects loop (for connecting electronic effects such as compression, reverb, etc), an extension speaker jack (for connecting an additional speaker cabinet). Some smaller practice amps have stereo RCA jacks for connecting a CD player or other sound source and a 1/4" headphone jack so that the player can practice without disturbing neighbours or family members.
Kustom 200 bass amp - amp head and speakers, 100 watts RMS, two channels, two 15" speakers, 1971Some amplifiers have a line out jack for connecting the amplifier's signal to a PA system or recording console or to connect the amplifier to another guitar amp. In but most styles of rock and blues guitar, the line out is not used to connect the guitar amp to a PA system or recording console, because the tonal coloration and overdrive from the amplifier and speaker is considered an important part of the amplifier's sound. However, players do use the line out to connect one guitar amplifier to another amplifier, in order to create different tone colors or sound effects.
In the "amp head" form, the amplifier head is separate from the speakers, and joined to them by speaker cables. The separate amplifier is called an amplifier head, and is commonly placed on top of one or more loudspeaker enclosures. A separate amplifier head placed atop a guitar speaker enclosure or guitar speaker cabinet forms an amplifier "stack" or "amp stack". Amp heads may also have the different types of input and output jacks listed above in the combo section. In addition to a 1/4" input jack, acoustic guitar amplifiers typically have an additional input jack for a microphone, which is easily identified because it will use a three-pin XLR connector. Phantom power is not often provided on general-use amps, restricting the choice of microphones for use with these inputs. However, for high-end acoustic amplifiers, phantom power is often provided, so that musicians can use condenser microphones.
Amplifiers used with electric guitars may be solid state, which are lighter in weight and less expensive than tube amplifiers. Many guitarists, particularly in the genres of blues and rock, prefer the sound of vacuum tube amplifiers despite their higher cost, heavier weight, the need to periodically replace tubes and need to re-bias the output tubes (every year or two with moderate use). Some companies design amplifiers that require no biasing as long as properly rated tubes are used. Some modern amplifiers use a mixture of tube and solid-state technologies.
Since the advent of microprocessors and digital signal processing, "modeling amps" have been developed in the late 1990s, these can simulate the sounds of a variety of well-known tube amplifiers without needing to use vacuum tubes. Amplifiers with processors and software emulate the sound of a classic amp well, but from the player's point of view the response of these amplifiers may not feel the same as the digital modeling does not accurately model all aspects of a tube amplifier.
A wide range of instrument amplifiers is available, some for general purposes and others designed for specific instruments or particular sounds. These include:
"Traditional" guitar amplifiers, with a clean, warm sound, a sharp treble roll-off at 5 kHz or less and bass roll-off at 60–100 Hz, and often built-in reverb and tremolo ("vibrato") units. These amplifiers, such as the Fender "Tweed"-style amps, are often used by traditional rock, blues, and country musicians.Traditional amps have more recently become popular with musicians in indie and alternative bands
Hard rock-style guitar amplifiers, which often include preamplification controls, tone filters, and distortion effects that provide the amplifier's characteristic tone. Users of these amplifiers use the amplifier's tone to add "drive", intensity, and "edge" to their guitar sound. Amplifiers of this type, such as Marshall amplifiers, are used in a range of genres, including hard rock, metal, and punk.
Bass amplifiers, with extended bass response and tone controls optimized for bass guitars (or more rarely, for upright bass). Higher-end bass amplifiers sometimes include compressor or limiter features, which help to keep the amplifier from distorting at high volume levels, and an XLR DI output for patching the bass signal directly into a mixing board. Bass amplifiers are often provided with external metal heat sinks or fans to help keep the amplifier cool.
Keyboard amplifiers, with very low distortion and extended, flat frequency response in both directions. Keyboard amplifiers often have a simple onboard mixer, so that keyboardists can control the tone and level of several keyboards.
Acoustic amplifiers, similar in many ways to keyboard amplifiers but designed specifically to produce a "clean," transparent, "acoustic" sound when used with acoustic instruments with built-in transducer pickups and/or microphones.
Most inexpensive guitar amplifiers currently produced are based on semiconductor (solid state) circuits, and some designs incorporate tubes in the preamp stage for their subjectively warmer overdrive sound. Tubes create warm overdrive sounds because instead of cutting the peaked signal off, they more or less pull the peaked audio information back (like natural compression) which creates a fuzzy overdrive sound. While this is a desirable attribute in many cases, the tube's characteristic will "color" all the sounds at any volume, unlike solid state. However, solid state in general have the quickest response time, perhaps even more so than modeling amps.
High-end solid state amplifiers are less common, since many professional guitarists tend to favor vacuum tubes. Some jazz guitarists, however, tend to favor the "colder" sound of solid-state amplifiers, preferring not to color the sound of their guitar with the tube distortion and compression so popular with rock, blues, and metal musicians.[citation needed]. Solid-state amplifiers vary in output power, functionality, size, price, and sound quality in a wide range, from practice amplifiers to professional models. Some inexpensive amplifiers have only a single volume control and a one or two tone controls[citation needed].
Rarely, a tube power amp may be fed by a solid-state pre-amp circuit, as in the Roland Bolt amplifier, which is thereby classed as a 'hybrid' amp.
Modeling amplifiers simulate the sound of well-known guitar amps, cabinets, and effects, as well as simulating the way traditional speaker cabinets sound when mixed with different types of microphones. This is usually achieved through digital processing, although there are analog modeling amps as well, such as the Tech 21 Trademark. Modeling technology offers several advantages over traditional amplification. A modeling amp typically is capable of a wide range of tones and effects, and offers cabinet simulation, so it can be recorded without a microphone. Most modeling amps digitize the input signal and use a DSP, a dedicated microprocessor, to process the signal with digital computation. Some modeling amps incorporate vacuum tubes, digital processing, and some form of power attenuation.
In the case of electric guitars, an amplifier stack consisting of a head atop one cabinet is commonly called a half stack, while a head atop two cabinets is referred to as a full stack. The cabinet which the head sits on often has an angled top in front, while the lower cabinet of a full stack has a straight front. The first version of the Marshall stack was an amp head on an 8x12 cabinet, meaning a single speaker cabinet containing eight 12" guitar speakers. After six of these cabinets were made, the cabinet arrangement was changed to an amp head on two 4x12 cabinets, meaning four 12" speakers, to enable transporting the amp rig.
In heavy metal bands, the term "double stack" or "full stack" is sometimes used to refer to two stacks, with a second amplifier head serving as a slave to the first and four speaker cabinets in total. Another name for the "Head & Cab" that comes from the 1960s and 1970s is "Piggyback". Vox amp stacks could be put on a tiltable frame with casters. Fender heads could be attached to the cab and had "Tilt-Back" legs, like those used on larger Fender combo amps. Typically, a guitar amp's preamplifier section provides sufficient gain so that an instrument can be connected directly to its input, and sufficient power to connect loudspeakers directly to its output, both without requiring extra amplification.
Another arrangement, often used for public address amplifier systems, is to provide two stages of amplification in separate units. First a preamplifier or mixer is used to boost the instrument output, normally to line level, and perhaps to mix signals from several instruments. The output from this preamplifier is then connected to the input of a power amplifier, which powers the loudspeakers.
Performing musicians that use the "two-stage" approach (as opposed to an amplifier with an integrated preamplifier and power amplifier) often want to custom-design a combination of equipment that best suits their musical or technical needs, and gives them more tonal and technical options. Some musicians require preamps that include specific features. Acoustic performers sometimes require preamps with "notch" filters (to prevent feedback), reverb, an XLR DI output, or parametric equalization. Hard rock, metal, or punk performers may desire a preamplifier with a range of distortion effects. As well, some musicians have specific power amplifier requirements, such as low-noise design, very high wattage, the inclusion of limiter features to prevent distortion and speaker damage, or biamp-capable operation.
With the "two-stage" approach, the preamplifier and power amplifier are often mounted together in a rack case. This case may be either free-standing or placed on top of a loudspeaker cabinet. If many rack-mounted effects are used, the rack may be a large unit on wheels. Some touring players need several racks of effects units to reproduce on stage the sounds they have produced in the studio. At the other extreme, if a small rack case containing both preamp and power amp is placed on top of a guitar speaker cabinet, the distinction between a rack and a traditional amp head begins to blur. Another variation is to combine the power amplifier into the speaker cabinet, an arrangement called a powered speaker, and use these with a separate preamp, sometimes combined into an effects pedal board or floor preamp/processor.
Preamplifiers are also used to connect very low-output or high-impedance instruments to instrument amplifiers. When piezoelectric transducers are used on upright bass or other acoustic instruments, the signal coming directly from the transducer is often too weak and it does not have the correct impedance for direct connection to an instrument amplifier. Small, battery-powered preamps are often used with acoustic instruments to resolve these problems.
Musicians often run sound-sources other than guitars through guitar amps. For live performances, synthesizers and drum machines or keyboards are often put through guitar amps to create a richer sound than can be obtained by patching the direct-outs right into the PA system. Guitar amplifiers can add tonal coloration, roll off unwanted high frequencies, and add overdrive or distortion. Deep Purple's Jon Lord played his Hammond Organ through a distorted Marshall amp to create a sound more suitable for heavy rock. String instruments and vocals are also put through guitar amps to add distortion effects. Some blues harp players also use guitar amps to create a warmer overdrive sound for their harmonica playing; 1950s-style "tweed" amps are often used for this purpose, such as Fender Bassman combo amps.
Recording engineers occasionally run pre-recorded parts through miked guitar amps, a process called re-amping. When a guitar part is recorded "dry" (e.g., without effects or distortion), straight into the mixing board for a recording, this gives the producer and mixing engineer much more flexibility to create new re-mixes or new tones from the recording. If a guitar player records an electric guitar part that is run through a chorus pedal and a distortion pedal, there is little that can be done at the "mix-down" stage to change the sound of this recording, beyond "tweaking" the equalization and modifying the level. Since re-mixing or mixdown can take place weeks, months, or even years after the original recording session, it may be impossible to have the guitarist come in to re-record a new part.
If the dry guitar sound is recorded, though, the mixing engineers can add any effects they want to the signal and then re-play it through a miked guitar amplifier which is being recorded. The effects, amplifiers, cabinets, and miking processes can be changed to any combination. When a dry guitar has been recorded, it can be a useful tool for "updating" an older recording. For example, if a band wants to re-release a 1980s-era album on which the guitar has a very dated 1980s sound, with heavy flanging and artificial-sounding electronic distortion, the band can update the guitar sound by re-amping the dry signal and using 2000s-era effects.
Mixing guitar amp signals with other signals is also done by some musicians. Chris Squire of Yes produced his bass guitar sound by playing through a guitar amplifier with its bass turned down, treble turned up, and volume turned up well into distortion; the miked guitar speaker signal was then mixed with a direct-input (DI) signal, a technique that has been used for processing synth keyboards as well. A bass guitar can also be played through a bass amp in parallel with a distorted guitar amp by using a DI box; the bass amp provides the low frequencies, while the guitar amp – which is not capable of reproducing the lowest frequencies of the bass guitar– emphasizes the upper harmonics of the instrument's tone.
Multitrack recording (also known as multitracking or just tracking for short) is a method of sound recording that allows for the separate recording of multiple sound sources to create a cohesive whole. This is the most common method of recording popular music. In the 2000s, multitracking software for computers became widely used.
Multitracking can be achieved with analogue, tape-based equipment (from simple, cassette-based four or eight trackers to 2" reel-to-reel 24-track machines), digital equipment that relies on tape storage of recorded digital data (such as ADAT eight-track machines) and hard disk-based systems often employing a computer and audio recording software. Multitrack recording devices vary in their specifications, such as the number of simultaneous tracks available for recording at any one time; in the case of tape-based systems this is limited by, among other factors, the physical size of the tape employed. Some of the biggest professional analog recording studios used a computer to synchronize multiple 24-track machines, effectively multiplying the number of available tracks into the hundreds. The rock group Toto recorded their fourth album on four computer-synced 24-track machines, for example.
For computer-based systems the trend is towards unlimited numbers of record/playback tracks, although issues such as memory and CPU available will in fact limit this from machine to machine. Moreover, on computer-based systems, the number of simultaneously available recording tracks is limited by the sound card discrete analog or digital inputs.
When recording, audio engineers can select which track (or tracks) on the device will be used for each instrument, voice, or other input.
At any given point on the tape, any of the tracks on the recording device can be recording or playing back, so that an artist is able to record, for instance, onto track 2 and, simultaneously, listen to track 1, allowing them to sing or to play an accompaniment to the performance already recorded on track 1. They might then record on track 3 while listening to track 2. All three performances can then be played back in perfect synchrony, as if they had originally been played and recorded together. This can be repeated until all of the available tracks have been used, or in some cases, reused.
At any given point in the recording process, any number of existing tracks can be "bounced" into one or two tracks and the original tracks erased, making more room for more tracks to be reused for fresh recording. Beatles producer George Martin used this technique extensively to achieve multiple track results, while still being limited to using only multiple four-track machines, until an eight-track machine became available during the recording of the Beatles' White Album. The Beach Boys' Pet Sounds also made innovative use of multitracking with 8-track machines of the day (1965-66).[1]
Multitrack recording also allows any recording artist to record multiple "takes" of any given section of their performance, allowing them to refine their performance to virtual perfection. A recording engineer can record only the section being worked on, without erasing any other section of that track. This process of turning the recording mechanism on and off is called "punching in" and "punching out". (See "Punching in".)
When recording is completed, the many tracks are "mixed down" through a mixing console to a two-track stereo recorder in a format which can then be duplicated and distributed. (Movie and DVD soundtracks can be mixed down to four or more tracks, as needed, the most common being five tracks, with an additional subwoofer track, hence the "5.1" surround sound most commonly available on DVDs.)
Most of the records, CDs and cassettes commercially available in a music store are recordings that were originally recorded on multiple tracks, and then mixed down to stereo.
In some rare cases, as when an older song is technically "updated", these stereo (or mono) mixes can in turn be recorded (as if it were a "submix") onto two (or one) tracks of a multitrack recorder, allowing additional sound (tracks) to be layered on the remaining tracks.
During multitracking, multiple musical instruments (and vocals) can be recorded, either one at a time or simultaneously, onto individual tracks, so that the sounds thus recorded can be accessed, processed and manipulated individually to produce the desired results. For example, after recording some parts of a song, an artist might listen to only the guitar part, by 'muting' all the tracks except the one on which the guitar was recorded. If they then wanted to listen to the vocals in isolation, they would do so by muting all the tracks apart from the vocals track. If they wanted to listen to the entire song, they could do so by un-muting all the tracks. If they did not like the guitar part, or found a mistake in it, and wanted to replace it, they could do so by re-recording only the guitar part (i.e., re-recording only the track on which the guitar was recorded), rather than re-recording the entire song. This kind of editing freedom is one of the biggest benefits of multitracking.
If all the voices and instruments in a recording are individually recorded on distinct tracks, then the artist is able to retain complete control over the final sculpting of the song, during the mix-down (re-recording to two stereo tracks for mass consumption) phase.
For example, if an artist wanted to apply one effect to a synthesizer part, a different effect to a guitar part, a 'chorused reverb' effect to the lead vocals, and different effects to all the drums and percussion instruments, they could not do so if they had all been originally recorded together onto the same track. However, if they had been recorded onto separate tracks, then the artist could blend and alter all of the instrument's sounds with complete freedom.
Multitracking a song also leaves open the possibilities of remixes by the same or future artists, such as DJs. If the song was not available in a multitrack format recording, the job of the remixing artist could be very difficult, or impossible, because once the tracks have been re-recorded together during the mixdown phase, they are inseparable. Theoretically, one could use frequency selective filters for this, but in reality this has not been done with any great degree of success because of the multi-harmonic (having many frequencies) nature of many musical instruments and voices.
In the 2000s, many performers have recorded albums using only a personal computer as a tracking machine. To use a personal computer as a multitracking device, the computer must have an analog to digital interface, and multitrack recording software must be installed (software is available at all price ranges or even free, in the case of free software and open source). As well, a microphone is needed to record the vocals of a singer and/or any other sources of sound.
This is all that is needed to use a computer as a digital multitrack. Alternately, a standard personal computer sound card can be used to capture sounds, albeit with less fidelity. This is done simply by attaching either a microphone to the microphone input jack if a vocal track is to be recorded, or a stereo cable from the electronic device (such as a synthesizer or a guitar amplifier) to the line input of the sound card. Computers with appropriate software and hardware can record multiple audio tracks at once. This audio interface hardware sends audio signals to the computer and may interface with the computer via a PCI card, USB or FireWire connections. There are a range of analog to digital interface options available. Popular brands include Apogee, Digidesign, MOTU, Lynx and Prism.
The instruments and singers' voices are recorded as individual files on the computer's hard drive, and function as tracks as per traditional multitracking. Effects such as reverb, chorus, and delays can be applied by the computer software. When the musicians are happy with the sound, the multiple tracks are mixed down onto two clean tracks, again within the multitracking software. Finally, the final stereo recording can be burned to a CD, which can then be copied and distributed.
Multitracking software for a personal computer includes: Adobe Audition, Pro Tools from Digidesign, SONAR from Cakewalk, Samplitude from Magix, Cubase from Steinberg, and Logic Pro from Apple. Mixcraft from Acoustica, Inc., Reaper from Cockos and N-track from FASoft are affordable alternatives to high end multi-track software. Audacity and Ardour are popular open source programs for multi-track recording. Jokosher (open source as well) is quite new, but seems to be gaining popularity among Linux users.
2007 Song Galaxy has released an Audio Multi-Track format that is delivered in a single file, which loaded into the player software gives the user the ability to mute or adjust the volume level of individual instruments. Tracks can be exported as individual WAV files which can then be loaded into other Multitracking software for further editing.
In most modern popular songs, drums and percussion instruments are the first instruments to be recorded[citation needed]. There are various reasons for this. The drums are usually the rhythm leaders; it is much easier for musicians recording later tracks to keep to the common beat of the drums, also due to the precise attack of drum sounds. A drummer might find it very difficult to play along with a backing track recorded without percussion, due to the likely variations in the musicians' tempo. Furthermore, in order to accurately keep to a pre-established rhythm, a drummer would need the sound of the other instruments to be very loud to compete with their drum kit; apart from the possibility of the drum microphones picking up the sound of the other instruments from the drummer's headphones, prolonged exposure to such volume might very well damage their hearing. Also, it allows the drums to be recorded for a few seconds, then looped. Click (metronome) tracks are also often used as the first sound to be recorded, especially when the drummer isn't available for the initial recording, and/or the final mix will be synchronized with motion picture and/or video images.
Also, though the drums might eventually be mixed down to a couple of tracks, each individual drum and percussion instrument might be initially recorded to its own individual track. The drums and percussion combined can occupy the largest number of tracks utilized in a recording. This is done so that each percussion instrument can be processed individually for maximum effect. A common percussion effect is the slow back and forth panning of a percussive instrument's sound in the stereo field from the left to the right channel in a song. Equalization (or EQ) is often used on individual drums, to bring out each one's characteristic sound.
The last tracks to be recorded are usually the vocals (though a temporary vocal track might be recorded early on either as a reference or to guide subsequent musicians, this is sometimes called a "Guide Vocal", "Ghost Vocal" or "Scratch vocal"). One reason for this is that singers will often temper their vocal expression in accordance with the accompaniment.
A microphone, sometimes colloquially called a mic or mike (both pronounced /ˈmaɪk/), is an acoustic-to-electric transducer or sensor that converts sound into an electrical signal. Microphones are used in many applications such as telephones, tape recorders, hearing aids, motion picture production, live and recorded audio engineering, in radio and television broadcasting and in computers for recording voice, VoIP, and for non-acoustic purposes such as ultrasonic checking.
The most common design today uses a thin membrane which vibrates in response to sound pressure. This movement is subsequently translated into an electrical signal. Most microphones in use today for audio use electromagnetic induction (dynamic microphone), capacitance change (condenser microphone, pictured right), piezoelectric generation, or light modulation to produce the signal from mechanical vibration.
Dynamic microphones work via electromagnetic induction. They are robust, relatively inexpensive and resistant to moisture. This, coupled with their potentially high gain before feedback makes them ideal for on-stage use.
Moving-coil microphones use the same dynamic principle as in a loudspeaker, only reversed. A small movable induction coil, positioned in the magnetic field of a permanent magnet, is attached to the diaphragm. When sound enters through the windscreen of the microphone, the sound wave moves the diaphragm. When the diaphragm vibrates, the coil moves in the magnetic field, producing a varying current in the coil through electromagnetic induction. A single dynamic membrane will not respond linearly to all audio frequencies. Some microphones for this reason utilize multiple membranes for the different parts of the audio spectrum and then combine the resulting signals. Combining the multiple signals correctly is difficult and designs that do this are rare and tend to be expensive. There are on the other hand several designs that are more specifically aimed towards isolated parts of the audio spectrum. The AKG D 112, for example, is designed for bass response rather than treble[3]. In audio engineering several kinds of microphones are often used at the same time to get the best result.
"Shotgun" microphones are the most highly directional. They have small lobes of sensitivity to the left, right, and rear but are significantly less sensitive to the side and rear than other directional microphones are. This results from placing the element at the end of a tube with slots cut along the side; wave cancellation eliminates much of the off-axis sound. Due to the narrowness of their sensitivity area, shotgun microphones are commonly used on television and film sets, in stadiums, and for field recording of wildlife.
A lavalier microphone is made for hands-free operation. These small microphones are worn on the body. Originally, they were held in place with a lanyard worn around the neck, but more often they are fastened to clothing with a clip, pin, tape or magnet. The lavalier cord may be hidden by clothes and either run to an RF transmitter in a pocket or clipped to a belt (for mobile use), or run directly to the mixer (for stationary applications).
A wireless microphone is one in which the artist is not limited by a cable. It usually sends its signal using a small FM radio transmitter to a nearby receiver connected to the sound system, but it can also use infrared light if the transmitter and receiver are within sight of each other.
A contact microphone is designed to pick up vibrations directly from a solid surface or object, as opposed to sound vibrations carried through air. One use for this is to detect sounds of a very low level, such as those from small objects or insects. The microphone commonly consists of a magnetic (moving coil) transducer, contact plate and contact pin. The contact plate is placed against the object from which vibrations are to be picked up; the contact pin transfers these vibrations to the coil of the transducer. Contact microphones have been used to pick up the sound of a snail's heartbeat and the footsteps of ants. A portable version of this microphone has recently been developed. A throat microphone is a variant of the contact microphone, used to pick up speech directly from the throat, around which it is strapped. This allows the device to be used in areas with ambient sounds that would otherwise make the speaker inaudible.
A parabolic microphone uses a parabolic reflector to collect and focus sound waves onto a microphone receiver, in much the same way that a parabolic antenna (e.g. satellite dish) does with radio waves. Typical uses of this microphone, which has unusually focused front sensitivity and can pick up sounds from many meters away, include nature recording, outdoor sporting events, eavesdropping, law enforcement, and even espionage. Parabolic microphones are not typically used for standard recording applications, because they tend to have poor low-frequency response as a side effect of their design.
A stereo microphone integrates two microphones in one unit to produce a stereophonic signal. A stereo microphone is often used for broadcast applications or field recording where it would be impractical to configure two separate condenser microphones in a classic X-Y configuration (see microphone practice) for stereophonic recording. Some such microphones have an adjustable angle of coverage between the two channels.
A noise-canceling microphone is a highly directional design intended for noisy environments. One such use is in aircraft cockpits where they are normally installed as boom microphones on headsets. Another use is on loud concert stages for vocalists. Many noise-canceling microphones combine signals received from two diaphragms that are in opposite electrical polarity or are processed electronically. In dual diaphragm designs, the main diaphragm is mounted closest to the intended source and the second is positioned farther away from the source so that it can pick up environmental sounds to be subtracted from the main diaphragm's signal. After the two signals have been combined, sounds other than the intended source are greatly reduced, substantially increasing intelligibility. Other noise-canceling designs use one diaphragm that is affected by ports open to the sides and rear of the microphone, with the sum being a 16 dB rejection of sounds that are farther away. One noise-canceling headset design using a single diaphragm has been used prominently by vocal artists such as Garth Brooks and Janet Jackson.[12] A few noise-canceling microphones are throat microphones.
Modern stage lighting is a flexible tool in the production of theatre, dance, opera and other performance arts. Several different types of stage lighting instruments are used in the pursuit of the various principles or goals of lighting.
Stage lighting has several functions, although to allow for artistic effect, no hard and fast rules can ever be applied. The functions of lighting include:
Illumination: The simple ability to see what is occurring on stage. Any lighting design will be ineffective if the viewers cannot see the characters; unless this is the explicit intent.
Revelation of form: Altering the perception of shapes onstage, particularly three-dimensional stage elements.
Focus: Directing the audience's attention to an area of the stage or distracting them from another.
Mood: Setting the tone of a scene. Harsh red light has a totally different effect than soft lavender light.
Location and time of day: Establishing or altering position in time and space. Blues can suggest night time while orange and red can suggest a sunrise or sunset. Use of gobos to project sky scene, moon etc
Projection/stage elements: Lighting may be used to project scenery or to act as scenery onstage.
Plot: A lighting event may trigger or advance the action onstage.
Composition: Lighting may be used to show only the areas of the stage which the designer wants the audience to see, and to "paint a picture".[1][2]
While Lighting Design is an art form, and thus no one way is the only way, there is a modern movement that simply states that the Lighting Design helps to create the environment in which the action take place while supporting the style of the piece. "Mood" is arguable while the environment is essential.[3]
The above elements of lighting are primarily the domain of the Lighting Designer (LD). The LD is responsible for using the principles above to achieve "the lighting look" — using lighting to affect the audience's senses and evoke their emotions. The lighting designer is familiar with the various types of lighting instruments and their uses. In consultation with the director and the scenic designer, and after watching sufficient rehearsals, the LD is responsible for providing an Instrument Schedule and a Light Plot. The Schedule is a list of all required materials, including color gel, gobos, color wheels, barndoors and other accessories. The light plot is typically a plan view of the theatre in which the performance will take place, with every luminaire marked. This typically includes approximate focus (the direction it should be pointing), a reference number, any accessories required, and the specifics (or channel number) of its connection to the dimmer system or lighting control console.[11]
A LD must be accustomed to working around the demands of the director or head planner. Practical experience is required to know the effective use of different lighting instruments and colour in creating a design. Many designers start their careers as lighting technicians in theatres or amateur theatre groups. Often, this is followed by training in one of the many vocational colleges or universities around the world that offer theatre courses. Many jobs in larger venues and productions require a degree from a vocational school or college in theatrical lighting, or at least a bachelor’s degree.
In the context of lighting design, a lighting instrument (also called a luminaire) is a device that produces controlled lighting as part of the effects a lighting designer brings to a show. The term lighting instrument is preferred to light to avoid confusion between light and light sources.
There are a variety of instruments frequently used in the theater. Although they vary in many ways they all have the following four basic components in one form or other:
Box/Housing - a metal or plastic container to house the whole instrument and prevent light from spilling in unwanted directions.
Light Source (lamp).
Lens or opening - the gap in the housing where the light is intended to come out.
Reflector - behind or around the light source in such a way as to direct more light towards the lens or opening.
Additional features will vary depend on the exact type of fixture.
Most theatrical light bulbs (or lamps, the term usually preferred) are Tungsten-Halogen (or Quartz-Halogen), an improvement on the original incandescent design that uses a halogen gas instead of an inert gas to increase lamp life and output. Fluorescent lights are rarely used other than as worklights because, although they are far more efficient, they cannot be dimmed (run at less than full power) without using specialised dimmer ballasts and they will not dim to very low levels. They also do not produce light from a single point or easily concentrated area, and have a warm-up period, during which they emit no light or do so intermittently. High-intensity discharge lamps (or HID lamps), however, are now common where a very bright light output is required, - for example in large follow spots, HMI (Hydrargyrum medium-arc iodide) floods, and modern automated fixtures. When dimming is required, it is done by mechanical dousers or shutters, as these types of lamps also cannot be electrically dimmed.
Most instruments are suspended or supported by a "U" shaped yoke, or 'trunion arm' fixed to the sides of the instrument, normally near its center of gravity. On the end of such, a clamp (known as a hook-clamp, C-clamp, or pipe clamp - pipe referring to battens) is normally fixed, made in a "C" configuration with a screw to lock the instrument onto the pipe or batten from which it is typically hung. Once secured, the fixture can be panned and tilted using tension adjustment knobs on the yoke and clamp. An adjustable c-wrench (US) or spanner (UK) is often used to assist the technician in adjusting the fixture.
All lights are loosely classified as either floodlights (wash lights) or spotlights. The distinction has to do with the degree to which one is able to control the shape and quality of the light produced by the instrument, with spotlights being controllable, sometimes to an extremely precise degree, and floodlights being completely uncontrollable. Instruments that fall somewhere in the middle of the spectrum can be classified as either a spot or a flood, depending on the type of instrument and how it is used. In general, spotlights have lenses while floodlights are lensless, although this is not always the case.
Traditionally theatre and stage lighting has been of the "generic" type. These are lights which are focussed, geled, and then simply dimmed to give the effect the designer wants. In recent years the emergence of moving lights (or automated lights) has had a substantial impact of theatre and stage lighting.
A typical moving light allows the designer to control the position, colour, shape, and strobing of the light beam created. This can be used for exciting effects for the entertainment or dancefloor use. Moving lights are also often used instead of having a large number of "generic" lights. This is because one moving light can do the work of several generics.[12]
Please note: In the UK the nomenclature is slightly different from North America. This article primarily uses the North American terminology. Although there is some adoption of the former naming conventions it has been normal to categorise lanterns by their lens type, so that what in the US is known as a spotlight is known as a Profile or a Fresnel/PC (Pebble/Plano/Prism Convex) in the UK. A Spotlight in the UK often refers to a Followspot. The following definitions are from a North American point of view, and would be confusing when used, without further clarification, in the UK. UK naming conventions are considered to be correct in most of the world, in fact most North American theatres will also use the UK terms except when talking in a more general sense (ie get a spotlight to focus on that set piece, or 'flood this area')
Also note: In Australia and many other places, the lamps inside a theatrical fixture are referred to as bubbles. In North American English, a bubble refers to the protrusion that occurs when one's body (or other oily substance) contacts the lamp. Oil will cause the portion of the lamp which has oil on it to expand when it is on (lamps generate a lot of heat), creating the bubble, and causing the lamp to explode. That is why one should never directly touch the glass portion of a lamp. Cleaning with rubbing alcohol will remove the oil.
The illusions used in the film, television, theater, or entertainment industries to simulate the imagined events in a story are traditionally called special effects (a.k.a. SFX, SPFX, or simply FX).
Special effects are traditionally divided into the categories of optical effects and mechanical effects. With the emergence of digital film-making tools a greater distinction between special effects and visual effects has been recognized, with "visual effects" referring to digital post-production and "special effects" referring to on-set mechanical effects and in-camera optical effects.
Optical effects (also called photographic effects), are techniques in which images or film frames are created photographically, either "in-camera" using multiple exposure, mattes, or the Schüfftan process, or in post-production processes using an optical printer. An optical effect might be used to place actors or sets against a different background.
Mechanical effects (also called practical or physical effects), are usually accomplished during the live-action shooting. This includes the use of mechanized props, scenery, scale models, pyrotechnics and Atmospheric Effects: creating physical wind, rain, fog, snow, clouds etc. Making a car appear to drive by itself, or blowing up a building are examples of mechanical effects. Mechanical effects are often incorporated into set design and makeup. For example, a set may be built with break-away doors or walls, or prosthetic makeup can be used to make an actor look like a monster.
Since the 1990s, computer generated imagery (CGI) has come to the forefront of special effects technologies. CGI gives film-makers greater control, and allows many effects to be accomplished more safely and convincingly – and even, as technology marches on, at lower costs. As a result, many optical and mechanical effects techniques have been superseded by CGI.
Live special effects are effects that are used in front of a live audience, mostly during sporting events, concerts and corporate shows. Types of effects that are commonly used include a laser lighting, CO2 effects, pyrotechnics, confetti and other atmospheric effects such as bubbles and snow.
A laser lighting display or laser light show involves the use of laser light to entertain an audience. A laser light show may consist only of projected laser beams set to music, or may accompany another form of entertainment, typically a rock concert or other musical performance.
Laser light is useful in entertainment because the coherent nature of laser light allows a narrow beam to be produced, which allows the use of optical scanning to draw patterns or images on walls, ceilings or other surfaces including theatrical smoke and fog without refocusing for the differences in distance, as is common with video projection. This inherently more focused beam is also extremely visible, and is often used as an effect. Sometimes the beams are "bounced" to different positions with mirrors to create laser sculptures.
Laser scanners consist of small mirrors which are mounted on galvanometers to which a control voltage is applied. The beam is deflected a certain amount which correlates to the amount of voltage applied to the galvanometer scanner. Two galvanometer scanners can enable X-Y control voltages to aim the beam to any point on a square or rectangular raster. This enables the laser lighting designer to create patterns such as Lissajous figures (such as are often displayed on oscilloscopes); other methods of creating images through the use of galvanometer scanners and X-Y control voltages can generate letters, shapes, and even complicated and intricate images. (The use of X-Y raster scanning to create images is also used in television picture tubes.) A planar or conical moving beam aimed through atmospheric smoke or fog can display a plane or cone of light known as a "laser tunnel" effect.
Carbon Dioxide (CO2) liquid, stored in compressed cylinders, is used in conjunction with theatrical fog machines to produce "low lying" fog effects. When liquid CO2 is used to chill theatrical fog, the result is a thick fog that stays within a few feet of the ground. As the fog warms, or is agitated, it rises and dissipates. Several manufacturers of theatrical fog fluid have developed specially formulated mixtures specifically designed to be used with CO2, intended to provide thicker, more consistent fog effects. Effect duration is determined by the heating cycle of the theatrical fog machine and consumption rate of liquid CO2.
Carbon dioxide can also be used as an atmospheric effect on its own. When liquid CO2 is released into the air, typically through an electric solenoid valve to control timing and duration, the carbon dioxide liquid expands to a vapour and condenses the moisture in the air, creating large billowing plumes. When the solenoid valve is closed, the CO2 vapour rapidly disperses in the air, ending the effect nearly instantaneously. This effect can be used for a variety of applications, including simulating geysers of steam, in place of pyrotechnics, or to create an instant opaque wall for a reveal or disappearance during magic acts.
Dry Ice (solid carbon dioxide) effects are produced by heating water to or near boiling in a suitable container (for example: a 55 gallon drum with water heater coils in it), and then dropping in one or more pieces of dry ice. Because, at standard pressure, dry ice is an unstable liquid, the carbon dioxide sublimates and instantly produces a gas[1], condensing water vapour and creating a thick white fog. A fan placed at the top of the container directs the fog where it is needed, creating a rolling fog that lies low to the ground. As the submerged dry ice cools the water, the amount and duration of fog produced will be reduced, requiring "rest" periods to reheat the water.
Dry Ice can also be used in conjunction with a fog machine to create a low lying fog effect. Dry Ice is placed inside an insulated container with an orifice at each end. Fog from a fog machine is pumped in one side of the container, and allowed to flow out the other end. Although this technique does allow an individual to create low lying fog "on the cheap" (when compared to the cost of renting cylinders of liquid CO2 or watertight containers with integral heaters), the volume of low lying fog produced is typically less, and is more susceptible to atmospheric disturbances.
The drum head is (usually) struck with the tip of the drum stick. Tips come in many shapes, such as acorn, barrel, oval and round. The tip is sometimes referred to as the bead. Traditionally, the tip is made of the same piece of wood as the rest of the stick, although there are drum sticks with a nylon tip conceived by Joe Calato in Niagara Falls, NY in 1958 and the newer acetal tip, conceived by Ken Drinan and Paul Kiersted in the 1970s. The acetal tip produces a brighter sound when playing cymbals and is less likely to splinter after sustained or violent use. However, it is prone to cracking or flying off.
Immediately below the tip is the shoulder of the stick, which tapers out. This section of the stick is prone to breaking after or during cymbal use or during rimshots if the sticks are held incorrectly or the drum set is played incorrectly. The rest of the stick is referred to as the shaft, with the butt at the opposite end to the tip.
Players use two sticks, employing either a matched grip, popularised by Ringo Starr in the 1960s or a traditional grip, popularised by Sanford A. Moeller from talks with American Civil War drummers/veterans. With either grip, players keep the balance point of the stick slightly beyond their hands.
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14,800
Dec Add
cheap electric guitars 1 - 3 $1.55 18,100
18,100
May Add
fender electric guitars 1 - 3 $0.98 33,100
60,500
Jul Add
pink electric guitar 1 - 3 $1.04 14,800
14,800
Dec Add
silvertone electric guitar 1 - 3 $1.02 8,100
8,100
Dec Add
electric guitar necks 1 - 3 $1.41 720
1,300
Jan Add
play electric guitar 1 - 3 $0.86 74,000
60,500
Dec Add
playing electric guitar 1 - 3 $0.75 8,100
9,900
Dec Add
electric guitar lesson 1 - 3 $1.52 9,900
12,100
May Add
electric acoustic guitar 1 - 3 $1.40 301,000
201,000
Aug Add
electric guitar shop 1 - 3 $1.42 3,600
3,600
Sep Add
electric guitar and amp 1 - 3 $1.38 22,200
18,100
Dec Add
youth electric guitar 1 - 3 $1.43 720
1,000
Dec Add
children electric guitar 1 - 3 $1.32 880
1,000
Dec Add
electric guitar sales 1 - 3 $1.82 880
1,000
May Add
kid electric guitar 1 - 3 $1.13 2,400
2,400
Dec Add
electric guitar information 1 - 3 $0.58 480
880
Mar Add
green electric guitar 1 - 3 $1.03 8,100
6,600
May Add
make electric guitar 1 - 3 $0.64 8,100
9,900
Jul Add
mini electric guitar 1 - 3 $1.29 18,100
14,800
Dec Add
bass electric guitar 1 - 3 $1.38 90,500
90,500
Dec Add
electric guitar accessories 1 - 3 $1.07 22,200
22,200
Dec Add
starter electric guitar 1 - 3 $1.22 5,400
6,600
Dec Add
electric guitar for sale 1 - 3 $1.17 6,600
9,900
May Add
3 4 electric guitar 1 - 3 $1.00 9,900
9,900
May Add
martin electric guitar 1 - 3 $1.47 9,900
6,600
Jul Add
electric guitar pictures 1 - 3 $0.61 2,400
3,600
May Add
kramer electric guitar 1 - 3 $0.68 3,600
3,600
Feb Add
electric guitar starter pack 1 - 3 $1.10 880
1,600
Dec Add
electric guitar neck 1 - 3 $1.11 14,800
14,800
Jul Add
electric guitar gig bag 1 - 3 $1.25 14,800
9,900
Jul Add
archtop electric guitar 1 - 3 $0.84 3,600
2,900
Aug Add
hollow body electric guitar 1 - 3 $1.07 12,100
9,900
Mar Add
guild electric guitar 1 - 3 $0.83 3,600
2,900
Jul Add
electric guitar brands 1 - 3 $0.71 1,600
1,900
Jul Add
blue electric guitar 1 - 3 $1.07 33,100
27,100
Dec Add
electric guitar wallpaper 1 - 3 $0.30 1,600
2,400
May Add
electric guitar construction 1 - 3 $1.06 590
880
Jul Add
electric guitar history 1 - 3 $0.70 2,400
5,400
Feb Add
fender starcaster electric guitar 1 - 3 $1.34 18,100
14,800
Dec Add
first electric guitar 1 - 3 $0.87 22,200
18,100
Dec Add
hohner electric guitar 1 - 3 $0.82 2,400
1,900
Jul Add
3 4 size electric guitar 1 - 3 $1.11 2,900
2,900
Dec Add
left handed acoustic electric guitar 1 - 3 $1.22 5,400
4,400
Dec Add
the best electric guitar 1 - 3 $0.84 2,400
2,900
Dec Add
kids electric guitars 1 - 3 $1.16 3,600
4,400
Dec Add
samick electric guitar 1 - 3 $0.85 2,400
1,900
Aug Add
electric guitar pack 1 - 3 $1.82 49,500
49,500
Dec Add
dean vendetta xm electric guitar 1 - 3 $1.75 2,900
1,900
Jan Add
electric guitar amplifiers 1 - 3 $1.37 6,600
12,100
Aug Add
electric guitar tone 1 - 3 $1.27 5,400
5,400
Jul Add
cool electric guitars 1 - 3 $0.88 1,300
1,900
May Add
childrens electric guitars 1 - 3 $1.03 480
590
Jul Add
vintage electric guitars 1 - 3 $0.89 5,400
8,100
Jul Add
hollow body electric guitars 1 - 3 $1.26 4,400
3,600
Aug Add
guild electric guitars 1 - 3 $0.75 2,400
2,900
Aug Add
used electric guitars 1 - 3 $1.49 5,400
5,400
Jul Add
ibanez acoustic electric guitar 1 - 3 $1.36 22,200
18,100
Jul Add
epiphone electric guitars 1 - 3 $1.07 12,100
22,200
Jul Add
electric guitar review 1 - 3 $0.93 9,900
9,900
Dec Add
yamaha electric guitars 1 - 3 $1.65 5,400
12,100
Jul Add
electric guitar reviews 1 - 3 $0.97 6,600
6,600
Dec Add
peavey electric guitars 1 - 3 $0.78 1,300
3,600
Dec Add
electric guitars for kids 1 - 3 $1.60 1,300
1,600
Dec Add
gretsch electric guitar 1 - 3 $1.05 12,100
9,900
Aug Add
cort electric guitar 1 - 3 $1.42 1,600
2,400
Jan Add
pink electric guitars 1 - 3 $1.30 3,600
5,400
Dec Add
learning electric guitar 1 - 3 $1.10 3,600
4,400
Oct Add
electric guitar for kids 1 - 3 $1.36 1,600
1,900
Dec Add
electric guitar notes 1 - 3 $1.07 4,400
4,400
May Add
johnson electric guitar 1 - 3 $1.08 4,400
4,400
Jul Add
learn to play electric guitar 1 - 3 $1.03 9,900
12,100
Oct Add
custom electric guitars 1 - 3 $1.10 18,100
22,200
Jun Add
electric guitars for sale 1 - 3 $1.42 9,900
9,900
Jul Add
electric guitar kits 1 - 3 $1.03 5,400
5,400
Jul Add
electric guitar strat 1 - 3 $1.30 18,100
22,200
Dec Add
washburn electric guitar 1 - 3 $0.99 33,100
27,100
Dec Add
electric fender guitar 1 - 3 $1.15 135,000
110,000
Dec Add
electric travel guitar 1 - 3 $0.93 8,100
8,100
Mar Add
electric acoustic guitars 1 - 3 $1.80 49,500
49,500
Jul Add
guitars electric 1 - 3 $1.23 673,000
1,830,000
Dec Add
guitar electric 1 - 3 $1.10 2,240,000
2,240,000
Dec Add
ibanez electric guitars 1 - 3 $1.23 18,100
33,100
Dec Add
electric guitar with amp 1 - 3 $2.03 27,100
27,100
Dec Add
electric guitar store 1 - 3 $0.96 880
1,300
Jul Add
electric guitar lessons online 1 - 3 $1.66 2,400
2,900
May Add
electric guitar tuner 1 - 3 $0.89 9,900
9,900
Dec Add
stratocaster electric guitar 1 - 3 $1.11 40,500
33,100
Aug Add
first act electric guitars 1 - 3 $0.90 880
880
Dec Add
electric bass guitars 1 - 3 $1.68 14,800
22,200
Dec Add
electric jazz guitar 1 - 3 $0.94 6,600
4,400
Aug Add
electric guitar stand 1 - 3 $0.86 4,400
4,400
Dec Add
junior electric guitar 1 - 3 $0.89 5,400
6,600
Dec Add
electric guitar dvd 1 - 3 $1.04 6,600
6,600
Nov Add
electric guitar price 1 - 3 $1.19 3,600
3,600
Jun Add
new electric guitar 1 - 3 $1.07 22,200
12,100
Aug Add
hofner electric guitar 1 - 3 $0.96 1,900
1,600
Aug Add
best electric guitar strings 1 - 3 $1.20 1,300
1,600
Jul Add
electric guitar ebay 1 - 3 $1.10 1,600
1,600
Jul Add
Add all 147 »
Download all keywords: text, .csv (for excel), .csv
Additional keywords to consider - sorted by relevance
guitars 1 - 3 $1.11 5,000,000
9,140,000
Jul Add
guitar 1 - 3 $0.90 45,500,000
68,000,000
Dec Add
acoustic guitar 1 - 3 $1.09 2,240,000
2,740,000
Dec Add
epiphone guitar 1 - 3 $1.22 201,000
165,000
Jul Add
fender guitar 1 - 3 $1.09 550,000
450,000
Jul Add
used guitar 1 - 3 $1.01 110,000
90,500
Jul Add
beginner guitar 1 - 3 $0.89 201,000
246,000
Dec Add
yamaha guitar 1 - 3 $1.02 201,000
246,000
Jul Add
guitar amplifiers 1 - 3 $2.36 90,500
135,000
Aug Add
guitar strings 1 - 3 $1.30 450,000
368,000
Jul Add
guitar amps 1 - 3 $1.85 201,000
201,000
Jul Add
bass guitar 1 - 3 $1.17 2,740,000
2,740,000
Jul Add
guitar amplifier 1 - 3 $1.64 201,000
165,000
Jul Add
guitars online 1 - 3 $1.27 12,100
12,100
Jul Add
left handed guitars 1 - 3 $1.01 40,500
110,000
May Add
buy acoustic guitar 1 - 3 $1.06 8,100
8,100
Jul Add
left handed guitar 1 - 3 $0.93 110,000
135,000
Jul Add
vintage guitars 1 - 3 $0.81 90,500
135,000
Jul Add
cheap acoustic guitars 1 - 3 $1.38 8,100
9,900
Jul Add
left hand guitar 1 - 3 $0.81 14,800
27,100
Jul Add
vintage guitar 1 - 3 $0.65 165,000
165,000
Aug Add
guitar kramer 1 - 3 $0.61 22,200
33,100
Dec Add
danelectro guitar 1 - 3 $1.18 18,100
14,800
Jul Add
acoustic guitars 1 - 3 $1.38 368,000
823,000
Dec Add
guitar neck 1 - 3 $0.89 165,000
165,000
Jul Add
fender guitars 1 - 3 $1.19 165,000
246,000
Jul Add
guitar amp 1 - 3 $1.25 450,000
368,000
Jul Add
silvertone guitar 1 - 3 $0.91 33,100
33,100
Dec Add
bass guitars 1 - 3 $1.34 246,000
550,000
Dec Add
guitar samick 1 - 3 $0.67 14,800
18,100
Jul Add
epiphone guitars 1 - 3 $1.29 49,500
90,500
Jul Add
archtop guitar 1 - 3 $0.77 33,100
33,100
Jul Add
custom guitar 1 - 3 $1.03 246,000
301,000
Dec Add
guitar lessons 1 - 3 $1.49 1,000,000
1,500,000
Dec Add
learn guitar 1 - 3 $1.27 550,000
550,000
Jul Add
taylor guitars 1 - 3 $1.26 60,500
74,000
Jul Add
guitar lesson 1 - 3 $1.42 1,000,000
1,830,000
Jul Add
child guitar 1 - 3 $0.89 60,500
60,500
Dec Add
guitar sale 1 - 3 $1.19 135,000
135,000
May Add
buy guitar 1 - 3 $0.96 110,000
135,000
Jul Add
guitar sales 1 - 3 $1.54 22,200
27,100
May Add
guitar prices 1 - 3 $0.98 33,100
40,500
May Add
guitar body 1 - 3 $0.89 110,000
110,000
Jul Add
guitar accessories 1 - 3 $1.00 165,000
165,000
Dec Add
ovation guitar 1 - 3 $0.96 60,500
60,500
Jul Add
takamine guitar 1 - 3 $1.14 90,500
74,000
Jun Add
cheap guitar 1 - 3 $1.33 74,000
74,000
Jul Add
yamaha guitars 1 - 3 $1.42 49,500
90,500
Jul Add
buy guitar online 1 - 3 $1.38 9,900
8,100
Jul Add
guitar telecaster 1 - 3 $1.07 49,500
40,500
Jul Add
guitar pickup 1 - 3 $1.10 90,500
74,000
Jul Add
guitar pack 1 - 3 $1.20 110,000
135,000
Dec Add
ibanez guitar
acoustic guitars 1 - 3 $1.37 368,000
823,000
Dec Add
acoustic electric guitar 1 - 3 $1.38 301,000
201,000
Aug Add
acoustic guitar prices 1 - 3 $1.19 2,900
3,600
Jun Add
classical acoustic guitar 1 - 3 $1.28 33,100
22,200
Aug Add
acoustic bass guitar 1 - 3 $1.92 49,500
60,500
Dec Add
beginner acoustic guitar 1 - 3 $0.98 22,200
22,200
Dec Add
acoustic guitar 1 - 3 $1.08 2,240,000
2,740,000
Dec Add
custom acoustic guitar 1 - 3 $1.31 8,100
6,600
Jul Add
acoustic guitar pickups 1 - 3 $1.34 4,400
6,600
Jul Add
acoustic guitar tabs 1 - 3 $0.20 33,100
49,500
Dec Add
martin acoustic guitar 1 - 3 $1.19 60,500
49,500
Jul Add
acoustic guitar strings 1 - 3 $1.39 90,500
60,500
Jul Add
takamine acoustic guitar 1 - 3 $1.09 60,500
49,500
Jun Add
yamaha acoustic guitar 1 - 3 $1.00 74,000
49,500
Aug Add
used acoustic guitar 1 - 3 $1.01 6,600
5,400
Jul Add
samick acoustic guitar 1 - 3 $1.02 1,900
1,900
May Add
ibanez acoustic guitar 1 - 3 $1.17 40,500
33,100
Jul Add
acoustic guitar amp 1 - 3 $1.58 14,800
9,900
Jul Add
learn acoustic guitar 1 - 3 $1.28 33,100
27,100
Jun Add
learning acoustic guitar 1 - 3 $1.13 4,400
5,400
Dec Add
acoustic fender guitar 1 - 3 $1.23 60,500
49,500
Jul Add
acoustic guitar lessons 1 - 3 $1.27 74,000
135,000
Dec Add
acoustic electric guitars 1 - 3 $1.77 49,500
49,500
Jul Add
acoustic guitar lesson 1 - 3 $1.34 33,100
60,500
Aug Add
acoustic guitar chords 1 - 3 $0.32 22,200
27,100
Jul Add
accoustic guitar 1 - 3 $0.97 27,100
40,500
Dec Add
acoustic blues guitar 1 - 3 $1.11 22,200
27,100
Jul Add
alvarez acoustic guitar 1 - 3 $1.18 33,100
18,100
Aug Add
acoustic guitar pickup 1 - 3 $1.09 18,100
14,800
Jul Add
taylor acoustic guitar 1 - 3 $1.09 27,100
22,200
Aug Add
buy acoustic guitar 1 - 3 $1.04 8,100
8,100
Jul Add
electric acoustic guitar 1 - 3 $1.38 301,000
201,000
Aug Add
peavey acoustic guitar 1 - 3 $1.06 1,600
1,900
May Add
acoustic guitar amplifiers 1 - 3 $1.93 2,900
3,600
Jul Add
cheap acoustic guitar 1 - 3 $1.21 5,400
6,600
Apr Add
gibson acoustic guitar 1 - 3 $1.27 40,500
33,100
Jul Add
acoustic guitar amplifier 1 - 3 $1.59 9,900
8,100
Jul Add
electro acoustic guitar 1 - 3 $0.88 4,400
33,100
May Add
acoustic bass guitars 1 - 3 $1.93 9,900
14,800
Dec Add
play acoustic guitar 1 - 3 $0.97 135,000
110,000
Jul Add
playing acoustic guitar 1 - 3 $0.88 8,100
9,900
Dec Add
epiphone acoustic guitar 1 - 3 $1.02 40,500
27,100
Jul Add
acoustic guitar string 1 - 3 $1.18 90,500
74,000
Aug Add
acoustic guitar reviews 1 - 3 $0.89 12,100
12,100
Jul Add
acoustic amps guitar 1 - 3 $2.06 6,600
6,600
May Add
acoustic guitar tab 1 - 3 $0.33 12,100
27,100
Nov Add
acoustic guitar magazine 1 - 3 $1.08 5,400
8,100
Jul Add
left handed acoustic guitars 1 - 3 $1.09 8,100
6,600
Jul Add
beginner acoustic guitars 1 - 3 $1.06 1,600
1,600
Jul Add
fender acoustic guitars 1 - 3 $1.35 12,100
14,800
Jul Add
cheap acoustic guitars 1 - 3 $1.35 8,100
9,900
Jul Add
best acoustic guitars 1 - 3 $0.95 6,600
8,100
Jul Add
acoustic guitar store 1 - 3 $1.05 1,000
1,300
May Add
washburn acoustic guitar 1 - 3 $1.08 40,500
33,100
Dec Add
guitars acoustic 1 - 3 $1.37 368,000
823,000
Dec Add
yamaha acoustic guitars 1 - 3 $1.53 12,100
18,100
Jul Add
acoustic guitar packages 1 - 3 $1.56 1,300
1,000
Jul Add
kids acoustic guitar 1 - 3 $0.97 8,100
9,900
Dec Add
acoustic guitar body 1 - 3 $1.12 8,100
6,600
Jul Add
acoustic guitar pack 1 - 3 $1.00 27,100
27,100
Dec Add
acoustic guitar package 1 - 3 $1.34 18,100
14,800
Dec Add
child acoustic guitar 1 - 3 $1.16 3,600
2,900
Dec Add
student acoustic guitar 1 - 3 $0.95 3,600
3,600
Dec Add
acoustic guitar pink 1 - 3 $0.99 22,200
18,100
Dec Add
acoustic guitar black 1 - 3 $1.07 49,500
40,500
Dec Add
acoustic guitar accessories 1 - 3 $0.99 22,200
18,100
Dec Add
12 string acoustic guitar 1 - 3 $1.41 27,100
22,200
Aug Add
acoustic guitar neck 1 - 3 $0.82 6,600
5,400
Jul Add
vintage acoustic guitar 1 - 3 $0.70 14,800
9,900
Aug Add
aria acoustic guitar 1 - 3 $0.90 2,400
2,400
Jul Add
gretsch acoustic guitar 1 - 3 $0.96 4,400
2,900
Aug Add
archtop acoustic guitar 1 - 3 $0.98 5,400
3,600
Jul Add
acoustic guitar forum 1 - 3 $1.29 8,100
12,100
Mar Add
semi acoustic guitar 1 - 3 $0.82 3,600
14,800
Jun Add
dreadnought acoustic guitar 1 - 3 $1.04 49,500
40,500
Jul Add
yamaha f310 acoustic guitar 1 - 3 $0.90 1,600
8,100
Aug Add
guild acoustic guitar 1 - 3 $1.21 8,100
6,600
Jul Add
acoustic guitar sheet music 1 - 3 $0.37 2,900
3,600
Jul Add
acoustic guitar music 1 - 3 $0.56 22,200
22,200
Dec Add
seagull acoustic guitar 1 - 3 $0.85 9,900
8,100
Jul Add
acoustic baritone guitar 1 - 3 $1.03 2,900
2,400
Aug Add
ovation acoustic guitar 1 - 3 $1.13 18,100
18,100
Jul Add
learn to play acoustic guitar 1 - 3 $1.29 14,800
14,800
Jun Add
acoustic guitar bridge 1 - 3 $0.87 6,600
6,600
Jul Add
acoustic guitar strap 1 - 3 $1.71 9,900
8,100
Dec Add
acoustic classical guitar 1 - 3 $1.28 33,100
22,200
Aug Add
left handed acoustic electric guitar 1 - 3 $1.22 5,400
4,400
Dec Add
steel string acoustic guitar 1 - 3 $0.85 12,100
12,100
Dec Add
acoustic guitar review 1 - 3 $0.89 12,100
12,100
Jun Add
acoustic guitar tablature 1 - 3 $0.23 1,600
2,400
Apr Add
kids acoustic guitars 1 - 3 $1.32 1,300
1,300
Dec Add
semi acoustic guitars 1 - 3 $1.11 1,600
6,600
Jul Add
pink acoustic guitars 1 - 3 $1.22 1,900
1,900
Dec Add
vintage acoustic guitars 1 - 3 $1.01 6,600
5,400
Jul Add
acoustic guitar mag 1 - 3 $1.50 1,000
880
Aug Add
guitar world acoustic 1 - 3 $0.96 5,400
4,400
Dec Add
epiphone acoustic guitars 1 - 3 $1.38 8,100
9,900
Mar Add
used acoustic guitars 1 - 3 $1.14 4,400
4,400
Jul Add
acoustic guitars for sale 1 - 3 $1.18 18,100
18,100
Dec Add
custom acoustic guitars 1 - 3 $0.84 2,400
2,900
Feb Add
acoustic guitar for sale 1 - 3 $1.03 4,400
8,100
Jul Add
best acoustic guitar strings 1 - 3 $0.99 2,900
2,900
Jul Add
martin acoustic guitars 1 - 3 $1.06 8,100
14,800
Mar Add
acoustic guitar sale 1 - 3 $1.26 6,600
9,900
May Add
acoustic guitar sales 1 - 3 $1.63 880
880
May Add
new acoustic guitar 1 - 3 $1.08 12,100
8,100
Jul Add
acoustic guitar price 1 - 3 $1.10 3,600
4,400
Jul Add
left hand acoustic guitar 1 - 3 $1.02 1,900
1,900
Jul Add
hofner acoustic guitar 1 - 3 $1.07 880
1,000
Aug Add
left handed acoustic guitar 1 - 3 $1.02 18,100
18,100
Dec Add
stratocaster acoustic guitar 1 - 3 $0.05 Not enough data
880
No data No data Add
beginning acoustic guitar 1 - 3 $0.95 1,900
1,900
Dec Add
acoustic guitar tone 1 - 3 $1.24 1,300
1,300
Feb Add
acoustic guitar stand 1 - 3 $1.08 6,600
6,600
Dec Add
taylor big baby acoustic guitar 1 - 3 $1.11 1,900
1,600
Jul Add
acoustic guitar basics 1 - 3 $0.79 1,900
1,900
Dec Add
harmony acoustic guitar 1 - 3 $1.47 3,600
2,900
Dec Add
acoustic guitar song 1 - 3 $0.59 18,100
22,200
Jan Add
acoustic guitar magazines 1 - 3 $0.99 390
390
Jul Add
acoustic guitar chord 1 - 3 $0.57 6,600
8,100
Jul Add
acoustic blue guitar 1 - 3 $1.02 22,200
18,100
Dec Add
acoustic guitar notes 1 - 3 $0.69 5,400
6,600
Dec Add
12 string guitars acoustic 1 - 3 $1.74 Not enough data
Not enough data
Jul Add
acoustic guitars reviews 1 - 3 $0.90 2,900
3,600
Nov Add
acoustic guitar songs 1 - 3 $0.56 110,000
110,000
Aug Add
beginners acoustic guitar 1 - 3 $1.04 40,500
27,100
Aug Add
chords acoustic guitar 1 - 3 $0.32 22,200
27,100
Jul Add
fender acoustic electric guitar 1 - 3 $1.31 12,100
9,900
Aug Add
martin acoustic electric guitar 1 - 3 $1.52 6,600
5,400
Jul Add
online acoustic guitar lessons 1 - 3 $1.35 3,600
3,600
Jun Add
best acoustic guitar 1 - 3 $1.06 40,500
49,500
Jul Add
yamaha acoustic electric guitar 1 - 3 $1.45 9,900
8,100
Aug Add
ibanez acoustic electric guitar 1 - 3 $1.36 22,200
18,100
Jul Add
jazz acoustic guitar 1 - 3 $0.61 4,400
6,600
Jun Add
acoustic guitar tuner 1 - 3 $0.87 18,100
18,100
Jul Add
acoustic guitar johnson 1 - 3 $1.08 8,100
6,600
Jul Add
jackson acoustic guitar 1 - 3 $0.85 1,900
1,300
Jul Add
cort acoustic guitar 1 - 3 $0.70 1,300
2,900
Jun Add
acoustic guitar cases 1 - 3 $1.30 5,400
4,400
Jul Add
acoustic guitar effects 1 - 3 $1.11 6,600
5,400
Jul Add
Add all 140 »
Download all keywords: text, .csv (for excel), .csv
Additional keywords to consider - sorted by relevance
guitar 1 - 3 $0.89 45,500,000
68,000,000
Dec Add
guitars 1 - 3 $1.09 5,000,000
9,140,000
Jul Add
12 string guitar 1 - 3 $1.11 110,000
110,000
Aug Add
fender acoustic 1 - 3 $1.15 90,500
90,500
Jul Add
electric guitar 1 - 3 $1.10 2,240,000
2,240,000
Dec Add
fender guitar 1 - 3 $1.08 550,000
450,000
Jul Add
beginner guitar 1 - 3 $0.83 201,000
246,000
Dec Add
takamine guitar 1 - 3 $1.09 90,500
74,000
Jun Add
yamaha guitar 1 - 3 $0.99 201,000
246,000
Jul Add
guitar strings 1 - 3 $1.28 450,000
368,000
Jul Add
acoustic 1 - 3 $1.03 9,140,000
13,600,000
Jul Add
guitar amplifiers 1 - 3 $2.23 90,500
135,000
Aug Add
bass guitar 1 - 3 $1.16 2,740,000
2,740,000
Jul Add
guitar amps 1 - 3 $1.79 201,000
201,000
Jul Add
taylor guitar 1 - 3 $0.79 368,000
301,000
Jul Add
left handed guitars 1 - 3 $1.01 40,500
110,000
May Add
acoustic 12 string 1 - 3 $1.29 49,500
33,100
Aug Add
left handed guitar 1 - 3 $0.91 110,000
135,000
Jul Add
accoustic guitars 1 - 3 $1.31 4,400
9,900
Jul Add
left hand guitar 1 - 3 $0.81 14,800
27,100
Jul Add
vintage guitar 1 - 3 $0.65 165,000
165,000
Aug Add
electro acoustic guitars 1 - 3 $1.12 1,300
90,500
May Add
fender guitars 1 - 3 $1.17 165,000
246,000
Jul Add
learn guitar 1 - 3 $1.17 550,000
550,000
Jul Add
bass guitars 1 - 3 $1.33 246,000
550,000
Dec Add
guitar amp 1 - 3 $1.24 450,000
368,000
Jul Add
electric guitars 1 - 3 $1.21 673,000
1,830,000
Dec Add
learning guitar 1 - 3 $0.94 90,500
110,000
Jun Add
guild guitar 1 - 3 $0.80 40,500
40,500
Jul Add
hohner guitar 1 - 3 $0.81 22,200
22,200
Jul Add
guitar lessons 1 - 3 $1.42 1,000,000
1,500,000
Dec Add
acoustic strings 1 - 3 $1.32 110,000
74,000
Jul Add
classical guitars 1 - 3 $0.95 40,500
49,500
Jul Add
guitar lesson 1 - 3 $1.30 1,000,000
1,830,000
Jul Add
blues guitar 1 - 3 $0.97 368,000
550,000
Jul Add
jazz guitar 1 - 3 $0.72 246,000
368,000
Mar Add
custom guitar 1 - 3 $1.01 246,000
301,000
Dec Add
martin acoustic 1 - 3 $1.12 90,500
74,000
Jul Add
taylor guitars 1 - 3 $1.25 60,500
74,000
Jul Add
guitar chords 1 - 3 $0.36 1,500,000
1,830,000
Mar Add
child guitar 1 - 3 $0.87 60,500
60,500
Dec Add
guitar sale 1 - 3 $1.18 135,000
135,000
May Add
buy guitar 1 - 3 $0.96 110,000
135,000
Jul Add
guitar sales 1 - 3 $1.51 22,200
27,100
May Add
used guitar 1 - 3 $1.00 110,000
90,500
Jul Add
guitar accessories 1 - 3 $1.00 165,000
165,000
Dec Add
martin guitars 1 - 3 $1.18 74,000
110,000
Jul Add
used guitars 1 - 3 $1.17 74,000
74,000
Jul Add
cheap guitar 1 - 3 $1.32 74,000
74,000
Jul Add
ovation guitar 1 - 3 $0.95 60,500
60,500
Jul Add
electric guitar lessons 1 - 3 $1.36 27,100
40,500
Dec Add
acoustic pickups 1 - 3 $1.36 12,100
12,100
Jul Add
yamaha guitars 1 - 3 $1.30 49,500
90,500
Jul Add
alvarez guitar 1 - 3 $0.95 60,500
49,500
Apr Add
ibanez guitar 1 - 3 $1.11 246,000
246,000
Jul Add
guitar pickup 1 - 3 $1.05 90,500
74,000
Jul Add
acoustic pickup 1 - 3 $1.14 33,100
27,100
Jul Add
guitar martin 1 - 3 $1.02 246,000
246,000
Jul Add
classical guitar 1 - 3 $0.76 450,000
673,000
Jul Add
kids guitars
bass guitars 1 - 3 $1.33 246,000
550,000
Dec Add
bass guitar 1 - 3 $1.16 2,740,000
2,740,000
Jul Add
electric bass guitar 1 - 3 $1.34 90,500
90,500
Dec Add
yamaha bass guitar 1 - 3 $1.44 14,800
27,100
Dec Add
peavey bass guitar 1 - 3 $1.10 6,600
6,600
May Add
acoustic bass guitar 1 - 3 $1.92 49,500
60,500
Dec Add
used bass guitar 1 - 3 $0.99 6,600
6,600
May Add
bass guitar prices 1 - 3 $1.19 1,300
1,600
May Add
beginner bass guitar 1 - 3 $0.94 8,100
9,900
Dec Add
ibanez bass guitar 1 - 3 $1.51 40,500
40,500
Aug Add
custom bass guitar 1 - 3 $1.22 8,100
12,100
Sep Add
bass guitar amplifiers 1 - 3 $2.36 6,600
6,600
Aug Add
play bass guitar 1 - 3 $0.96 40,500
33,100
Jul Add
learning bass guitar 1 - 3 $0.79 3,600
4,400
May Add
bass guitar amps 1 - 3 $1.59 9,900
8,100
May Add
learn bass guitar 1 - 3 $1.06 18,100
18,100
Jun Add
bass guitar amplifier 1 - 3 $1.55 12,100
8,100
Jul Add
playing bass guitar 1 - 3 $0.96 6,600
6,600
Dec Add
bass guitar amp 1 - 3 $1.62 22,200
18,100
Jul Add
bass guitar lesson 1 - 3 $1.24 6,600
12,100
Oct Add
bass guitar strings 1 - 3 $1.49 22,200
18,100
Jul Add
bass guitar lessons 1 - 3 $1.19 33,100
40,500
Mar Add
bass guitar string 1 - 3 $1.40 60,500
49,500
Jul Add
bass guitar chords 1 - 3 $0.52 9,900
12,100
Jul Add
fender bass guitar 1 - 3 $1.34 60,500
74,000
Dec Add
bass guitar sale 1 - 3 $1.24 5,400
8,100
May Add
bass guitar package 1 - 3 $1.28 12,100
9,900
Dec Add
bass guitar dvd 1 - 3 $1.65 2,900
2,400
May Add
buy bass guitar 1 - 3 $0.94 6,600
5,400
Jul Add
cheap bass guitar 1 - 3 $1.66 6,600
6,600
Jul Add
bass guitar pickups 1 - 3 $0.88 2,900
6,600
Sep Add
bass electric guitar 1 - 3 $1.34 90,500
90,500
Dec Add
bass guitar shop 1 - 3 $0.97 2,400
3,600
Jul Add
bass guitar store 1 - 3 $1.08 1,300
1,900
May Add
bass guitar notes 1 - 3 $0.58 12,100
12,100
Jul Add
bass guitar effects 1 - 3 $1.21 8,100
5,400
Aug Add
bass guitar tuning 1 - 3 $0.69 5,400
8,100
Jul Add
bass guitar reviews 1 - 3 $0.67 3,600
3,600
Jul Add
bass guitar for sale 1 - 3 $1.03 3,600
8,100
Jul Add
bass guitar samick 1 - 3 $0.88 2,400
2,400
Sep Add
bass guitar fretboard 1 - 3 $0.66 2,400
2,400
Jul Add
fretless bass guitar 1 - 3 $1.33 8,100
8,100
Jul Add
buy bass guitars 1 - 3 $1.10 2,400
1,600
Jul Add
bass guitar basics 1 - 3 $0.45 880
1,600
Mar Add
epiphone bass guitar 1 - 3 $1.96 9,900
22,200
Sep Add
cheap bass guitars 1 - 3 $1.19 8,100
8,100
Jul Add
bass guitar packs 1 - 3 $1.26 1,600
1,900
Jul Add
fender bass guitars 1 - 3 $1.28 18,100
22,200
Jul Add
bass guitar body 1 - 3 $1.57 4,400
5,400
Sep Add
bass guitar books 1 - 3 $1.21 2,900
3,600
Jul Add
bass guitar pictures 1 - 3 $0.64 1,000
1,600
May Add
bass guitar software 1 - 3 $0.66 1,900
2,400
Jul Add
bass guitar accessories 1 - 3 $1.08 12,100
6,600
Aug Add
bass guitar packages 1 - 3 $1.52 2,900
3,600
Nov Add
bass guitar starter 1 - 3 $1.47 2,900
2,900
Dec Add
bass guitar tips 1 - 3 $0.59 1,300
1,600
Feb Add
bass guitar layouts 1 - 3 $0.05 Not enough data
1,300
No data No data Add
best bass guitar 1 - 3 $0.93 8,100
9,900
May Add
acoustic bass guitars 1 - 3 $1.93 9,900
14,800
Dec Add
buying a bass guitar 1 - 3 $1.38 320
390
Jul Add
vintage bass guitars 1 - 3 $1.06 4,400
8,100
Dec Add
bass guitar music 1 - 3 $0.65 22,200
18,100
Jul Add
bass guitar pack 1 - 3 $1.18 5,400
18,100
May Add
bass guitar magazine 1 - 3 $0.74 1,600
3,600
Feb Add
bass guitar players 1 - 3 $0.63 2,400
2,900
Jan Add
bass guitar instruction 1 - 3 $2.16 2,400
2,400
Oct Add
bass guitar songs 1 - 3 $0.42 8,100
9,900
Dec Add
learn to play bass guitar 1 - 3 $1.13 8,100
8,100
Jul Add
bass guitar sheet music 1 - 3 $0.45 5,400
4,400
Jul Add
short scale bass guitar 1 - 3 $0.62 12,100
6,600
Aug Add
bass guitar chord 1 - 3 $0.44 5,400
6,600
Jul Add
ibanez bass guitars 1 - 3 $1.30 6,600
12,100
Dec Add
jackson bass guitar 1 - 3 $1.00 6,600
8,100
Sep Add
bass guitar scales 1 - 3 $0.46 8,100
8,100
Aug Add
bass guitar review 1 - 3 $0.57 4,400
4,400
Jul Add
bass guitar neck 1 - 3 $0.99 27,100
14,800
Aug Add
acoustic electric bass guitar 1 - 3 $2.05 12,100
9,900
Dec Add
washburn bass guitar 1 - 3 $1.24 6,600
9,900
Dec Add
martin bass guitar 1 - 3 $1.30 2,400
6,600
Dec Add
vintage bass guitar 1 - 3 $0.89 8,100
12,100
Dec Add
free bass guitar 1 - 3 $0.58 14,800
14,800
Jul Add
electric bass guitars 1 - 3 $1.68 14,800
22,200
Dec Add
beginning bass guitar 1 - 3 $0.94 1,300
1,000
Jul Add
gretsch bass guitar 1 - 3 $1.04 1,600
3,600
Dec Add
gibson bass guitar 1 - 3 $2.46 12,100
33,100
Sep Add
best bass guitars 1 - 3 $1.08 1,600
1,600
Jul Add
guild bass guitar 1 - 3 $0.99 1,300
2,400
Sep Add
used bass guitars 1 - 3 $1.01 4,400
4,400
Jul Add
bass guitar tone 1 - 3 $0.92 1,000
1,300
Nov Add
left handed bass guitars 1 - 3 $1.26 4,400
9,900
Dec Add
5 bass guitar 1 - 3 $1.69 27,100
22,200
Mar Add
6 string bass guitar 1 - 3 $1.24 6,600
6,600
Aug Add
music for bass guitar 1 - 3 $0.46 2,400
2,400
Jun Add
bass guitar online 1 - 3 $0.89 9,900
8,100
Jul Add
bass guitar for dummies 1 - 3 $0.58 2,400
4,400
Aug Add
beginner bass guitars 1 - 3 $1.09 390
590
Jul Add
rickenbacker bass guitar 1 - 3 $1.13 1,900
3,600
Jul Add
video guitar bass 1 - 3 $1.06 2,400
3,600
Dec Add
bass guitar strap 1 - 3 $1.10 3,600
4,400
Dec Add
bass guitar pickup 1 - 3 $1.32 3,600
5,400
Oct Add
5 string bass guitar 1 - 3 $1.77 22,200
22,200
Mar Add
bass guitar cases 1 - 3 $1.57 4,400
4,400
Sep Add
bass guitar necks 1 - 3 $0.98 1,600
2,400
May Add
bass guitar kits 1 - 3 $1.07 4,400
5,400
Dec Add
bass guitar straps 1 - 3 $1.06 2,400
3,600
Dec Add
bass guitar bridge 1 - 3 $0.83 1,900
2,900
Sep Add
bass guitar jazz 1 - 3 $1.01 14,800
14,800
Jul Add
notes on a bass guitar 1 - 3 $0.41 880
720
Aug Add
learn to play the bass guitar 1 - 3 $0.99 1,000
1,000
Jul Add
bass guitar for beginners 1 - 3 $1.05 8,100
9,900
Dec Add
bass guitar gear 1 - 3 $0.99 1,000
880
Jul Add
blues bass guitar 1 - 3 $1.19 3,600
4,400
Dec Add
online bass guitar lessons 1 - 3 $1.06 2,400
1,900
Jul Add
bass guitar riffs 1 - 3 $0.45 1,600
1,900
Jul Add
bass guitar parts 1 - 3 $0.72 6,600
8,100
Dec Add
tune bass guitar 1 - 3 $0.57 5,400
4,400
Aug Add
bass guitar pedals 1 - 3 $1.14 2,900
2,900
Dec Add
bass guitar cords 1 - 3 $0.87 3,600
1,900
Aug Add
tune a bass guitar 1 - 3 $0.42 2,400
1,900
Jul Add
bass guitar pedal 1 - 3 $1.04 9,900
9,900
Apr Add
tuning a bass guitar 1 - 3 $0.28 880
1,000
Dec Add
bass guitar chord chart 1 - 3 $0.44 2,400
2,900
Mar Add
tabs bass guitar 1 - 3 $0.31 18,100
27,100
Apr Add
how to play the bass guitar 1 - 3 $0.98 3,600
3,600
Jul Add
how to play a bass guitar 1 - 3 $1.09 1,900
1,600
Jul Add
bass guitar tuner 1 - 3 $0.82 33,100
22,200
Aug Add
hofner bass guitar 1 - 3 $0.69 8,100
4,400
Aug Add
basses guitar 1 - 3 $0.81 2,400
8,100
Sep Add
signature bass guitar 1 - 3 $1.28 2,400
2,900
Sep Add
cort bass guitar 1 - 3 $0.69 1,300
2,900
Jul Add
left handed bass guitar 1 - 3 $1.24 12,100
18,100
Sep Add
taylor bass guitar 1 - 3 $1.05 1,300
3,600
Dec Add
Add all 132 »
Download all keywords: text, .csv (for excel), .csv
Additional keywords to consider - sorted by relevance
electric guitar 1 - 3 $1.10 2,240,000
2,240,000
Dec Add
fender guitar 1 - 3 $1.08 550,000
450,000
Jul Add
acoustic bass 1 - 3 $1.46 135,000
165,000
Jul Add
guitars 1 - 3 $1.09 5,000,000
9,140,000
Jul Add
fretless bass 1 - 3 $1.05 49,500
74,000
Jul Add
electric bass 1 - 3 $1.21 246,000
201,000
Jul Add
guitar 1 - 3 $0.89 45,500,000
68,000,000
Dec Add
acoustic guitar 1 - 3 $1.08 2,240,000
2,740,000
Dec Add
beginner guitar 1 - 3 $0.83 201,000
246,000
Dec Add
bass strings 1 - 3 $1.16 110,000
110,000
Jul Add
guitar amps 1 - 3 $1.79 201,000
201,000
Jul Add
bass amps 1 - 3 $1.83 74,000
90,500
Jul Add
bass amp 1 - 3 $1.14 201,000
201,000
Jul Add
bass lesson 1 - 3 $1.05 60,500
165,000
Jan Add
learn bass 1 - 3 $0.89 40,500
40,500
Jul Add
guitar lesson 1 - 3 $1.30 1,000,000
1,830,000
Jul Add
bass lessons 1 - 3 $1.09 74,000
135,000
Mar Add
guitar strings 1 - 3 $1.28 450,000
368,000
Jul Add
learn guitar 1 - 3 $1.17 550,000
550,000
Jul Add
learning guitar 1 - 3 $0.94 90,500
110,000
Jun Add
ibanez bass 1 - 3 $1.22 110,000
135,000
Jul Add
guitar effects 1 - 3 $0.90 246,000
246,000
Jul Add
guitar lessons 1 - 3 $1.42 1,000,000
1,500,000
Dec Add
vintage guitar 1 - 3 $0.65 165,000
165,000
Aug Add
left handed guitar 1 - 3 $0.91 110,000
135,000
Jul Add
buy guitar 1 - 3 $0.96 110,000
135,000
Jul Add
guitar sales 1 - 3 $1.51 22,200
27,100
May Add
vintage guitars 1 - 3 $0.81 90,500
135,000
Jul Add
fender bass 1 - 3 $1.04 368,000
550,000
Jul Add
guitar prices 1 - 3 $0.98 33,100
40,500
May Add
used guitar 1 - 3 $1.00 110,000
90,500
Jul Add
base guitar 1 - 3 $0.79 18,100
40,500
May Add
guitar accessories 1 - 3 $1.00 165,000
165,000
Dec Add
fender guitars 1 - 3 $1.17 165,000
246,000
Jul Add
guitar amplifiers 1 - 3 $2.23 90,500
135,000
Aug Add
cheap guitar 1 - 3 $1.32 74,000
74,000
Jul Add
archtop guitar 1 - 3 $0.77 33,100
33,100
Jul Add
acoustic electric guitar 1 - 3 $1.38 301,000
201,000
Aug Add
bass pickups 1 - 3 $0.81 27,100
33,100
Jul Add
acoustic electric guitars 1 - 3 $1.77 49,500
49,500
Jul Add
5 string bass 1 - 3 $1.27 90,500
90,500
Aug Add
acoustic guitars 1 - 3 $1.37 368,000
823,000
Dec Add
electric guitars 1 - 3 $1.21 673,000
1,830,000
Dec Add
bass pickup 1 - 3 $1.02 27,100
33,100
Jul Add
guitar amplifier 1 - 3 $1.58 201,000
165,000
Jul Add
fretless guitar 1 - 3 $1.53 14,800
18,100
Jul Add
guitar software 1 - 3 $0.81 74,000
110,000
Jul Add
guitar amp 1 - 3 $1.24 450,000
368,000
Jul Add
ibanez guitar 1 - 3 $1.11 246,000
246,000
Jul Add
yamaha guitar 1 - 3 $0.99 201,000
246,000
Jul Add
learn to play bass 1 - 3 $0.94 18,100
18,100
Jul Add
guitar playing 1 - 3 $0.69 368,000
450,000
Jan Add
electric guitar lessons 1 - 3 $1.36 27,100
40,500
Dec Add
playing bass 1 - 3 $0.68 33,100
40,500
Mar Add
guitar instruction 1 - 3 $1.93 49,500
60,500
Jun Add
blues guitar 1 - 3 $0.97 368,000
550,000
Jul Add
jazz guitar 1 - 3 $0.72 246,000
368,000
Mar Add
guitar play 1 - 3 $0.98 2,240,000
2,240,000
Jul Add
notes guitar 1 - 3 $0.70 165,000
246,000
Dec Add
guitar shop 1 - 3 $0.85 110,000
201,000
Jul Add
guitar songs 1 - 3 $0.38 1,000,000
1,000,000
Dec Add
guitar store 1 - 3 $0.92 110,000
110,000
Jul Add
learn to play guitar 1 - 3 $1.16 201,000
246,000
Jul Add
online guitar lessons 1 - 3 $1.27 60,500
74,000
Jun Add
guitar parts 1 - 3 $0.60 135,000
165,000
Aug Add
guitar shops 1 - 3 $0.85 49,500
90,500
Jul Add
guitar stores 1 - 3 $1.04 74,000
60,500
Jul Add
guitar center
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Argentine Peso (ARS AR$) Australian Dollars (AUD A$) Bolivian Boliviano (BOB Bs) Brazilian Real (BRL R$) British Pounds Sterling (GBP UK£) Bulgarian Lev (BGN) Canadian Dollars (CAD CA$) Chilean Peso (CLP CL$) Colombian Peso (COP CO$) Croatian Kuna (HRK kn) Czech Koruna (CZK Kč) Denmark Kroner (DKK Dkr) Egyptian Pound (EGP EG£) Estonian Kroon (EEK Ekr) Euros (EUR €) Hong Kong Dollars (HKD HK$) Hungarian Forint (HUF Ft) Indian Rupee (INR Rs.) Indonesian Rupiah (IDR Rp) Israeli Shekel (ILS ₪) Japanese Yen (JPY ¥) Lithuanian Litas (LTL Lt) Malaysian Ringgit (MYR RM) Mexico Peso (MXN) Moroccan Dirham (MAD) New Romanian Leu (RON) New Taiwan Dollar (TWD NT$) New Turkish Lira (TRY TL) New Zealand Dollars (NZD NZ$) Norway Kroner (NOK Nkr) Pakistan Rupee (PKR PKRs) Peruvian Nuevo Sol (PEN S/.) Philippine Peso (PHP Php) Polish New Zloty (PLN zł) Russian Rouble (RUB) Saudi Riyal (SAR SR) Serbian Dinar (RSD din.) Singapore Dollars (SGD S$) South African Rand (ZAR R) South Korean Won (KRW ₩) Sweden Kronor (SEK Skr) Swiss Francs (CHF Fr.) Thai Baht (THB ฿) Ukrainian Hryvnia (UAH) United Arab Emirates Dirham (AED) US Dollars (USD $) Venezuela Bolivar Fuerte (VEF Bs.F.) Vietnamese Dong (VND ₫) Yuan Renminbi (CNY CN¥) Please Wait
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Choose columns to display: Show/hide columns------------------------------Show Estimated Ad PositionShow Estimated Avg. CPCShow Search Volume TrendsShow Highest Volume Occurred In------------------------------Hide Advertiser CompetitionHide Local Search VolumeHide Global Monthly Search Volume------------------------------Show AllShow Defaults
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Keywords Estimated Ad Position Estimated Avg. CPC Advertiser Competition Local Search Volume: August Global Monthly Search Volume Search Volume Trends (Sep 2008 - Aug 2009) Highest Volume Occurred In Match Type:
BroadPhraseExactNegative
Keywords related to term(s) entered - sorted by relevance
drums 1 - 3 $1.83 5,000,000
7,480,000
Dec Add
drum set 1 - 3 $1.15 823,000
823,000
Dec Add
drum lessons 1 - 3 $1.25 110,000
201,000
Jun Add
electronic drum 1 - 3 $1.26 165,000
165,000
Dec Add
drum tabs 1 - 3 $0.64 74,000
165,000
Feb Add
snare drum 1 - 3 $0.94 301,000
301,000
May Add
pearl drum 1 - 3 $1.18 135,000
135,000
Jul Add
drum kits 1 - 3 $1.11 135,000
246,000
Jul Add
bass drum 1 - 3 $0.69 550,000
1,830,000
Jul Add
drum sets 1 - 3 $1.60 246,000
301,000
Dec Add
drum 1 - 3 $1.18 9,140,000
13,600,000
Jul Add
drum store 1 - 3 $0.94 14,800
14,800
Jun Add
snare drums 1 - 3 $1.15 60,500
74,000
Aug Add
drum stand 1 - 3 $1.34 27,100
18,100
Aug Add
djembe drum 1 - 3 $1.13 22,200
22,200
May Add
yamaha drum 1 - 3 $1.21 110,000
90,500
Jul Add
custom drum 1 - 3 $1.20 40,500
33,100
Jul Add
drum ludwig 1 - 3 $1.05 74,000
74,000
Jul Add
electronic drums 1 - 3 $1.46 74,000
110,000
Dec Add
drum tab 1 - 3 $0.68 33,100
74,000
Feb Add
bongo drum 1 - 3 $0.90 12,100
14,800
May Add
drumming 1 - 3 $0.97 368,000
673,000
Mar Add
drum forum 1 - 3 $0.69 12,100
18,100
Jul Add
drum series 1 - 3 $2.22 40,500
33,100
Jul Add
set drum 1 - 3 $1.15 823,000
823,000
Dec Add
drum music 1 - 3 $0.59 165,000
165,000
May Add
drum setup 1 - 3 $0.57 9,900
12,100
Dec Add
drum tablature 1 - 3 $0.27 1,000
3,600
Feb Add
drum guitar 1 - 3 $1.10 110,000
165,000
Dec Add
tabs drum 1 - 3 $0.64 74,000
165,000
Feb Add
drum chords 1 - 3 $0.05 Not enough data
1,600
No data No data Add
tab drum 1 - 3 $0.68 33,100
74,000
Feb Add
drum cymbal 1 - 3 $0.92 14,800
12,100
Dec Add
drum cymbals 1 - 3 $0.98 27,100
27,100
Nov Add
drum beats 1 - 3 $0.71 74,000
110,000
Dec Add
marching drum 1 - 3 $0.95 60,500
49,500
Aug Add
drum hardware 1 - 3 $1.00 33,100
27,100
Jul Add
drum cheap 1 - 3 $1.65 60,500
90,500
Apr Add
hand drum 1 - 3 $1.17 33,100
49,500
May Add
drum cases 1 - 3 $1.51 27,100
27,100
Jul Add
drum sample 1 - 3 $0.76 14,800
22,200
Jul Add
dw drum 1 - 3 $1.38 40,500
40,500
Jul Add
jazz drum 1 - 3 $0.92 18,100
40,500
May Add
tom drum 1 - 3 $0.97 33,100
27,100
Mar Add
premier drum 1 - 3 $0.83 12,100
22,200
Jul Add
pacific drum 1 - 3 $1.44 27,100
22,200
Jun Add
sonor drum 1 - 3 $0.94 12,100
18,100
Jul Add
drum sheet music 1 - 3 $0.35 33,100
33,100
May Add
vintage drum 1 - 3 $0.66 22,200
22,200
Jul Add
gretsch drum 1 - 3 $0.85 22,200
22,200
Jul Add
drum samples 1 - 3 $1.14 33,100
60,500
Jul Add
remo drum 1 - 3 $1.36 49,500
40,500
Jul Add
drum wav 1 - 3 $0.58 6,600
12,100
Jul Add
brake drum 1 - 3 $0.78 110,000
90,500
Jul Add
drum shop 1 - 3 $1.10 27,100
49,500
Jul Add
conga drum 1 - 3 $1.12 12,100
12,100
May Add
drum brakes 1 - 3 $0.73 60,500
40,500
Jul Add
electronic drum set 1 - 3 $1.54 60,500
60,500
Dec Add
tama drum 1 - 3 $1.04 60,500
49,500
Aug Add
pearl drum set 1 - 3 $1.27 33,100
33,100
Jul Add
pearl drums 1 - 3 $1.64 74,000
135,000
Mar Add
drum loops 1 - 3 $0.95 49,500
74,000
Jul Add
bongo drums 1 - 3 $1.04 22,200
33,100
Dec Add
drum workshop 1 - 3 $0.88 12,100
18,100
Mar Add
hapi drum 1 - 3 $0.05 Not enough data
6,600
No data No data Add
drum tables 1 - 3 $0.89 4,400
3,600
Aug Add
kids drum 1 - 3 $1.04 40,500
40,500
Dec Add
chinese drum 1 - 3 $0.68 4,400
8,100
Jan Add
drum riser 1 - 3 $1.07 5,400
4,400
May Add
raffle drum 1 - 3 $1.50 6,600
5,400
May Add
drum shield 1 - 3 $6.34 6,600
6,600
Aug Add
buy drum 1 - 3 $1.18 22,200
27,100
Jul Add
drum table 1 - 3 $0.94 22,200
18,100
Aug Add
drum stands 1 - 3 $1.14 6,600
5,400
May Add
drum shields 1 - 3 $5.30 1,900
2,400
May Add
drum books 1 - 3 $0.95 6,600
9,900
Jul Add
drum cage 1 - 3 $0.89 2,400
1,900
Aug Add
drum building 1 - 3 $1.01 4,400
6,600
Jul Add
drum center 1 - 3 $1.09 27,100
27,100
Oct Add
drum light 1 - 3 $1.22 22,200
14,800
Aug Add
drum pictures 1 - 3 $0.72 9,900
12,100
May Add
drum program 1 - 3 $0.82 5,400
9,900
Jul Add
drum reviews 1 - 3 $0.61 14,800
14,800
Dec Add
drum sizes 1 - 3 $0.05 Not enough data
2,900
No data No data Add
drum works 1 - 3 $0.86 1,900
2,400
Dec Add
drum seat 1 - 3 $1.01 8,100
8,100
Dec Add
drum rocker 1 - 3 $0.05 Not enough data
74,000
No data No data Add
drum covers 1 - 3 $1.90 60,500
74,000
Jul Add
drum hero 1 - 3 $0.05 Not enough data
135,000
No data No data Add
drum city 1 - 3 $0.83 14,800
14,800
Jul Add
drum dvd 1 - 3 $1.07 9,900
12,100
Jul Add
drum shades 1 - 3 $1.29 27,100
14,800
Aug Add
drum king 1 - 3 $0.92 9,900
12,100
Jun Add
how to drum 1 - 3 $0.70 135,000
135,000
Jul Add
drum companies 1 - 3 $0.91 2,400
2,900
Mar Add
drum art 1 - 3 $0.80 12,100
14,800
May Add
drum shade 1 - 3 $1.23 60,500
40,500
Aug Add
drum dial 1 - 3 $2.92 3,600
5,400
Aug Add
drum pics 1 - 3 $0.05 Not enough data
4,400
No data No data Add
base drum 1 - 3 $0.66 14,800
135,000
Mar Add
drum forums 1 - 3 $0.59 2,400
2,900
Jul Add
drum game 1 - 3 $0.40 12,100
22,200
Dec Add
drum history 1 - 3 $0.33 9,900
12,100
Feb Add
drum associates 1 - 3 $0.05 Not enough data
2,400
No data No data Add
drum battle 1 - 3 $0.48 33,100
60,500
Aug Add
drum games 1 - 3 $0.48 18,100
33,100
Dec Add
black drum 1 - 3 $1.83 110,000
90,500
Jul Add
drum core 1 - 3 $0.92 8,100
8,100
Aug Add
drum fill 1 - 3 $3.32 8,100
14,800
Dec Add
drum room 1 - 3 $0.86 5,400
5,400
May Add
drum horse 1 - 3 $0.75 2,900
3,600
Jul Add
drum master 1 - 3 $0.81 14,800
27,100
Jun Add
drum videos 1 - 3 $0.96 9,900
14,800
Jun Add
big drum 1 - 3 $0.86 14,800
22,200
Dec Add
drum cover 1 - 3 $1.77 823,000
1,000,000
Aug Add
drum tech 1 - 3 $0.80 5,400
6,600
Mar Add
small drum 1 - 3 $0.99 12,100
9,900
Mar Add
drum video 1 - 3 $0.96 33,100
60,500
Dec Add
american drum 1 - 3 $0.85 18,100
18,100
Jul Add
drum player 1 - 3 $0.84 6,600
12,100
Mar Add
drum switch 1 - 3 $1.42 4,400
3,600
Jul Add
d drum 1 - 3 $1.58 5,400
9,900
May Add
drum show 1 - 3 $0.05 Not enough data
22,200
No data No data Add
old drum 1 - 3 $0.64 14,800
22,200
Dec Add
drum online 1 - 3 $1.09 40,500
60,500
Jul Add
drum charts 1 - 3 $0.45 2,400
5,400
Jan Add
drum brands 1 - 3 $0.88 2,400
2,900
May Add
rockband drum 1 - 3 $0.05 Not enough data
33,100
No data No data Add
drum tuner 1 - 3 $1.39 4,400
8,100
Dec Add
drum tips 1 - 3 $0.61 8,100
12,100
Dec Add
drum instruction 1 - 3 $1.04 5,400
8,100
Dec Add
drum school 1 - 3 $1.32 18,100
22,200
Oct Add
drum programming 1 - 3 $0.61 2,400
4,400
Jul Add
drum pendant 1 - 3 $1.44 40,500
27,100
Aug Add
drum off 1 - 3 $0.65 40,500
40,500
Oct Add
drum trainer 1 - 3 $0.05 Not enough data
5,400
No data No data Add
drum trap 1 - 3 $1.43 5,400
4,400
Jul Add
drum fish 1 - 3 $0.81 18,100
14,800
May Add
fiber drum 1 - 3 $2.42 3,600
3,600
Jul Add
drum lesson 1 - 3 $1.20 40,500
110,000
Jul Add
drum brain 1 - 3 $0.75 3,600
5,400
Dec Add
drum lampshade 1 - 3 $0.90 6,600
4,400
Aug Add
drum symbols 1 - 3 $0.74 2,400
4,400
Dec Add
teaching drum 1 - 3 $1.36 2,900
4,400
Oct Add
drum squad 1 - 3 $0.05 Not enough data
2,900
No data No data Add
drum guitar tabs 1 - 3 $0.05 Not enough data
880
No data No data Add
rockband 2 drum 1 - 3 $0.05 Not enough data
8,100
No data No data Add
drum programs 1 - 3 $0.86 1,900
3,600
Jul Add
learn to play drums 1 - 3 $1.67 14,800
18,100
Dec Add
drum rhythm 1 - 3 $1.25 22,200
18,100
Jul Add
Add all 150 »
Download all keywords: text, .csv (for excel), .csv
Additional keywords to consider - sorted by relevance
brake 1 - 3 $1.13 7,480,000
5,000,000
Jul Add
brakes 1 - 3 $1.16 2,240,000
1,830,000
Jul Add
loops 1 - 3 $0.62 1,000,000
2,240,000
Mar Add
slingerland 1 - 3 $0.80 40,500
74,000
Jul Add
drumkits 1 - 3 $0.94 8,100
18,100
Jul Add
sheet music 1 - 3 $0.48 5,000,000
5,000,000
May Add
piano 1 - 3 $0.91 16,600,000
24,900,000
May Add
chords 1 - 3 $0.42 7,480,000
9,140,000
Apr Add
harmonica 1 - 3 $0.69 823,000
1,220,000
Dec Add
ludwig 1 - 3 $0.65 823,000
2,240,000
Apr Add
cymbal 1 - 3 $1.13 368,000
368,000
Dec Add
djembe 1 - 3 $1.08 165,000
450,000
May Add
snare 1 - 3 $0.94 673,000
823,000
Aug Add
cymbals 1 - 3 $0.85 301,000
368,000
Dec Add
beats 1 - 3 $0.45 3,350,000
4,090,000
Feb Add
guitar lessons 1 - 3 $1.90 1,000,000
1,500,000
Dec Add
drumkit 1 - 3 $0.74 22,200
74,000
Jul Add
guitar tab 1 - 3 $0.51 1,000,000
1,830,000
Feb Add
tablature 1 - 3 $0.32 246,000
1,500,000
Feb Add
guitar tabs 1 - 3 $0.29 1,830,000
3,350,000
Feb Add
bass tabs 1 - 3 $0.34 368,000
673,000
Mar Add
guitar 1 - 3 $0.95 45,500,000
68,000,000
Dec Add
percussion 1 - 3 $2.20 1,500,000
2,740,000
Aug Add
music lessons
drum machines 1 - 3 $1.19 27,100
40,500
Jul Add
drum machine 1 - 3 $1.04 201,000
301,000
Jul Add
midi drum machines 1 - 3 $0.78 260
260
Jun Add
zoom drum machines 1 - 3 $2.74 590
880
Jul Add
korg drum machines 1 - 3 $0.97 210
390
Jul Add
boss drum machines 1 - 3 $2.19 720
1,300
Jun Add
boss drum machine 1 - 3 $1.67 9,900
8,100
Jul Add
roland drum machines 1 - 3 $1.15 720
1,600
Aug Add
yamaha drum machines 1 - 3 $0.70 480
1,000
Oct Add
roland drum machine 1 - 3 $1.15 5,400
6,600
Jul Add
vst drum machines 1 - 3 $0.47 210
320
Jul Add
free drum machines 1 - 3 $0.48 880
1,300
Feb Add
best drum machines 1 - 3 $0.63 390
480
Jul Add
electronic drum machines 1 - 3 $0.93 2,400
8,100
Aug Add
hip hop drum machine 1 - 3 $0.70 720
720
Jul Add
akai drum machines 1 - 3 $0.86 390
480
Jul Add
zoom drum machine 1 - 3 $1.87 8,100
6,600
Jul Add
drum machine review 1 - 3 $0.41 720
1,000
Jun Add
drum machine reviews 1 - 3 $0.59 880
880
Jul Add
best drum machine 1 - 3 $0.71 2,900
3,600
Jul Add
software drum machines 1 - 3 $1.75 480
590
Jul Add
alesis drum machines 1 - 3 $0.95 390
720
May Add
drums machines 1 - 3 $1.68 590
880
Aug Add
analog drum machine 1 - 3 $0.74 590
1,000
Mar Add
alesis drum machine 1 - 3 $1.07 8,100
8,100
Jul Add
flash drum machine 1 - 3 $1.38 720
1,600
Mar Add
drum machines samples 1 - 3 $0.05 Not enough data
210
No data No data Add
drum machine download 1 - 3 $0.56 4,400
8,100
Jul Add
used drum machines 1 - 3 $1.27 590
390
Aug Add
buy drum machines 1 - 3 $2.74 110
91
Jun Add
drum machines reviews 1 - 3 $0.35 170
140
Jul Add
good drum machines 1 - 3 $0.05 Not enough data
91
No data No data Add
live drum machines 1 - 3 $0.05 Not enough data
260
No data No data Add
metal drum machines 1 - 3 $0.05 Not enough data
91
No data No data Add
new drum machines 1 - 3 $0.05 Not enough data
140
No data No data Add
old drum machines 1 - 3 $0.05 Not enough data
210
No data No data Add
pc drum machines 1 - 3 $2.56 260
260
Jul Add
top drum machines 1 - 3 $0.05 Not enough data
110
No data No data Add
classic drum machines 1 - 3 $0.05 Not enough data
170
No data No data Add
drum machines download 1 - 3 $0.05 Not enough data
390
No data No data Add
online drum machines 1 - 3 $1.09 720
880
Jun Add
using drum machines 1 - 3 $0.05 Not enough data
73
No data No data Add
the best drum machines 1 - 3 $0.05 Not enough data
58
No data No data Add
drum machines have no soul 1 - 3 $0.05 Not enough data
210
No data No data Add
drum machines for sale 1 - 3 $1.04 390
260
Jul Add
vinyl drum machines 1 - 3 $0.05 Not enough data
73
No data No data Add
music drum machines 1 - 3 $0.60 140
210
Oct Add
free online drum machine 1 - 3 $0.33 1,300
1,000
Feb Add
free drum machine 1 - 3 $0.51 9,900
14,800
Mar Add
tape drum machines 1 - 3 $0.05 Not enough data
210
No data No data Add
goldbaby tape drum machines 1 - 3 $0.05 Not enough data
91
No data No data Add
synth drum machine 1 - 3 $0.05 Not enough data
480
No data No data Add
used drum machine 1 - 3 $1.14 590
480
Jul Add
which drum machine 1 - 3 $0.05 Not enough data
91
No data No data Add
drum machine sounds 1 - 3 $0.05 Not enough data
390
No data No data Add
advanced drum machine 1 - 3 $0.05 Not enough data
320
No data No data Add
buy a drum machine 1 - 3 $0.05 Not enough data
46
No data No data Add
buy drum machine 1 - 3 $0.90 480
590
Jul Add
drum machine price 1 - 3 $1.11 480
320
Jul Add
drum machine prices 1 - 3 $0.05 58
91
Jul Add
drum machine sale 1 - 3 $0.05 Not enough data
720
No data No data Add
drum machine stand 1 - 3 $1.63 880
480
Aug Add
drum machine youtube 1 - 3 $0.05 Not enough data
390
No data No data Add
kids drum machine 1 - 3 $0.05 Not enough data
110
No data No data Add
live drum machine 1 - 3 $0.05 Not enough data
720
No data No data Add
mini drum machine 1 - 3 $0.05 Not enough data
110
No data No data Add
monkey drum machine 1 - 3 $0.05 Not enough data
210
No data No data Add
yellow drum machine 1 - 3 $0.05 Not enough data
1,900
No data No data Add
drum machine sound 1 - 3 $1.27 880
1,000
Dec Add
classic drum machine 1 - 3 $0.05 Not enough data
170
No data No data Add
drum machine 2 1 - 3 $0.05 Not enough data
590
No data No data Add
drum machine application 1 - 3 $0.05 Not enough data
73
No data No data Add
drum machine comparison 1 - 3 $0.05 73
91
Jul Add
drum machine for windows 1 - 3 $0.05 Not enough data
260
No data No data Add
drum machine game 1 - 3 $0.05 Not enough data
480
No data No data Add
drum machine help 1 - 3 $0.05 Not enough data
73
No data No data Add
drum machine history 1 - 3 $0.05 Not enough data
140
No data No data Add
drum machine how to 1 - 3 $0.05 Not enough data
1,600
No data No data Add
drum machine joy 1 - 3 $0.05 Not enough data
210
No data No data Add
drum machine tips 1 - 3 $0.05 Not enough data
91
No data No data Add
drum machine tutorial 1 - 3 $0.05 Not enough data
480
No data No data Add
drum machine video 1 - 3 $0.05 Not enough data
320
No data No data Add
drum machine website 1 - 3 $0.05 Not enough data
58
No data No data Add
drum machine wikipedia 1 - 3 $0.05 Not enough data
73
No data No data Add
drum machine windows 1 - 3 $0.59 480
880
Jul Add
easy drum machine 1 - 3 $0.05 Not enough data
390
No data No data Add
first drum machine 1 - 3 $0.05 Not enough data
170
No data No data Add
good drum machine 1 - 3 $0.05 Not enough data
320
No data No data Add
heart drum machine 1 - 3 $0.05 Not enough data
1,000
No data No data Add
human drum machine 1 - 3 $0.05 Not enough data
480
No data No data Add
incredible drum machine 1 - 3 $0.05 Not enough data
140
No data No data Add
interactive drum machine 1 - 3 $0.05 Not enough data
73
No data No data Add
internet drum machine 1 - 3 $0.05 Not enough data
110
No data No data Add
japanese drum machine 1 - 3 $0.05 Not enough data
140
No data No data Add
little drum machine 1 - 3 $0.05 Not enough data
480
No data No data Add
mobile drum machine 1 - 3 $0.05 Not enough data
170
No data No data Add
new drum machine 1 - 3 $1.46 390
390
Sep Add
old drum machine 1 - 3 $0.05 Not enough data
320
No data No data Add
on line drum machine 1 - 3 $0.05 110
210
Mar Add
professional drum machine 1 - 3 $0.05 Not enough data
390
No data No data Add
programmable drum machine 1 - 3 $0.05 Not enough data
210
No data No data Add
rock drum machine 1 - 3 $0.59 1,000
3,600
Sep Add
simple drum machine 1 - 3 $0.05 Not enough data
320
No data No data Add
the drum machine 1 - 3 $0.05 Not enough data
5,400
No data No data Add
top drum machine 1 - 3 $0.05 Not enough data
210
No data No data Add
touch drum machine 1 - 3 $0.05 Not enough data
320
No data No data Add
web based drum machine 1 - 3 $0.05 Not enough data
22
No data No data Add
web drum machine 1 - 3 $0.05 Not enough data
110
No data No data Add
whats the best drum machine 1 - 3 $0.05 Not enough data
22
No data No data Add
drum machine app 1 - 3 $0.05 Not enough data
170
No data No data Add
drum machine blogspot 1 - 3 $0.05 Not enough data
170
No data No data Add
drum machine forum 1 - 3 $0.05 Not enough data
210
No data No data Add
using drum machine 1 - 3 $0.05 Not enough data
320
No data No data Add
drum machine forums 1 - 3 $0.05 Not enough data
36
No data No data Add
drum machine online 1 - 3 $0.59 8,100
12,100
Mar Add
easiest drum machine 1 - 3 $0.05 Not enough data
58
No data No data Add
metal drum machine 1 - 3 $0.05 Not enough data
1,000
No data No data Add
emu drum machine 1 - 3 $0.05 Not enough data
110
No data No data Add
finger drum machine 1 - 3 $0.05 Not enough data
91
No data No data Add
drum machine ratings 1 - 3 $0.05 73
73
Jul Add
boom drum machine 1 - 3 $0.05 Not enough data
260
No data No data Add
ableton live drum machines 1 - 3 $0.05 Not enough data
170
No data No data Add
drum machine demo 1 - 3 $0.05 Not enough data
720
No data No data Add
open source drum machine 1 - 3 $0.05 Not enough data
390
No data No data Add
drum machine andrew 1 - 3 $0.05 Not enough data
390
No data No data Add
pocket drum machine 1 - 3 $0.05 Not enough data
170
No data No data Add
drum machine repair 1 - 3 $0.05 Not enough data
260
No data No data Add
drum machine programming 1 - 3 $0.05 320
320
Jul Add
drum machine for rock 1 - 3 $0.05 Not enough data
320
No data No data Add
k 400 drum machine 1 - 3 $0.05 Not enough data
73
No data No data Add
little yellow drum machine 1 - 3 $0.05 Not enough data
91
No data No data Add
the best drum machine 1 - 3 $0.69 320
390
Apr Add
pc drum machine 1 - 3 $0.90 1,000
1,900
Feb Add
broken drum machine 1 - 3 $0.05 Not enough data
390
No data No data Add
cable drum machine 1 - 3 $0.05 Not enough data
390
No data No data Add
drum machine lag 1 - 3 $0.05 Not enough data
36
No data No data Add
using a drum machine 1 - 3 $0.05 Not enough data
170
No data No data Add
stand alone drum machine 1 - 3 $0.05 Not enough data
73
No data No data Add
korg drum machine 1 - 3 $0.83 880
2,400
Dec Add
au drum machine 1 - 3 $0.05 Not enough data
140
No data No data Add
linux drum machine 1 - 3 $0.05 210
480
Dec Add
realistic drum machine 1 - 3 $0.05 Not enough data
140
No data No data Add
heart is a drum machine 1 - 3 $0.05 Not enough data
1,300
No data No data Add
drum machine for metal 1 - 3 $0.05 Not enough data
73
No data No data Add
online metal drum machine 1 - 3 $0.05 Not enough data
36
No data No data Add
drum machine wiki 1 - 3 $0.05 Not enough data
140
No data No data Add
80s drum machine 1 - 3 $0.05 Not enough data
110
No data No data Add
hash drum machine 1 - 3 $0.05 Not enough data
58
No data No data Add
synthesizer drum machine 1 - 3 $0.05 Not enough data
320
No data No data Add
arduino drum machine 1 - 3 $0.05 Not enough data
73
No data No data Add
Add all 150 »
Download all keywords: text, .csv (for excel), .csv
Additional keywords to consider - sorted by relevance
drum synths 1 - 3 $1.52 320
480
Jul Add
drum synth 1 - 3 $1.14 2,900
6,600
Jul Add
drum synthesizers 1 - 3 $1.27 210
390
May Add
synth machines 1 - 3 $0.05 Not enough data
110
No data No data Add
drum synthesizer 1 - 3 $1.13 1,300
5,400
Dec Add
drum patches 1 - 3 $0.05 Not enough data
720
No data No data Add
drum demo 1 - 3 $0.05 Not enough data
6,600
No data No data Add
drum keyboards 1 - 3 $0.05 Not enough data
720
No data No data Add
drum organ 1 - 3 $0.05 Not enough data
720
No data No data Add
drum sequencer 1 - 3 $0.98 2,900
5,400
Jul Add
drum keyboard 1 - 3 $0.87 6,600
12,100
Mar Add
drum sounds 1 - 3 $0.72 14,800
18,100
Jul Add
drum sound 1 - 3 $0.69 40,500
40,500
Jul Add
rhythm machine 1 - 3 $1.08 12,100
9,900
Jul Add
drum sampler 1 - 3 $0.85 3,600
6,600
Jul Add
drum midi 1 - 3 $0.81 27,100
40,500
Jul Add
drum cubase 1 - 3 $0.05 Not enough data
8,100
No data No data Add
drum alesis 1 - 3 $1.21 33,100
27,100
Jul Add
drum yamaha 1 - 3 $1.21 110,000
90,500
Jul Add
drum audio 1 - 3 $0.99 22,200
18,100
Jul Add
drum reason 1 - 3 $0.65 8,100
18,100
Jul Add
drum samples 1 - 3 $1.14 33,100
60,500
Jul Add
drum instrument 1 - 3 $1.22 9,900
9,900
Dec Add
sampler machines 1 - 3 $0.05 Not enough data
140
No data No data Add
drum vst 1 - 3 $0.52 6,600
22,200
Jul Add
drum sample 1 - 3 $0.76 14,800
22,200
Jul Add
drum electronic 1 - 3 $1.26 165,000
165,000
Dec Add
drum roland 1 - 3 $1.48 60,500
90,500
Jul Add
drum mpc 1 - 3 $0.72 5,400
5,400
Jun Add
electronic drums 1 - 3 $1.44 74,000
110,000
Dec Add
loops drum 1 - 3 $0.95 49,500
74,000
Jul Add
drum free 1 - 3 $0.65 110,000
165,000
Jul Add
drum beat 1 - 3 $0.58 74,000
90,500
Jul Add
drum loops 1 - 3 $0.95 49,500
74,000
Jul Add
drum sets 1 - 3 $1.60 246,000
301,000
Dec Add
drum wav 1 - 3 $0.58 6,600
12,100
Jul Add
drums 1 - 3 $1.83 5,000,000
7,480,000
Dec Add
drum percussion 1 - 3 $1.31 110,000
135,000
Dec Add
drum trak 1 - 3 $0.05 Not enough data
1,000
No data No data Add
drum music 1 - 3 $0.59 165,000
165,000
May Add
drum rythm 1 - 3 $0.05 Not enough data
1,600
No data No data Add
drum 123 1 - 3 $0.05 Not enough data
480
No data No data Add
drum patterns 1 - 3 $0.57 8,100
14,800
Jul Add
machines drum 1 - 3 $1.19 27,100
40,500
Jul Add
drum rhythm 1 - 3 $1.25 22,200
18,100
Jul Add
drum beats 1 - 3 $0.71 74,000
110,000
Dec Add
drum snare 1 - 3 $0.92 301,000
301,000
May Add
drum instruments 1 - 3 $1.32 49,500
90,500
Dec Add
drum manual 1 - 3 $0.70 3,600
3,600
Jul Add
drum editor
zildjian cymbals 1 - 3 $0.99 27,100
33,100
Jul Add
sabian cymbals 1 - 3 $0.90 22,200
18,100
Jul Add
splash cymbals 1 - 3 $1.53 2,900
2,400
Jul Add
cymbals 1 - 3 $0.85 301,000
368,000
Dec Add
ride cymbals 1 - 3 $1.06 6,600
5,400
Jul Add
paiste cymbals 1 - 3 $0.89 12,100
14,800
Jul Add
meinl cymbals 1 - 3 $1.55 8,100
9,900
Aug Add
cymbals set 1 - 3 $0.77 14,800
14,800
Nov Add
crash cymbal 1 - 3 $1.43 60,500
40,500
Aug Add
k cymbals 1 - 3 $0.85 2,900
1,900
Jul Add
hihat cymbals 1 - 3 $0.05 Not enough data
390
No data No data Add
ufip cymbals 1 - 3 $0.63 590
1,600
Aug Add
zxt cymbals 1 - 3 $0.74 1,600
1,300
Jul Add
avedis cymbals 1 - 3 $0.05 Not enough data
590
No data No data Add
aa cymbals 1 - 3 $0.05 Not enough data
720
No data No data Add
cymbals sabian 1 - 3 $0.90 22,200
18,100
Jul Add
ziljian cymbals 1 - 3 $0.05 Not enough data
320
No data No data Add
cymbals zildjian 1 - 3 $0.99 27,100
33,100
Jul Add
aax cymbals 1 - 3 $0.57 2,900
1,900
Jul Add
zildjan cymbals 1 - 3 $0.79 320
480
Jul Add
istanbul cymbals 1 - 3 $0.60 2,400
6,600
Aug Add
stagg cymbals 1 - 3 $0.56 1,300
4,400
Jun Add
drum cymbals 1 - 3 $0.98 27,100
27,100
Nov Add
drums cymbals 1 - 3 $1.12 22,200
27,100
Mar Add
rude cymbals 1 - 3 $0.05 Not enough data
720
No data No data Add
rock cymbals 1 - 3 $0.05 Not enough data
27,100
No data No data Add
yamaha cymbals 1 - 3 $0.62 590
590
Jul Add
16 cymbals 1 - 3 $0.05 Not enough data
480
No data No data Add
20 cymbals 1 - 3 $0.79 1,900
1,300
Aug Add
solar cymbals 1 - 3 $0.80 390
880
Jul Add
sabian b8 cymbals 1 - 3 $0.87 1,900
1,600
Jul Add
zildian cymbals 1 - 3 $0.88 170
260
Jul Add
bosphorus cymbals 1 - 3 $0.66 1,600
3,600
Jul Add
cymbals paiste 1 - 3 $0.89 12,100
14,800
Jul Add
agop cymbals 1 - 3 $0.05 Not enough data
480
No data No data Add
mehmet cymbals 1 - 3 $0.05 Not enough data
480
No data No data Add
anatolian cymbals 1 - 3 $0.05 Not enough data
880
No data No data Add
china cymbals 1 - 3 $1.00 2,900
4,400
Jul Add
buy cymbals 1 - 3 $1.13 4,400
6,600
Dec Add
cymbals prices 1 - 3 $0.72 590
590
May Add
dry cymbals 1 - 3 $0.05 Not enough data
73
No data No data Add
dark cymbals 1 - 3 $0.05 Not enough data
260
No data No data Add
cymbals packs 1 - 3 $1.06 390
320
Jul Add
tama cymbals 1 - 3 $0.97 1,300
880
Aug Add
cymbal set 1 - 3 $0.95 14,800
12,100
Jul Add
cymbal sets 1 - 3 $1.40 1,300
1,900
May Add
drumset cymbals 1 - 3 $0.05 Not enough data
260
No data No data Add
electronic cymbals 1 - 3 $1.01 1,900
1,600
Dec Add
mienl cymbals 1 - 3 $0.05 Not enough data
110
No data No data Add
rockband2 cymbals 1 - 3 $0.05 Not enough data
260
No data No data Add
hammerax cymbals 1 - 3 $0.05 Not enough data
170
No data No data Add
ride cymbal 1 - 3 $1.35 40,500
27,100
Jul Add
cymbals ebay 1 - 3 $0.05 Not enough data
480
No data No data Add
used cymbals 1 - 3 $1.03 3,600
3,600
Jul Add
zildgian cymbals 1 - 3 $1.07 110
140
Jul Add
silken cymbals 1 - 3 $0.05 Not enough data
58
No data No data Add
18 cymbals 1 - 3 $0.05 Not enough data
720
No data No data Add
tosco cymbals 1 - 3 $0.05 Not enough data
210
No data No data Add
14 cymbals 1 - 3 $0.05 Not enough data
590
No data No data Add
22 cymbals 1 - 3 $0.05 Not enough data
260
No data No data Add
best cymbals 1 - 3 $0.69 1,900
1,900
Dec Add
cymbals wikipedia 1 - 3 $0.05 Not enough data
210
No data No data Add
my cymbals 1 - 3 $0.05 Not enough data
480
No data No data Add
paragon cymbals 1 - 3 $1.40 880
590
Jul Add
paste cymbals 1 - 3 $0.59 260
480
Jul Add
free cymbals 1 - 3 $0.05 Not enough data
390
No data No data Add
z cymbals 1 - 3 $0.05 Not enough data
1,600
No data No data Add
polish cymbals 1 - 3 $0.05 260
170
Aug Add
broken cymbals 1 - 3 $0.05 Not enough data
260
No data No data Add
avanti cymbals 1 - 3 $0.05 Not enough data
58
No data No data Add
agazarian cymbals 1 - 3 $0.05 Not enough data
320
No data No data Add
cymbals wiki 1 - 3 $0.05 Not enough data
320
No data No data Add
china cymbal 1 - 3 $0.92 18,100
18,100
Aug Add
cheap cymbals 1 - 3 $0.92 3,600
4,400
Jul Add
ps3 cymbals 1 - 3 $0.05 Not enough data
390
No data No data Add
world tour cymbals 1 - 3 $0.05 Not enough data
880
No data No data Add
phallic cymbals 1 - 3 $0.05 Not enough data
36
No data No data Add
bettis cymbals 1 - 3 $0.05 Not enough data
58
No data No data Add
rb2 cymbals 1 - 3 $0.05 Not enough data
390
No data No data Add
osp cymbals 1 - 3 $0.05 Not enough data
58
No data No data Add
zilco cymbals 1 - 3 $0.05 Not enough data
91
No data No data Add
xs20 cymbals 1 - 3 $0.05 Not enough data
320
No data No data Add
soultone cymbals 1 - 3 $0.05 Not enough data
1,000
No data No data Add
avedis zildjian cymbals 1 - 3 $1.13 480
480
May Add
b8 cymbals 1 - 3 $0.05 Not enough data
1,600
No data No data Add
sabien cymbals 1 - 3 $0.05 Not enough data
140
No data No data Add
spizzichino cymbals 1 - 3 $0.05 Not enough data
260
No data No data Add
hh cymbals 1 - 3 $0.05 Not enough data
170
No data No data Add
zht cymbals 1 - 3 $0.05 Not enough data
590
No data No data Add
tingsha cymbals 1 - 3 $0.05 Not enough data
170
No data No data Add
pastie cymbals 1 - 3 $1.23 210
480
May Add
constantinople cymbals 1 - 3 $0.05 Not enough data
260
No data No data Add
krest cymbals 1 - 3 $0.05 Not enough data
590
No data No data Add
diril cymbals 1 - 3 $0.05 Not enough data
590
No data No data Add
krut cymbals 1 - 3 $0.05 Not enough data
73
No data No data Add
zildjian avedis cymbals 1 - 3 $1.13 480
480
May Add
sabian aax cymbals 1 - 3 $0.63 1,900
1,600
Jul Add
zildjian k cymbals 1 - 3 $0.89 1,600
1,300
Jul Add
z custom cymbals 1 - 3 $0.05 Not enough data
260
No data No data Add
sabian aa cymbals 1 - 3 $0.05 Not enough data
480
No data No data Add
zildjian planet z cymbals 1 - 3 $0.05 Not enough data
320
No data No data Add
sabian solar cymbals 1 - 3 $0.84 210
390
Jul Add
saluda cymbals 1 - 3 $0.64 1,000
1,300
Apr Add
cymbals sound 1 - 3 $1.09 1,000
1,000
Jul Add
music cymbals 1 - 3 $0.54 1,900
1,900
Jun Add
jazz cymbals 1 - 3 $0.79 880
720
Aug Add
used zildjian cymbals 1 - 3 $1.24 720
480
Jul Add
best zildjian cymbals 1 - 3 $0.05 Not enough data
140
No data No data Add
madcatz cymbals 1 - 3 $0.05 Not enough data
1,300
No data No data Add
used sabian cymbals 1 - 3 $0.05 Not enough data
140
No data No data Add
mad catz cymbals 1 - 3 $0.05 Not enough data
2,900
No data No data Add
drum cymbal 1 - 3 $0.92 14,800
12,100
Dec Add
cymbal stands 1 - 3 $1.31 6,600
8,100
Jul Add
ghwt cymbals 1 - 3 $0.05 Not enough data
210
No data No data Add
toy cymbals 1 - 3 $0.32 1,300
1,000
Jul Add
discount cymbals 1 - 3 $1.42 480
390
Aug Add
yeasayer all hour cymbals 1 - 3 $0.05 Not enough data
1,000
No data No data Add
cymbals sale 1 - 3 $0.71 5,400
4,400
Jun Add
white cymbals 1 - 3 $0.05 Not enough data
480
No data No data Add
hand cymbals 1 - 3 $0.75 2,900
2,400
Aug Add
surge cymbals 1 - 3 $0.05 Not enough data
1,600
No data No data Add
all hours cymbals 1 - 3 $0.05 Not enough data
170
No data No data Add
surge cymbals review 1 - 3 $0.05 Not enough data
170
No data No data Add
planet z cymbals 1 - 3 $0.55 720
1,000
Jun Add
dream cymbals review 1 - 3 $0.05 Not enough data
36
No data No data Add
black cymbals 1 - 3 $0.66 6,600
6,600
Mar Add
buying cymbals 1 - 3 $0.05 Not enough data
170
No data No data Add
cymbals history 1 - 3 $0.05 Not enough data
590
No data No data Add
cymbals online 1 - 3 $0.71 260
390
May Add
cymbals only 1 - 3 $0.36 590
1,000
Jul Add
good cymbals 1 - 3 $0.05 Not enough data
480
No data No data Add
new cymbals 1 - 3 $0.05 Not enough data
720
No data No data Add
small cymbals 1 - 3 $0.05 Not enough data
480
No data No data Add
the cymbals 1 - 3 $0.05 Not enough data
1,900
No data No data Add
make cymbals 1 - 3 $0.05 Not enough data
590
No data No data Add
old cymbals 1 - 3 $0.05 Not enough data
320
No data No data Add
effect cymbals 1 - 3 $0.05 Not enough data
320
No data No data Add
virtual cymbals 1 - 3 $0.05 Not enough data
170
No data No data Add
cymbals reviews 1 - 3 $0.31 590
590
Mar Add
metal cymbals 1 - 3 $0.05 Not enough data
1,300
No data No data Add
the best cymbals 1 - 3 $0.05 Not enough data
320
No data No data Add
pitch black cymbals 1 - 3 $0.05 Not enough data
1,900
No data No data Add
chinese cymbals 1 - 3 $0.60 480
590
Jul Add
dream cymbals 1 - 3 $0.81 2,900
2,900
Jul Add
prototype cymbals 1 - 3 $0.05 Not enough data
73
No data No data Add
suspended cymbals 1 - 3 $0.05 320
210
Jul Add
high hat cymbals 1 - 3 $0.70 1,300
1,000
Dec Add
turkish cymbals 1 - 3 $0.47 480
1,600
May Add
silver cymbals 1 - 3 $0.05 Not enough data
260
No data No data Add
bronze cymbals 1 - 3 $0.05 Not enough data
320
No data No data Add
Add all 150 »
Download all keywords: text, .csv (for excel), .csv
Additional keywords to consider - sorted by relevance
snare 1 - 3 $0.94 673,000
823,000
Aug Add
stagg 1 - 3 $0.70 110,000
368,000
Dec Add
ludwig drums 1 - 3 $1.66 40,500
74,000
Dec Add
drum sticks 1 - 3 $1.10 110,000
110,000
Dec Add
drummer 1 - 3 $0.56 1,220,000
2,240,000
Dec Add
tama drums 1 - 3 $1.32 27,100
74,000
Mar Add
bosphorus 1 - 3 $0.92 27,100
135,000
Mar Add
musical instruments 1 - 3 $1.19 2,240,000
9,140,000
Aug Add
snare drums 1 - 3 $1.15 60,500
74,000
Aug Add
drumset 1 - 3 $1.48 90,500
165,000
Dec Add
drum hardware 1 - 3 $1.00 33,100
27,100
Jul Add
gongs 1 - 3 $0.93 40,500
40,500
May Add
drum sets cymbals 1 - 3 $1.36 2,900
2,900
Nov Add
pearl 1 - 3 $1.32 13,600,000
16,600,000
Mar Add
ludwig 1 - 3 $0.65 823,000
2,240,000
Apr Add
avedis 1 - 3 $0.78 9,900
27,100
Mar Add
drumsticks 1 - 3 $1.12 165,000
246,000
Dec Add
instruments 1 - 3 $0.93 6,120,000
13,600,000
Aug Add
meinl 1 - 3 $0.97 110,000
246,000
Jul Add
bongo drums 1 - 3 $1.04 22,200
33,100
Dec Add
paiste 1 - 3 $1.09 110,000
246,000
Jul Add
pearl drums 1 - 3 $1.64 74,000
135,000
Mar Add
hihat 1 - 3 $1.49 9,900
40,500
Mar Add
hi hat 1 - 3 $0.89 90,500
135,000
Jul Add
ziljian 1 - 3 $0.59 2,400
4,400
Apr Add
zildjan 1 - 3 $0.61 2,900
9,900
Jul Add
zildian 1 - 3 $0.63 1,900
3,600
Jul Add
sabian b8 1 - 3 $0.64 22,200
22,200
Jul Add
avedis zildjian 1 - 3 $0.76 5,400
12,100
Jun Add
cymbalholic 1 - 3 $0.05 Not enough data
1,900
No data No data Add
zildjian zbt 1 - 3 $0.84 14,800
14,800
Jul Add
hi hats 1 - 3 $0.71 27,100
33,100
Aug Add
drum kits 1 - 3 $1.11 135,000
246,000
Jul Add
hi hats cymbals 1 - 3 $0.05 Not enough data
480
No data No data Add
sabian 1 - 3 $0.92 201,000
301,000
Jul Add
percussion 1 - 3 $2.20 1,500,000
2,740,000
Aug Add
drums 1 - 3 $1.83 5,000,000
7,480,000
Dec Add
drum sets 1 - 3 $1.60 246,000
301,000
Dec Add
drum set 1 - 3 $1.15 823,000
823,000
Dec Add
zildjian 1 - 3 $0.96 246,000
368,000
Jul Add
hi hat cymbals 1 - 3 $0.72 12,100
8,100
Aug Add
heavy cymbals 1 - 3 $0.05 Not enough data
170
No data No data Add
snare cymbals 1 - 3 $0.05 Not enough data
110
No data No data Add
cymbals stand 1 - 3 $0.95 720
720
Apr Add
snare drum 1 - 3 $0.94 301,000
301,000
May Add
yamaha drums
keyboards 1 - 3 $2.10 2,240,000
2,240,000
Aug Add
wireless keyboard 1 - 3 $1.67 823,000
823,000
Jul Add
ergonomic keyboard 1 - 3 $1.50 135,000
110,000
Jul Add
bluetooth keyboard 1 - 3 $1.34 246,000
246,000
Jul Add
portable keyboard 1 - 3 $1.32 135,000
110,000
Dec Add
mini keyboard 1 - 3 $1.14 110,000
110,000
Jul Add
keyboard 1 - 3 $1.28 11,100,000
13,600,000
Jul Add
cordless keyboard 1 - 3 $1.21 90,500
90,500
Dec Add
wireless keyboards 1 - 3 $1.90 74,000
74,000
Dec Add
keyboard mouse 1 - 3 $1.49 673,000
550,000
Jul Add
usb keyboard 1 - 3 $1.29 450,000
368,000
Jul Add
ergonomic keyboards 1 - 3 $2.33 14,800
18,100
May Add
laptop keyboard 1 - 3 $1.90 301,000
201,000
Jul Add
touchpad keyboard 1 - 3 $1.29 74,000
74,000
Dec Add
computer keyboards 1 - 3 $1.73 368,000
301,000
Aug Add
multimedia keyboard 1 - 3 $0.88 90,500
74,000
Jul Add
logitech keyboard 1 - 3 $0.85 550,000
450,000
Aug Add
korg keyboard 1 - 3 $1.37 33,100
49,500
Jul Add
roland keyboard 1 - 3 $1.17 49,500
74,000
Jul Add
piano keyboard 1 - 3 $1.00 301,000
550,000
Dec Add
yamaha keyboard 1 - 3 $1.33 301,000
368,000
Dec Add
music keyboard 1 - 3 $0.79 165,000
201,000
Dec Add
midi keyboard 1 - 3 $1.48 165,000
246,000
Dec Add
keyboard layout 1 - 3 $0.74 90,500
165,000
Jul Add
keyboard wireless 1 - 3 $1.67 823,000
823,000
Jul Add
dvorak keyboard 1 - 3 $0.47 22,200
33,100
Mar Add
keyboard keys 1 - 3 $1.11 165,000
135,000
Aug Add
computer keyboard 1 - 3 $2.20 301,000
301,000
Jul Add
programmable keyboard 1 - 3 $1.82 12,100
9,900
Jul Add
palm keyboard 1 - 3 $1.51 74,000
49,500
Jul Add
stowaway keyboard 1 - 3 $0.76 27,100
33,100
Jun Add
pda keyboard 1 - 3 $1.65 40,500
40,500
Jul Add
wireless keyboard and mouse 1 - 3 $1.88 165,000
110,000
Jul Add
compaq keyboard 1 - 3 $1.28 40,500
40,500
May Add
split keyboard 1 - 3 $1.50 14,800
12,100
Jul Add
buy keyboard 1 - 3 $1.28 33,100
33,100
Jul Add
small keyboard 1 - 3 $1.88 14,800
18,100
Jul Add
best keyboard 1 - 3 $0.87 60,500
74,000
Aug Add
keyboard synthesizer 1 - 3 $1.36 18,100
14,800
Aug Add
keyboard typing 1 - 3 $0.74 40,500
40,500
Aug Add
keyboard sound 1 - 3 $1.11 12,100
14,800
Apr Add
keyboard trackball 1 - 3 $1.53 60,500
49,500
Jul Add
keyboard accessories 1 - 3 $2.26 40,500
49,500
Dec Add
notebook keyboard 1 - 3 $1.50 49,500
40,500
Dec Add
hp keyboard 1 - 3 $1.72 201,000
135,000
Jul Add
touch keyboard 1 - 3 $1.15 74,000
74,000
Aug Add
illuminated keyboard 1 - 3 $0.85 110,000
90,500
Aug Add
qwerty keyboard 1 - 3 $1.33 110,000
90,500
Aug Add
belkin keyboard 1 - 3 $1.06 33,100
27,100
Jul Add
keyboard problem 1 - 3 $0.83 22,200
40,500
Jul Add
microsoft keyboard 1 - 3 $0.84 301,000
301,000
Jul Add
targus keyboard 1 - 3 $0.79 12,100
9,900
Jul Add
keypad keyboard 1 - 3 $1.53 12,100
9,900
Apr Add
blue tooth keyboard 1 - 3 $1.60 9,900
9,900
Jul Add
wireless keyboard mouse 1 - 3 $1.82 301,000
201,000
Jul Add
pc keyboards 1 - 3 $1.72 12,100
18,100
Jul Add
keyboard instrument 1 - 3 $1.54 27,100
33,100
Dec Add
used keyboard 1 - 3 $0.99 14,800
12,100
Jul Add
custom keyboard 1 - 3 $2.53 12,100
12,100
Jul Add
white keyboard 1 - 3 $0.99 40,500
33,100
Aug Add
large keyboard 1 - 3 $2.05 22,200
18,100
Jul Add
at keyboard 1 - 3 $0.67 27,100
27,100
Aug Add
keyboard help 1 - 3 $1.29 6,600
8,100
Jan Add
keyboard history 1 - 3 $0.33 3,600
6,600
Feb Add
keyboard images 1 - 3 $0.89 3,600
4,400
Apr Add
keyboard light 1 - 3 $0.84 33,100
33,100
Aug Add
keyboard review 1 - 3 $0.58 40,500
49,500
Jul Add
keyboard reviews 1 - 3 $0.55 27,100
22,200
Jul Add
keyboard sale 1 - 3 $1.44 14,800
22,200
Jul Add
keyboard slide 1 - 3 $1.41 18,100
14,800
Jul Add
keyboard world 1 - 3 $0.05 Not enough data
14,800
No data No data Add
mechanical keyboard 1 - 3 $1.08 5,400
4,400
Aug Add
mobile keyboard 1 - 3 $1.94 22,200
33,100
Aug Add
soft keyboard 1 - 3 $0.97 12,100
12,100
Jul Add
keyboard image 1 - 3 $1.02 4,400
6,600
Apr Add
keyboard picture 1 - 3 $1.21 14,800
18,100
Jul Add
keyboard price 1 - 3 $1.09 12,100
18,100
Jun Add
old keyboard 1 - 3 $0.86 6,600
6,600
Jul Add
phone keyboard 1 - 3 $1.42 74,000
60,500
Aug Add
cheap keyboard 1 - 3 $1.64 22,200
18,100
Jul Add
good keyboard 1 - 3 $0.85 8,100
5,400
Aug Add
keyboard issues 1 - 3 $0.05 Not enough data
4,400
No data No data Add
new keyboard 1 - 3 $1.30 60,500
40,500
Aug Add
keyboard pictures 1 - 3 $0.82 22,200
18,100
Aug Add
keyboard prices 1 - 3 $1.16 6,600
8,100
Dec Add
quiet keyboard 1 - 3 $1.22 4,400
4,400
May Add
pocketcm keyboard 1 - 3 $0.05 Not enough data
5,400
No data No data Add
keyboard kid 1 - 3 $0.89 22,200
27,100
Jun Add
keyboard player 1 - 3 $0.85 22,200
33,100
Jul Add
keyboard types 1 - 3 $0.75 5,400
6,600
Mar Add
international keyboard 1 - 3 $0.66 8,100
9,900
Aug Add
uk keyboard 1 - 3 $1.01 9,900
40,500
Jul Add
keyboard map 1 - 3 $0.78 8,100
14,800
Mar Add
keyboard game 1 - 3 $0.63 14,800
27,100
May Add
storm keyboard 1 - 3 $0.80 8,100
8,100
Mar Add
silent keyboard 1 - 3 $1.82 4,400
6,600
Mar Add
thin keyboard 1 - 3 $1.29 8,100
8,100
Jan Add
standard keyboard 1 - 3 $0.92 27,100
22,200
Jul Add
cool keyboard 1 - 3 $0.69 14,800
9,900
Aug Add
keyboard cover 1 - 3 $1.78 90,500
74,000
Aug Add
keyboard functions 1 - 3 $1.13 6,600
9,900
Aug Add
das keyboard 1 - 3 $0.36 9,900
22,200
Oct Add
keyboard template 1 - 3 $1.13 3,600
3,600
Jul Add
blank keyboard 1 - 3 $0.55 6,600
6,600
Aug Add
keyboard faces 1 - 3 $0.05 Not enough data
6,600
No data No data Add
alternate keyboard 1 - 3 $0.05 Not enough data
1,900
No data No data Add
phone with keyboard 1 - 3 $1.53 14,800
12,100
Aug Add
pictures with keyboard 1 - 3 $0.05 Not enough data
2,900
No data No data Add
keyboard hero 1 - 3 $0.05 Not enough data
9,900
No data No data Add
eee keyboard 1 - 3 $0.05 Not enough data
27,100
No data No data Add
synth keyboard 1 - 3 $1.63 6,600
8,100
Aug Add
travel keyboard 1 - 3 $1.14 6,600
5,400
Jul Add
keyboard art 1 - 3 $0.96 12,100
12,100
Jul Add
keyboard sounds 1 - 3 $0.50 6,600
6,600
Aug Add
keyboard numbers 1 - 3 $0.87 8,100
6,600
Aug Add
keyboard wiki 1 - 3 $0.05 Not enough data
4,400
No data No data Add
electric keyboard 1 - 3 $1.04 22,200
27,100
Dec Add
keyboard download 1 - 3 $0.56 40,500
90,500
Jul Add
aluminum keyboard 1 - 3 $1.21 18,100
12,100
Aug Add
full keyboard phone 1 - 3 $1.51 9,900
8,100
Jun Add
lit keyboard 1 - 3 $0.88 3,600
3,600
May Add
electronic keyboard 1 - 3 $1.25 74,000
74,000
Dec Add
keyboard cases 1 - 3 $2.16 9,900
9,900
Jan Add
optical keyboard 1 - 3 $1.09 60,500
49,500
Jul Add
pink keyboard 1 - 3 $0.66 18,100
22,200
Dec Add
keyboard tutorial 1 - 3 $0.44 12,100
27,100
Jul Add
wave keyboard 1 - 3 $0.92 22,200
33,100
Jan Add
roland keyboards 1 - 3 $2.39 22,200
49,500
Aug Add
electronic keyboards 1 - 3 $1.51 22,200
27,100
Dec Add
piano keyboards 1 - 3 $1.41 49,500
60,500
Dec Add
music keyboards 1 - 3 $1.27 49,500
40,500
Jun Add
keyboard filter 1 - 3 $0.73 1,900
6,600
May Add
cheap keyboards 1 - 3 $1.62 9,900
9,900
Jul Add
english keyboard 1 - 3 $0.72 33,100
33,100
Aug Add
maximus keyboard 1 - 3 $0.05 Not enough data
14,800
No data No data Add
yamaha keyboards 1 - 3 $1.60 74,000
165,000
Dec Add
neko keyboard 1 - 3 $0.64 2,400
2,400
Apr Add
btc keyboard 1 - 3 $0.87 14,800
12,100
Mar Add
french keyboard 1 - 3 $0.60 14,800
33,100
Jul Add
battery keyboard 1 - 3 $1.28 5,400
3,600
Aug Add
logitech wireless keyboard 1 - 3 $1.38 60,500
49,500
Aug Add
heart on keyboard 1 - 3 $0.05 Not enough data
1,900
No data No data Add
pc keyboard 1 - 3 $1.36 110,000
135,000
Jul Add
rubber keyboard 1 - 3 $1.18 8,100
8,100
Aug Add
keyboard ergonomic 1 - 3 $1.50 135,000
110,000
Jul Add
black keyboard 1 - 3 $0.95 165,000
135,000
Jan Add
foldable keyboard 1 - 3 $1.56 22,200
18,100
Jul Add
steampunk keyboard 1 - 3 $0.05 Not enough data
2,900
No data No data Add
nord keyboard 1 - 3 $1.45 3,600
3,600
Aug Add
led keyboard 1 - 3 $1.01 9,900
14,800
Dec Add
Add all 150 »
Download all keywords: text, .csv (for excel), .csv
Additional keywords to consider - sorted by relevance
musical instruments 1 - 3 $1.14 2,240,000
9,140,000
Aug Add
instrument 1 - 3 $1.18 3,350,000
4,090,000
Jul Add
qwerty 1 - 3 $1.13 301,000
673,000
Mar Add
mouse pad 1 - 3 $1.88 450,000
368,000
Dec Add
sounds 1 - 3 $0.53 5,000,000
6,120,000
Apr Add
trackball 1 - 3 $1.41 550,000
450,000
Aug Add
gyration 1 - 3 $0.94 74,000
74,000
May Add
pianos 1 - 3 $1.14 550,000
1,000,000
Jul Add
digital piano 1 - 3 $1.42 301,000
301,000
Dec Add
digital pianos 1 - 3 $1.62 40,500
135,000
Dec Add
touchpad 1 - 3 $1.17 368,000
673,000
Aug Add
stowaway 1 - 3 $1.42 110,000
110,000
Jul Add
numeric keypad 1 - 3 $1.64 49,500
40,500
Jan Add
yamaha 1 - 3 $0.59 24,900,000
37,200,000
Jul Add
piano 1 - 3 $0.91 16,600,000
24,900,000
May Add
roland 1 - 3 $0.77 2,240,000
9,140,000
Jun Add
laptop 1 - 3 $2.95 45,500,000
37,200,000
Jul Add
synth 1 - 3 $0.97 301,000
673,000
Jul Add
synthesizer 1 - 3 $1.81 301,000
823,000
Jun Add
mouse 1 - 3 $0.97 13,600,000
20,400,000
Aug Add
key board 1 - 3 $1.06 90,500
165,000
May Add
keyboard and mouse 1 - 3 $1.40 368,000
246,000
Jul Add
optical mouse 1 - 3 $1.15 823,000
673,000
Jul Add
wireless mouse 1 - 3 $1.42 1,220,000
1,000,000
Aug Add
electric piano 1 - 3 $1.19 60,500
90,500
Jul Add
yamaha digital piano 1 - 3 $1.44 60,500
74,000
Dec Add
computer mouse 1 - 3 $1.40 301,000
450,000
Jul Add
piano lesson 1 - 3 $1.32 165,000
246,000
May Add
piano music
digital pianos 1 - 3 $1.62 40,500
135,000
Dec Add
roland digital piano 1 - 3 $1.27 22,200
27,100
Jul Add
yamaha digital piano 1 - 3 $1.44 60,500
74,000
Dec Add
buy digital piano 1 - 3 $1.22 1,900
2,400
May Add
korg digital piano 1 - 3 $1.28 4,400
3,600
Jul Add
digital grand piano 1 - 3 $1.51 18,100
14,800
Dec Add
used digital piano 1 - 3 $1.15 2,400
2,900
May Add
casio digital piano 1 - 3 $1.94 60,500
40,500
Aug Add
kurzweil digital piano 1 - 3 $1.10 3,600
3,600
May Add
kawai digital piano 1 - 3 $1.13 9,900
12,100
May Add
digital piano 1 - 3 $1.42 301,000
301,000
Dec Add
technics digital piano 1 - 3 $1.07 3,600
5,400
Jun Add
digital piano sale 1 - 3 $1.37 2,400
3,600
Jul Add
digital piano comparison 1 - 3 $1.18 720
720
May Add
digital piano keyboard 1 - 3 $1.32 8,100
9,900
Dec Add
digital piano reviews 1 - 3 $0.78 4,400
4,400
Dec Add
digital piano compare 1 - 3 $1.36 480
590
May Add
suzuki digital piano 1 - 3 $1.48 22,200
22,200
Dec Add
yamaha clavinova digital piano 1 - 3 $1.23 2,900
2,900
Jul Add
digital piano prices 1 - 3 $1.33 1,300
1,000
Jul Add
digital piano 88 key 1 - 3 $1.99 40,500
33,100
Dec Add
digital piano keyboards 1 - 3 $1.55 6,600
9,900
Sep Add
digital piano music 1 - 3 $0.58 2,900
2,900
Dec Add
digital piano review 1 - 3 $0.64 5,400
5,400
Jul Add
best digital piano 1 - 3 $0.87 3,600
4,400
May Add
digital pianos for sale 1 - 3 $1.37 1,600
1,600
Aug Add
roland digital pianos 1 - 3 $1.48 2,900
6,600
Jun Add
yamaha digital pianos 1 - 3 $1.75 5,400
22,200
Dec Add
pianos digital 1 - 3 $1.62 40,500
135,000
Dec Add
viscount digital piano 1 - 3 $0.77 320
260
Jul Add
electric digital piano 1 - 3 $1.50 390
720
Jan Add
digital piano dealers 1 - 3 $1.61 320
320
May Add
digital piano price 1 - 3 $1.25 2,400
1,900
May Add
digital piano action 1 - 3 $1.25 12,100
6,600
Aug Add
stage digital piano 1 - 3 $1.04 5,400
4,400
Aug Add
mini digital piano 1 - 3 $0.05 Not enough data
590
No data No data Add
clavinova digital piano 1 - 3 $1.21 3,600
4,400
Jul Add
digital piano weighted 1 - 3 $1.39 14,800
8,100
Aug Add
digital piano 88 1 - 3 $1.60 49,500
40,500
Dec Add
electronic digital piano 1 - 3 $1.43 720
880
May Add
acoustic digital piano 1 - 3 $0.05 Not enough data
720
No data No data Add
digital piano organ 1 - 3 $0.05 Not enough data
260
No data No data Add
yamaha ydp223 digital piano 1 - 3 $2.51 5,400
2,900
Aug Add
ydp223 digital piano 1 - 3 $2.43 5,400
2,900
Aug Add
upright digital piano 1 - 3 $1.17 720
590
May Add
portable digital piano 1 - 3 $0.93 8,100
9,900
Dec Add
yamaha digital piano review 1 - 3 $0.76 720
880
Jun Add
kawai digital pianos 1 - 3 $1.25 1,300
1,900
Jul Add
digital piano stand 1 - 3 $2.10 4,400
4,400
Dec Add
casio digital piano review 1 - 3 $0.69 590
720
May Add
digital piano bench 1 - 3 $0.05 Not enough data
880
No data No data Add
kawai es1 digital piano 1 - 3 $0.05 Not enough data
140
No data No data Add
digital piano keys 1 - 3 $0.05 Not enough data
1,900
No data No data Add
casio digital pianos 1 - 3 $2.32 2,400
2,400
Jun Add
technics digital pianos 1 - 3 $1.54 590
720
Jul Add
home digital piano 1 - 3 $1.93 22,200
18,100
Dec Add
discount digital piano 1 - 3 $1.45 480
480
Jul Add
cheap digital piano 1 - 3 $1.23 1,000
1,300
Dec Add
digital piano sales 1 - 3 $1.21 390
480
May Add
baldwin digital piano 1 - 3 $0.96 480
480
Aug Add
digital piano for sale 1 - 3 $1.49 1,300
2,900
May Add
digital piano store 1 - 3 $1.60 480
390
Aug Add
digital piano dealer 1 - 3 $1.41 320
260
May Add
digital piano ratings 1 - 3 $1.36 320
320
Jul Add
digital piano pedal 1 - 3 $0.05 Not enough data
320
No data No data Add
digital piano rating 1 - 3 $1.83 260
210
May Add
yamaha p120 digital piano 1 - 3 $1.29 1,000
1,000
Dec Add
yamaha digital piano price 1 - 3 $1.13 590
720
May Add
concert digital piano 1 - 3 $0.05 Not enough data
320
No data No data Add
yamaha digital piano sale 1 - 3 $1.41 320
390
Jul Add
yamaha p250 digital piano 1 - 3 $1.08 110
140
May Add
yamaha digital piano keyboard 1 - 3 $1.32 1,300
1,300
Dec Add
digital piano sounds 1 - 3 $0.05 Not enough data
110
No data No data Add
digital forum piano 1 - 3 $0.83 Not enough data
Not enough data
Dec Add
digital grand pianos 1 - 3 $1.77 1,900
1,600
Jul Add
digital baby grand piano 1 - 3 $1.36 6,600
4,400
Jul Add
digital player piano 1 - 3 $1.62 1,000
1,000
May Add
yamaha digital grand piano 1 - 3 $1.90 3,600
6,600
Dec Add
digital mini grand piano 1 - 3 $1.33 720
720
Jul Add
yamaha digital baby grand piano 1 - 3 $0.05 Not enough data
320
No data No data Add
used yamaha digital piano 1 - 3 $1.35 480
390
Jul Add
88 digital key piano yamaha 1 - 3 $1.72 Not enough data
Not enough data
Dec Add
gem digital piano 1 - 3 $1.11 390
590
May Add
valdesta digital piano 1 - 3 $1.30 480
480
Jul Add
suzuki digital grand piano 1 - 3 $1.46 4,400
2,400
Jul Add
buy digital pianos 1 - 3 $1.12 320
320
Jul Add
casio px110 privia digital piano 1 - 3 $0.05 Not enough data
4,400
No data No data Add
cheap digital pianos 1 - 3 $2.18 480
590
Jul Add
best digital pianos 1 - 3 $0.88 880
1,000
Jul Add
korg digital pianos 1 - 3 $1.43 880
880
Nov Add
yamaha p60 digital piano 1 - 3 $1.77 720
590
May Add
digital p70 piano yamaha 1 - 3 $1.18 Not enough data
Not enough data
Aug Add
casio privia digital piano 1 - 3 $2.23 27,100
22,200
Dec Add
digital piano weighted keys 1 - 3 $1.55 3,600
1,900
Aug Add
digital piano repairs 1 - 3 $0.05 Not enough data
480
No data No data Add
digital piano uk 1 - 3 $0.92 480
1,000
May Add
p155 digital piano 1 - 3 $0.05 Not enough data
46
No data No data Add
second hand digital piano 1 - 3 $0.89 91
880
Jul Add
inexpensive digital piano 1 - 3 $0.05 Not enough data
58
No data No data Add
where to buy digital piano 1 - 3 $0.05 Not enough data
91
No data No data Add
cheapest digital piano 1 - 3 $0.05 Not enough data
260
No data No data Add
piano vs digital piano 1 - 3 $0.05 Not enough data
170
No data No data Add
affordable digital piano 1 - 3 $0.05 Not enough data
110
No data No data Add
arius digital piano 1 - 3 $0.05 Not enough data
1,300
No data No data Add
buying digital piano 1 - 3 $1.18 480
480
Jul Add
digital piano accessories 1 - 3 $1.92 320
480
Dec Add
digital piano black 1 - 3 $0.05 Not enough data
2,400
No data No data Add
digital piano brand 1 - 3 $0.05 Not enough data
110
No data No data Add
digital piano clearance 1 - 3 $0.65 28
91
Dec Add
digital piano computer 1 - 3 $0.05 Not enough data
210
No data No data Add
digital piano cost 1 - 3 $0.05 Not enough data
170
No data No data Add
digital piano cover 1 - 3 $1.73 480
390
Jun Add
digital piano covers 1 - 3 $0.05 Not enough data
140
No data No data Add
digital piano deal 1 - 3 $0.05 Not enough data
58
No data No data Add
digital piano deals 1 - 3 $0.05 Not enough data
73
No data No data Add
digital piano dimensions 1 - 3 $0.05 Not enough data
91
No data No data Add
digital piano game 1 - 3 $0.05 Not enough data
36
No data No data Add
digital piano guide 1 - 3 $0.80 1,000
880
Jul Add
digital piano history 1 - 3 $0.05 Not enough data
73
No data No data Add
digital piano pricing 1 - 3 $0.05 Not enough data
73
No data No data Add
digital piano recommendations 1 - 3 $0.05 Not enough data
46
No data No data Add
digital piano stores 1 - 3 $2.21 320
260
Jul Add
digital piano touch 1 - 3 $0.05 Not enough data
170
No data No data Add
duality digital piano 1 - 3 $0.05 Not enough data
58
No data No data Add
entry level digital piano 1 - 3 $0.05 Not enough data
28
No data No data Add
first digital piano 1 - 3 $0.05 Not enough data
46
No data No data Add
fix digital piano 1 - 3 $0.05 Not enough data
58
No data No data Add
good digital piano 1 - 3 $0.05 Not enough data
260
No data No data Add
markpro digital piano 1 - 3 $0.05 Not enough data
22
No data No data Add
new digital piano 1 - 3 $1.36 880
720
Sep Add
purchase digital piano 1 - 3 $0.95 73
58
Aug Add
rent digital piano 1 - 3 $0.05 Not enough data
170
No data No data Add
small digital piano 1 - 3 $0.05 Not enough data
91
No data No data Add
top digital piano 1 - 3 $0.05 Not enough data
170
No data No data Add
weber digital piano 1 - 3 $1.38 390
260
May Add
which digital piano 1 - 3 $1.30 210
320
Jul Add
white digital piano 1 - 3 $0.05 Not enough data
590
No data No data Add
williams digital piano 1 - 3 $1.01 8,100
6,600
Dec Add
digital piano lamp 1 - 3 $0.05 Not enough data
73
No data No data Add
digital piano rental 1 - 3 $1.57 210
260
Jul Add
p85 digital piano 1 - 3 $0.05 Not enough data
5,400
No data No data Add
digital piano outlet 1 - 3 $0.05 Not enough data
28
No data No data Add
digital piano parts 1 - 3 $0.05 Not enough data
320
No data No data Add
beringer digital piano 1 - 3 $0.05 Not enough data
22
No data No data Add
digital piano rentals 1 - 3 $0.05 Not enough data
110
No data No data Add
digital piano module 1 - 3 $0.05 Not enough data
73
No data No data Add
digital piano speaker 1 - 3 $0.05 Not enough data
73
No data No data Add
digital piano speakers 1 - 3 $1.20 480
480
Apr Add
digital piano weight 1 - 3 $0.05 Not enough data
91
No data No data Add
roland fp3 digital piano 1 - 3 $0.05 Not enough data
58
No data No data Add
Add all 150 »
Download all keywords: text, .csv (for excel), .csv
Additional keywords to consider - sorted by relevance
roland piano 1 - 3 $1.21 49,500
90,500
Jul Add
electric piano 1 - 3 $1.22 60,500
90,500
Jul Add
piano 1 - 3 $0.91 16,600,000
24,900,000
May Add
digital keyboard 1 - 3 $1.22 49,500
49,500
Jul Add
digital keyboards 1 - 3 $1.74 18,100
27,100
Dec Add
electronic piano 1 - 3 $1.45 27,100
33,100
Dec Add
stage piano 1 - 3 $1.71 33,100
40,500
Aug Add
piano keyboard 1 - 3 $1.00 301,000
550,000
Dec Add
acoustic piano 1 - 3 $0.95 27,100
33,100
Aug Add
casio piano 1 - 3 $1.78 74,000
60,500
Dec Add
buy piano 1 - 3 $1.19 27,100
49,500
Jul Add
piano keyboards 1 - 3 $1.41 49,500
60,500
Dec Add
electric pianos 1 - 3 $1.51 8,100
12,100
Jul Add
electronic pianos 1 - 3 $1.79 6,600
8,100
Dec Add
kawai piano 1 - 3 $1.03 40,500
60,500
Jul Add
yamaha electric piano 1 - 3 $1.13 6,600
9,900
Jul Add
piano music 1 - 3 $0.51 1,500,000
1,500,000
May Add
yamaha pianos 1 - 3 $1.28 33,100
74,000
Jun Add
upright piano 1 - 3 $1.09 110,000
110,000
Jul Add
piano yamaha 1 - 3 $1.22 246,000
368,000
Jul Add
pianos 1 - 3 $1.14 550,000
1,000,000
Jul Add
yamaha electronic piano 1 - 3 $1.45 3,600
3,600
Jul Add
yamaha piano keyboard 1 - 3 $1.30 22,200
14,800
Aug Add
piano rental 1 - 3 $1.29 12,100
9,900
Jul Add
acoustic pianos 1 - 3 $1.04 1,600
1,900
Mar Add
roland pianos 1 - 3 $1.41 8,100
18,100
Jun Add
grand pianos 1 - 3 $1.68 40,500
40,500
May Add
grand piano 1 - 3 $1.28 301,000
301,000
Jul Add
portable pianos 1 - 3 $1.73 6,600
14,800
Dec Add
cvp digital piano 1 - 3 $0.05 Not enough data
1,000
No data No data Add
digital grand 1 - 3 $1.52 27,100
33,100
Jul Add
viscount piano 1 - 3 $0.76 880
1,000
Jul Add
weighted piano 1 - 3 $1.46 27,100
18,100
Aug Add
sale piano 1 - 3 $1.20 60,500
74,000
May Add
digital upright 1 - 3 $0.05 Not enough data
880
No data No data Add
digital organs 1 - 3 $0.98 1,300
1,900
Jul Add
88 piano 1 - 3 $1.51 110,000
74,000
Dec Add
digital 88 1 - 3 $0.05 Not enough data
8,100
No data No data Add
digital organ 1 - 3 $0.69 3,600
4,400
Jul Add
organs piano 1 - 3 $0.67 1,600
4,400
May Add
digital acoustic 1 - 3 $1.08 12,100
12,100
Jan Add
piano store 1 - 3 $1.19 27,100
18,100
Aug Add
ydp223 piano 1 - 3 $0.05 Not enough data
2,900
No data No data Add
digital electric 1 - 3 $1.42 49,500
49,500
Dec Add
drums piano 1 - 3 $0.73 9,900
12,100
Aug Add
piano company 1 - 3 $1.08 27,100
22,200
Jul Add
digital yamaha 1 - 3 $1.28 165,000
165,000
Dec Add
digital roland 1 - 3 $1.25 40,500
49,500
Jul Add
piano dealer 1 - 3 $1.34 5,400
6,600
May Add
yamaha electronic pianos
amplifiers 1 - 3 $1.60 1,830,000
2,240,000
Aug Add
power amplifier 1 - 3 $1.39 301,000
246,000
Jul Add
tube amplifier 1 - 3 $0.92 74,000
90,500
Jul Add
car amplifier 1 - 3 $1.26 246,000
201,000
Jul Add
audio amplifier 1 - 3 $1.33 246,000
301,000
Jul Add
stereo amplifier 1 - 3 $1.21 165,000
135,000
Jul Add
amplifier 1 - 3 $1.19 3,350,000
3,350,000
Jul Add
audio amplifiers 1 - 3 $1.44 201,000
368,000
Mar Add
amplifier schematics 1 - 3 $0.60 6,600
14,800
Jul Add
tube amplifiers 1 - 3 $1.48 27,100
27,100
Aug Add
rf amplifier 1 - 3 $2.35 60,500
40,500
Jun Add
bass amplifier 1 - 3 $1.68 74,000
60,500
Jul Add
guitar amplifier 1 - 3 $1.64 201,000
165,000
Jul Add
yamaha amplifier 1 - 3 $0.79 22,200
40,500
Jul Add
sound amplifier 1 - 3 $1.62 60,500
60,500
Jun Add
amplifier transformer 1 - 3 $1.03 1,900
3,600
May Add
amplifier schematic 1 - 3 $0.66 14,800
33,100
Jul Add
speaker amplifier 1 - 3 $1.17 27,100
27,100
Jul Add
mosfet amplifier 1 - 3 $0.75 40,500
40,500
Jan Add
power amplifiers 1 - 3 $1.44 49,500
60,500
Jul Add
valve amplifier 1 - 3 $0.69 6,600
40,500
Jul Add
amplifier class 1 - 3 $1.27 60,500
49,500
Jun Add
diy amplifier 1 - 3 $0.68 6,600
18,100
Jul Add
transistor amplifier 1 - 3 $1.04 6,600
18,100
Mar Add
amplifier impedance 1 - 3 $0.05 Not enough data
4,400
No data No data Add
amplifier circuit 1 - 3 $1.05 22,200
49,500
Jul Add
amplifier reviews 1 - 3 $0.67 14,800
14,800
Jul Add
amplifier circuits 1 - 3 $0.90 4,400
14,800
Jul Add
nad amplifier 1 - 3 $0.70 9,900
22,200
Jul Add
amplifier speakers 1 - 3 $1.32 18,100
14,800
Jul Add
subwoofer amplifier 1 - 3 $0.97 49,500
49,500
Jan Add
fender amplifier 1 - 3 $1.27 49,500
40,500
Jul Add
marshall amplifier 1 - 3 $1.22 22,200
22,200
Jul Add
vintage amplifier 1 - 3 $0.64 12,100
18,100
Jul Add
buy amplifier 1 - 3 $1.21 8,100
8,100
Jul Add
home amplifier 1 - 3 $1.97 60,500
110,000
Jul Add
current amplifier 1 - 3 $0.95 8,100
14,800
Dec Add
frequency amplifier 1 - 3 $0.90 8,100
8,100
Oct Add
voltage amplifier 1 - 3 $1.49 6,600
14,800
Apr Add
analog amplifier 1 - 3 $1.21 1,900
2,900
Jun Add
amplifier design 1 - 3 $1.17 12,100
27,100
Jul Add
amplifier gain 1 - 3 $1.18 9,900
18,100
Feb Add
amplifier noise 1 - 3 $1.74 8,100
18,100
May Add
cheap amplifier 1 - 3 $1.21 8,100
8,100
Jul Add
denon amplifier 1 - 3 $0.81 6,600
14,800
Jul Add
marantz amplifier 1 - 3 $0.96 8,100
18,100
Jul Add
signal amplifier 1 - 3 $1.51 110,000
74,000
Jun Add
kenwood amplifier 1 - 3 $0.94 33,100
27,100
Jan Add
home audio amplifier 1 - 3 $1.58 18,100
110,000
Mar Add
pioneer amplifier 1 - 3 $1.30 33,100
40,500
Jul Add
av amplifier 1 - 3 $0.74 6,600
18,100
Jul Add
receiver amplifier 1 - 3 $1.05 18,100
14,800
Jul Add
amplifier watts 1 - 3 $0.98 90,500
74,000
Jan Add
onkyo amplifier 1 - 3 $0.70 14,800
14,800
Aug Add
preamp amplifier 1 - 3 $0.70 1,600
1,600
May Add
headphone amplifier 1 - 3 $1.15 60,500
60,500
Jul Add
audio power amplifier 1 - 3 $1.17 27,100
27,100
Jul Add
stereo amplifiers 1 - 3 $2.03 33,100
74,000
Dec Add
digital amplifier 1 - 3 $1.27 60,500
49,500
Jun Add
mono amplifier 1 - 3 $0.95 60,500
60,500
Jan Add
output amplifier 1 - 3 $1.19 9,900
9,900
Mar Add
amplifier ic 1 - 3 $1.35 2,900
9,900
Jul Add
amplifier amps 1 - 3 $1.34 5,400
5,400
Jun Add
amplifier bias 1 - 3 $0.05 Not enough data
2,400
No data No data Add
amplifier power supply 1 - 3 $1.15 2,900
3,600
Jul Add
amplifier diagram 1 - 3 $0.71 8,100
18,100
Jul Add
hifi amplifier 1 - 3 $0.65 1,300
9,900
Nov Add
class d amplifier 1 - 3 $1.38 33,100
27,100
Jun Add
amplifier circuit diagram 1 - 3 $0.71 1,900
8,100
Jul Add
amplifier electronics 1 - 3 $1.14 33,100
74,000
Mar Add
review amplifier 1 - 3 $0.57 14,800
18,100
Jun Add
amplifier tuner 1 - 3 $0.89 6,600
8,100
Aug Add
amplifier tubes 1 - 3 $1.20 4,400
4,400
Aug Add
car audio amplifier 1 - 3 $1.32 60,500
49,500
Jul Add
guitar amplifiers 1 - 3 $2.36 90,500
135,000
Aug Add
amplifier capacitor 1 - 3 $0.94 2,400
2,900
May Add
auto amplifier 1 - 3 $1.05 8,100
6,600
Jul Add
integrated amplifier 1 - 3 $0.94 49,500
60,500
Jul Add
sub amplifier 1 - 3 $1.30 5,400
5,400
Jul Add
air amplifier 1 - 3 $1.68 2,900
2,900
Jul Add
music amplifier 1 - 3 $1.12 8,100
8,100
Aug Add
pocket amplifier 1 - 3 $1.29 1,900
1,600
Dec Add
practice amplifier 1 - 3 $1.33 3,600
2,900
Dec Add
used amplifier 1 - 3 $0.90 8,100
8,100
May Add
subwoofers amplifier 1 - 3 $0.98 2,900
2,400
Jul Add
desktop amplifier 1 - 3 $0.05 Not enough data
720
No data No data Add
amplifier classes 1 - 3 $1.54 480
1,300
May Add
amplifier covers 1 - 3 $0.60 1,600
1,600
Jul Add
amplifier ratings 1 - 3 $0.92 1,300
1,000
Jul Add
amplifier stand 1 - 3 $1.21 2,400
2,900
Jul Add
curl amplifier 1 - 3 $1.16 6,600
3,600
Jul Add
alpha amplifier 1 - 3 $0.65 1,900
3,600
Jul Add
amplifier card 1 - 3 $1.26 1,900
2,400
Jul Add
amplifier cover 1 - 3 $0.93 2,900
1,900
Jul Add
amplifier history 1 - 3 $0.05 Not enough data
1,300
No data No data Add
amplifier magazine 1 - 3 $1.45 390
480
Jul Add
amplifier prices 1 - 3 $0.81 1,900
1,900
May Add
amplifier problems 1 - 3 $0.29 1,000
1,600
Jul Add
amplifier sale 1 - 3 $1.11 8,100
12,100
May Add
best amplifier 1 - 3 $0.86 18,100
18,100
Jul Add
drop amplifier 1 - 3 $1.43 2,900
2,900
May Add
free amplifier 1 - 3 $0.05 Not enough data
4,400
No data No data Add
good amplifier 1 - 3 $1.03 1,900
1,600
Jun Add
henry amplifier 1 - 3 $0.70 1,300
1,000
Aug Add
if amplifier 1 - 3 $0.86 1,300
3,600
Mar Add
internet amplifier 1 - 3 $0.05 Not enough data
1,600
No data No data Add
log amplifier 1 - 3 $1.17 390
1,600
Apr Add
marine amplifier 1 - 3 $1.03 12,100
12,100
Jan Add
mobile amplifier 1 - 3 $1.85 9,900
8,100
Jul Add
mp3 amplifier 1 - 3 $1.02 4,400
6,600
Jul Add
personal amplifier 1 - 3 $2.06 27,100
22,200
Jul Add
powered amplifier 1 - 3 $1.24 12,100
8,100
Jul Add
set amplifier 1 - 3 $1.14 3,600
2,900
Jun Add
small amplifier 1 - 3 $1.29 8,100
9,900
Jul Add
studio amplifier 1 - 3 $1.07 4,400
4,400
Jul Add
t amplifier 1 - 3 $0.63 6,600
5,400
Mar Add
the amplifier 1 - 3 $0.98 18,100
22,200
Apr Add
video amplifier 1 - 3 $1.59 49,500
49,500
Jul Add
amplifier brands 1 - 3 $0.76 720
880
Jul Add
amplifier definition 1 - 3 $0.05 Not enough data
1,600
No data No data Add
amplifier forum 1 - 3 $0.77 590
1,600
Mar Add
mini amplifier 1 - 3 $1.17 33,100
22,200
Aug Add
network amplifier 1 - 3 $2.00 1,600
1,600
May Add
crate amplifier 1 - 3 $1.52 14,800
12,100
Jul Add
bash amplifier 1 - 3 $0.49 1,300
1,600
May Add
usb amplifier 1 - 3 $2.01 8,100
5,400
Jul Add
ce amplifier 1 - 3 $0.05 Not enough data
2,400
No data No data Add
legacy amplifier 1 - 3 $1.16 9,900
8,100
Aug Add
amplifier cases 1 - 3 $1.63 2,400
1,900
Jul Add
amplifier channel 1 - 3 $0.89 246,000
246,000
Jan Add
amplifier for sale 1 - 3 $1.05 6,600
12,100
May Add
custom amplifier 1 - 3 $1.17 5,400
4,400
Jun Add
amplifier rack 1 - 3 $1.66 9,900
8,100
Jul Add
amplifier wiki 1 - 3 $0.05 Not enough data
2,400
No data No data Add
amplifier software 1 - 3 $1.10 4,400
6,600
Jul Add
car audio amplifiers 1 - 3 $1.44 110,000
110,000
Mar Add
computer amplifier 1 - 3 $1.79 9,900
8,100
Jul Add
amplifier rental 1 - 3 $3.18 390
480
Jul Add
difference amplifier 1 - 3 $2.30 1,600
3,600
Feb Add
amplifier filter 1 - 3 $1.18 1,600
2,400
Mar Add
nitro amplifier 1 - 3 $1.23 1,300
1,300
May Add
amplifier manufacturers 1 - 3 $0.95 590
1,300
Jul Add
monitor amplifier 1 - 3 $1.31 2,900
2,900
Jul Add
car amplifiers 1 - 3 $1.56 550,000
450,000
Aug Add
mini doc amplifier 1 - 3 $0.05 Not enough data
140
No data No data Add
the best amplifier 1 - 3 $0.05 Not enough data
1,900
No data No data Add
technical pro amplifier 1 - 3 $1.47 6,600
2,900
Aug Add
amplifier parts 1 - 3 $1.08 9,900
18,100
Jul Add
amplifier input 1 - 3 $0.05 Not enough data
9,900
No data No data Add
car stereo amplifiers 1 - 3 $1.83 4,400
5,400
Oct Add
Add all 150 »
Download all keywords: text, .csv (for excel), .csv
Additional keywords to consider - sorted by relevance
tubes 1 - 3 $1.05 3,350,000
4,090,000
Jul Add
schematic 1 - 3 $0.66 1,000,000
1,830,000
Sep Add
turntable 1 - 3 $1.37 1,220,000
1,500,000
Dec Add
differential 1 - 3 $0.71 1,220,000
1,500,000
Apr Add
schematics 1 - 3 $0.59 450,000
550,000
Jul Add
mosfet 1 - 3 $0.75 165,000
550,000
Apr Add
loudspeakers 1 - 3 $0.84 110,000
201,000
Jul Add
rockford fosgate audio 1 - 3 $1.07 12,100
12,100
Apr Add
watts 1 - 3 $1.06 2,740,000
2,740,000
Mar Add
loudspeaker 1 - 3 $0.90 246,000
246,000
Jun Add
rockford fosgate amp 1 - 3 $0.77 33,100
27,100
Jul Add
cd players 1 - 3 $1.28 1,220,000
3,350,000
Sep Add
home audio 1 - 3 $1.27 1,000,000
1,830,000
Dec Add
opamp 1 - 3 $1.24 18,100
110,000
Apr Add
combo 1 - 3 $1.02 6,120,000
5,000,000
Jul Add
op amp 1 - 3 $1.36 74,000
246,000
Apr Add
opamp amplifier 1 - 3 $0.05 Not enough data
1,900
No data No data Add
guitar amps 1 - 3 $1.85 201,000
201,000
Jul Add
guitar amp 1 - 3 $1.25 450,000
368,000
Jul Add
amplification 1 - 3 $1.15 90,500
135,000
Jun Add
audiophile 1 - 3 $0.87 165,000
301,000
Jul Add
denon 1 - 3 $0.72 1,220,000
3,350,000
Dec Add
speaker 1 - 3 $1.23 9,140,000
9,140,000
Jul Add
guitar 1 - 3 $0.90 45,500,000
68,000,000
Dec Add
receiver 1 - 3 $0.89 6,120,000
9,140,000
Dec Add
receivers 1 - 3 $1.42 1,500,000
1,830,000
Dec Add
marshall 1 - 3 $0.94 6,120,000
9,140,000
Mar Add
car audio 1 - 3 $1.02 2,740,000
2,740,000
Jul Add
subwoofer 1 - 3 $0.76 2,740,000
4,090,000
Jul Add
stereo 1 - 3 $1.19 9,140,000
9,140,000
Jul Add
fender 1 - 3 $0.99 5,000,000
7,480,000
Jul Add
cd player 1 - 3 $0.83 2,740,000
3,350,000
Dec Add
subwoofers 1 - 3 $1.15 1,830,000
1,500,000
Jun Add
audio 1 - 3 $0.93 30,400,000
55,600,000
Jul Add
power amp 1 - 3 $1.26 301,000
246,000
Jul Add
preamplifier 1 - 3 $1.03 60,500
110,000
Jul Add
preamp 1 - 3 $1.02 368,000
550,000
Jul Add
audio amp 1 - 3 $1.23 110,000
110,000
Jul Add
amplifier ohm 1 - 3 $0.81 5,400
4,400
Jun Add
power amps 1 - 3 $1.56 49,500
40,500
Jul Add
stereo amp 1 - 3 $1.07 49,500
49,500
Dec Add
tube amp 1 - 3 $0.80 165,000
201,000
Jul Add
amplifier subs 1 - 3 $0.83 1,900
1,000
Aug Add
free car amps 1 - 3 $0.05 Not enough data
58
No data No data Add
car amps 1 - 3 $1.35 74,000
74,000
May Add
car amp 1 - 3 $1.23 246,000
201,000
Apr Add
car speakers 1 - 3 $1.41 1,220,000
1,000,000
Aug Add
car speaker 1 - 3 $1.07 301,000
246,000
Jul Add
professional audio 1 - 3 $1.56 90,500
74,000
Jul Add
bass guitar
rock music band 1 - 3 $0.52 27,100
40,500
Jan Add
rock music bands 1 - 3 $0.57 4,400
5,400
Apr Add
rock music band list 1 - 3 $0.05 Not enough data
1,900
No data No data Add
american rock music band 1 - 3 $0.05 Not enough data
1,600
No data No data Add
rock music band names 1 - 3 $0.05 Not enough data
46
No data No data Add
rock band music to rock band 2 1 - 3 $0.05 Not enough data
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music in rock band 1 - 3 $0.05 Not enough data
480
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rock band 1 music 1 - 3 $0.05 Not enough data
210
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rock band 2 "music 1 - 3 $0.05 Not enough data
8,100
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rock band 3 music 1 - 3 $0.05 Not enough data
140
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rock band music creator 1 - 3 $0.05 Not enough data
58
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rock band ps2 music 1 - 3 $0.05 Not enough data
210
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xbox rock band music 1 - 3 $0.05 Not enough data
480
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music from rock band 1 - 3 $0.05 Not enough data
480
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rock band game music 1 - 3 $0.05 Not enough data
590
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rock band music credits 1 - 3 $0.05 Not enough data
28
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rock band music games 1 - 3 $0.05 Not enough data
170
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rock band music packs 1 - 3 $0.05 Not enough data
58
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rock band music studio 1 - 3 $0.05 Not enough data
58
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buy rock band music 1 - 3 $0.05 Not enough data
110
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music for rock band 1 - 3 $0.05 Not enough data
1,600
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music on rock band 1 - 3 $0.05 Not enough data
880
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ps3 rock band music 1 - 3 $0.05 Not enough data
590
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rock band music book 1 - 3 $0.05 Not enough data
91
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rock band music pack 1 - 3 $0.05 Not enough data
170
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rock band two music 1 - 3 $0.05 Not enough data
36
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rock band downloadable music 1 - 3 $0.05 Not enough data
210
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free rock band music 1 - 3 $0.05 Not enough data
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rock band new music 1 - 3 $0.05 Not enough data
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music of rock band 1 - 3 $0.05 Not enough data
480
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rock band music downloads 1 - 3 $0.05 Not enough data
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rock band music on rock band 2 1 - 3 $0.05 Not enough data
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rock band guitar music 1 - 3 $0.05 Not enough data
480
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rock band ii music 1 - 3 $0.05 Not enough data
36
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rock band the music 1 - 3 $0.05 Not enough data
1,300
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download rock band music 1 - 3 $0.05 Not enough data
1,600
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rock band music transfer 1 - 3 $0.05 Not enough data
58
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rock band special edition music 1 - 3 $0.05 Not enough data
28
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rock band additional music 1 - 3 $0.05 Not enough data
28
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rock band online music 1 - 3 $0.05 Not enough data
170
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xbox 360 rock band music 1 - 3 $0.05 Not enough data
260
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rock band drum music 1 - 3 $0.05 Not enough data
91
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guitar hero rock band music 1 - 3 $0.05 Not enough data
140
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28
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buy rock band 2 music 1 - 3 $0.05 Not enough data
22
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downloading music for rock band 1 - 3 $0.05 Not enough data
36
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more music for rock band 1 - 3 $0.05 Not enough data
28
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music for rock band 2 1 - 3 $0.05 Not enough data
390
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music for rock band ps3 1 - 3 $0.05 Not enough data
73
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73
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73
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170
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rock band 2 music pack 1 - 3 $0.05 Not enough data
28
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rock band 2 music packs 1 - 3 $0.05 Not enough data
12
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rock band 2 unlock music 1 - 3 $0.05 Not enough data
28
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downloadable music for rock band 1 - 3 $0.05 Not enough data
73
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rock band 2 downloadable music 1 - 3 $0.05 Not enough data
91
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free music for rock band 1 - 3 $0.05 Not enough data
91
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free rock band 2 music 1 - 3 $0.05 Not enough data
91
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new music for rock band 1 - 3 $0.05 Not enough data
46
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rock band 2 new music 1 - 3 $0.05 Not enough data
58
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music downloads for rock band 1 - 3 $0.05 Not enough data
73
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rip music from rock band 1 - 3 $0.05 Not enough data
12
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downloading music to rock band 1 - 3 $0.05 Not enough data
16
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how to buy music for rock band 1 - 3 $0.05 Not enough data
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how to download rock band music 1 - 3 $0.05 Not enough data
36
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ps3 rock band 2 music 1 - 3 $0.05 Not enough data
170
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download music for rock band 1 - 3 $0.05 Not enough data
260
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download music on rock band 1 - 3 $0.05 Not enough data
91
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put music on rock band 1 - 3 $0.05 Not enough data
110
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rock band 2 background music 1 - 3 $0.05 Not enough data
28
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rock band 2 music creator 1 - 3 $0.05 Not enough data
28
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rock band 2 music download 1 - 3 $0.05 Not enough data
320
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add music to rock band 1 - 3 $0.05 Not enough data
73
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adding music to rock band 1 - 3 $0.05 Not enough data
22
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rock band 2 music downloads 1 - 3 $0.05 Not enough data
170
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390
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rock band music track 1 - 3 $0.05 Not enough data
73
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buy music for rock band 2 1 - 3 $0.05 Not enough data
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downloadable music for rock band 2 1 - 3 $0.05 Not enough data
16
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free music for rock band 2 1 - 3 $0.05 Not enough data
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new music for rock band 2 1 - 3 $0.05 Not enough data
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rock band unplugged music 1 - 3 $0.05 Not enough data
170
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can you download music for rock band 1 - 3 $0.05 Not enough data
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can you download music to rock band 1 - 3 $0.05 Not enough data
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how do you download music for rock band 1 - 3 $0.05 Not enough data
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how to download music for rock band 1 - 3 $0.05 Not enough data
58
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how to download music on rock band 1 - 3 $0.05 Not enough data
36
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how to download rock band 2 music 1 - 3 $0.05 Not enough data
16
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28
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downloading music for rock band 2 1 - 3 $0.05 Not enough data
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how to get music for rock band 1 - 3 $0.05 Not enough data
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how do you download music to rock band 1 - 3 $0.05 Not enough data
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73
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how to get music on rock band 1 - 3 $0.05 Not enough data
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how to download music onto rock band 1 - 3 $0.05 Not enough data
22
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how to add music to rock band 1 - 3 $0.05 Not enough data
16
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no rock band music data found 1 - 3 $0.05 Not enough data
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how to download music for rock band 2 1 - 3 $0.05 Not enough data
28
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how to download music on rock band 2 1 - 3 $0.05 Not enough data
22
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how to download music to rock band 2 1 - 3 $0.05 Not enough data
46
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how to add music to rock band 2 1 - 3 $0.05 Not enough data
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how to download music onto rock band 2 1 - 3 $0.05 Not enough data
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warner music rock band 1 - 3 $0.05 Not enough data
110
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rock band music playlist 1 - 3 $0.05 Not enough data
91
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rock band 2 music playlist 1 - 3 $0.05 Not enough data
28
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rock band music shop 1 - 3 $0.05 Not enough data
73
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rock band music library 1 - 3 $0.05 Not enough data
28
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rock band music cd 1 - 3 $0.05 Not enough data
140
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rock band music industry 1 - 3 $0.05 Not enough data
28
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rock band 2 music shop 1 - 3 $0.05 Not enough data
36
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rock band 2 music library 1 - 3 $0.05 Not enough data
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rock band music maker 1 - 3 $0.05 Not enough data
36
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rock band christmas music 1 - 3 $0.05 Not enough data
46
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warner music group rock band 1 - 3 $0.05 Not enough data
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music store for rock band 1 - 3 $0.05 Not enough data
170
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no rock band music store 1 - 3 $0.05 Not enough data
210
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rock band 1 music store 1 - 3 $0.05 Not enough data
16
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rock band 2 "music store 1 - 3 $0.05 Not enough data
2,900
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rock band music store data 1 - 3 $0.05 Not enough data
210
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rock band music store down 1 - 3 $0.05 Not enough data
22
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rock band music store ps3 1 - 3 $0.05 Not enough data
210
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rock band online music store 1 - 3 $0.05 Not enough data
110
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rock band in game music store 1 - 3 $0.05 Not enough data
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rock band music store 1 - 3 $0.05 Not enough data
5,400
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rock band music store not working 1 - 3 $0.05 Not enough data
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rock band 2 music store ps3 1 - 3 $0.05 Not enough data
46
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music store for rock band 2 1 - 3 $0.05 Not enough data
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music store on rock band 2 1 - 3 $0.05 Not enough data
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no rock band music store found 1 - 3 $0.05 Not enough data
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rock band 2 music store down 1 - 3 $0.05 Not enough data
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rock band 2 online music store 1 - 3 $0.05 Not enough data
16
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no rock band music store data 1 - 3 $0.05 Not enough data
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rock band 2 music store data 1 - 3 $0.05 Not enough data
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rock band 2 music store problem 1 - 3 $0.05 Not enough data
22
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no rock band music store data found 1 - 3 $0.05 Not enough data
140
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rock band 2 no music store data 1 - 3 $0.05 Not enough data
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rock band 2 music store not working 1 - 3 $0.05 Not enough data
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rock band music lyrics 1 - 3 $0.05 Not enough data
46
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how to put music on rock band 2 1 - 3 $0.05 Not enough data
36
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rock band music videos 1 - 3 $0.05 Not enough data
390
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rock band 2 music store release date 1 - 3 $0.05 Not enough data
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rock band 2 music videos 1 - 3 $0.05 Not enough data
58
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rock band sheet music 1 - 3 $0.05 Not enough data
390
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rock band roxy music 1 - 3 $0.05 Not enough data
36
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how to put music on rock band 1 - 3 $0.05 Not enough data
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Add all 150 »
Download all keywords: text, .csv (for excel), .csv
Additional keywords to consider - sorted by relevance
rock music 1 - 3 $0.51 3,350,000
4,090,000
Mar Add
rock artist 1 - 3 $0.67 22,200
27,100
Apr Add
rock band 1 - 3 $0.63 5,000,000
11,100,000
Dec Add
rock artists 1 - 3 $0.57 60,500
60,500
Oct Add
rock group 1 - 3 $0.61 90,500
110,000
Apr Add
rock songs 1 - 3 $0.56 2,240,000
1,830,000
May Add
rock albums 1 - 3 $0.46 40,500
90,500
Mar Add
rock cds 1 - 3 $0.38 14,800
135,000
May Add
bands 1 - 3 $0.94 6,120,000
6,120,000
Jul Add
rock bands 1 - 3 $0.44 368,000
550,000
Mar Add
rock video 1 - 3 $0.74 673,000
823,000
Dec Add
rock cd 1 - 3 $0.40 110,000
301,000
Feb Add
hard rock music 1 - 3 $0.40 49,500
135,000
Apr Add
british music band 1 - 3 $0.05 Not enough data
1,000
No data No data Add
local music band 1 - 3 $0.05 Not enough data
720
No data No data Add
bush music band 1 - 3 $0.05 Not enough data
1,000
No data No data Add
jet music band 1 - 3 $0.05 Not enough data
880
No data No data Add
cake music band 1 - 3 $0.05 Not enough data
390
No data No data Add
player music band 1 - 3 $0.05 Not enough data
2,900
No data No data Add
rock groups 1 - 3 $0.39 22,200
33,100
Apr Add
rock music tour dates 1 - 3 $0.05 Not enough data
36
No data No data Add
rock music singer 1 - 3 $0.05 Not enough data
720
No data No data Add
rock guitar band 1 - 3 $0.05 Not enough data
450,000
No data No data Add
metal music 1 - 3 $0.46 450,000
550,000
Apr Add
rock musicians 1 - 3 $0.48 9,900
14,800
May Add
rock music discography 1 - 3 $0.05 Not enough data
210
No data No data Add
rock music website 1 - 3 $0.05 Not enough data
480
No data No data Add
heavy metal bands 1 - 3 $0.35 33,100
60,500
Apr Add
rock christian band 1 - 3 $0.49 14,800
18,100
Dec Add
rock band songlist 1 - 3 $0.05 Not enough data
6,600
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rock music player 1 - 3 $0.05 Not enough data
480
No data No data Add
metal bands 1 - 3 $0.46 246,000
368,000
Apr Add
hard rock songs 1 - 3 $0.65 60,500
60,500
Jan Add
vintage music band 1 - 3 $0.05 Not enough data
110
No data No data Add
rock guitarist 1 - 3 $0.33 6,600
12,100
Mar Add
rock music tour 1 - 3 $0.05 Not enough data
590
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band drummer 1 - 3 $0.41 27,100
27,100
Jul Add
guitarist band 1 - 3 $0.05 Not enough data
8,100
No data No data Add
rock drummer 1 - 3 $0.67 9,900
18,100
Dec Add
rock singer 1 - 3 $0.49 33,100
40,500
Jan Add
rock mp3 1 - 3 $0.46 74,000
246,000
Feb Add
singer band 1 - 3 $0.54 49,500
40,500
Apr Add
the business band 1 - 3 $0.05 Not enough data
1,900
No data No data Add
ten band 1 - 3 $0.77 8,100
9,900
Mar Add
gallery band 1 - 3 $0.05 Not enough data
4,400
No data No data Add
rock history 1 - 3 $0.33 90,500
90,500
Apr Add
the finalist band 1 - 3 $0.05 Not enough data
210
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rock hits 1 - 3 $0.44 90,500
90,500
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999 band 1 - 3 $0.05 Not enough data
880
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operator band
multi track recorders 1 - 3 $2.57 110,000
110,000
Dec Add
multi track recorder 1 - 3 $2.47 9,900
12,100
Jul Add
multi track recorder reviews 1 - 3 $0.05 Not enough data
91
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portable multi track recorder 1 - 3 $2.78 110
210
Sep Add
multi track recorder mixer 1 - 3 $2.75 110
210
Sep Add
analog multi track recorder 1 - 3 $0.05 Not enough data
58
No data No data Add
korg multi track recorder 1 - 3 $2.41 46
210
Sep Add
boss multi track recorder 1 - 3 $2.18 320
1,600
May Add
digital multi track recorder 1 - 3 $2.48 2,900
2,900
Dec Add
roland multi track recorder 1 - 3 $2.04 140
210
Dec Add
yamaha multi track recorder 1 - 3 $2.48 260
260
Jul Add
fostex multi track recorder 1 - 3 $2.16 320
480
Dec Add
multi track cassette recorder 1 - 3 $0.05 Not enough data
210
No data No data Add
multi track audio recorder 1 - 3 $0.05 Not enough data
390
No data No data Add
tascam multi track recorder 1 - 3 $2.82 320
480
Sep Add
zoom multi track recorder 1 - 3 $1.87 1,000
880
Jul Add
multi track tape recorder 1 - 3 $0.05 Not enough data
260
No data No data Add
hard disk multi track recorder 1 - 3 $0.05 Not enough data
73
No data No data Add
multi track digital audio recorder 1 - 3 $0.05 Not enough data
58
No data No data Add
multi track recorder software 1 - 3 $0.05 Not enough data
110
No data No data Add
track multi recorder 1 - 3 $2.47 9,900
12,100
Jul Add
freeware multi track recorder 1 - 3 $0.05 Not enough data
73
No data No data Add
cassette multi track recorder 1 - 3 $0.05 Not enough data
210
No data No data Add
multi track sound recorder 1 - 3 $0.05 Not enough data
110
No data No data Add
multi track recording 1 - 3 $3.28 8,100
8,100
Dec Add
cd multi track recorder 1 - 3 $2.88 320
590
Jul Add
16 multi track recorder 1 - 3 $0.05 Not enough data
58
No data No data Add
8 multi track recorder 1 - 3 $0.05 Not enough data
260
No data No data Add
best multi track recorder 1 - 3 $0.05 Not enough data
170
No data No data Add
multi track recorder control 1 - 3 $0.05 Not enough data
28
No data No data Add
multi track recorder download 1 - 3 $0.05 Not enough data
140
No data No data Add
multi track recorder review 1 - 3 $0.05 Not enough data
58
No data No data Add
pc multi track recorder 1 - 3 $0.05 Not enough data
58
No data No data Add
usb multi track recorder 1 - 3 $0.05 Not enough data
73
No data No data Add
meteor multi track recorder 1 - 3 $0.05 Not enough data
140
No data No data Add
linux multi track recorder 1 - 3 $0.05 Not enough data
28
No data No data Add
cheap multi track recorder 1 - 3 $0.05 Not enough data
28
No data No data Add
hd16cd digital multi track recorder 1 - 3 $0.05 Not enough data
110
No data No data Add
the best multi track recorder 1 - 3 $0.05 Not enough data
22
No data No data Add
mrs8 digital multi track recorder 1 - 3 $0.05 Not enough data
91
No data No data Add
cd digital multi track recorder 1 - 3 $0.05 Not enough data
210
No data No data Add
meteor digital multi track recorder 1 - 3 $0.05 Not enough data
36
No data No data Add
digital multi track recorder reviews 1 - 3 $0.05 Not enough data
22
No data No data Add
zoom hd16cd digital multi track recorder 1 - 3 $0.05 Not enough data
58
No data No data Add
zoom mrs8 digital multi track recorder 1 - 3 $0.05 110
91
May Add
best digital multi track recorder 1 - 3 $0.05 Not enough data
28
No data No data Add
fostex mr 8 digital multi track recorder 1 - 3 $0.05 Not enough data
16
No data No data Add
fostex mr 8 mkii digital multi track recorder 1 - 3 $0.05 Not enough data
140
No data No data Add
788t multi track digital audio recorder 1 - 3 $0.05 Not enough data
16
No data No data Add
4 track cassette multi track recorder 1 - 3 $0.05 Not enough data
Not enough data
No data No data Add
multi track music recorder 1 - 3 $0.05 Not enough data
390
No data No data Add
free multi track recorder 1 - 3 $0.05 Not enough data
320
No data No data Add
open source multi track recorder 1 - 3 $0.05 Not enough data
22
No data No data Add
Add all 53 »
Download all keywords: text, .csv (for excel), .csv
Additional keywords to consider - sorted by relevance
4 track recorder 1 - 3 $1.15 14,800
14,800
Aug Add
8 track recorder 1 - 3 $1.20 22,200
14,800
Jul Add
multitrack recorders 1 - 3 $2.49 18,100
27,100
May Add
digital multitrack recorders 1 - 3 $2.59 1,600
2,400
Jul Add
digital multitrack recorder 1 - 3 $2.21 12,100
9,900
Jul Add
multitrack recorder 1 - 3 $2.05 33,100
27,100
Jul Add
recording studio 1 - 3 $1.42 673,000
673,000
Jul Add
multitrack recorders for 1 - 3 $0.05 Not enough data
110
No data No data Add
used multitrack recorders 1 - 3 $0.05 Not enough data
170
No data No data Add
best multitrack recorders 1 - 3 $0.05 Not enough data
210
No data No data Add
multitrack recorders with 1 - 3 $0.05 Not enough data
46
No data No data Add
new multitrack recorders 1 - 3 $0.05 Not enough data
36
No data No data Add
of multitrack recorders 1 - 3 $0.05 Not enough data
58
No data No data Add
professional multitrack recorders 1 - 3 $0.05 Not enough data
58
No data No data Add
multitrack recorders review 1 - 3 $0.05 Not enough data
140
No data No data Add
multitrack recorders reviews 1 - 3 $0.05 Not enough data
170
No data No data Add
disk multitrack recorders 1 - 3 $0.05 Not enough data
170
No data No data Add
track multitrack recorders 1 - 3 $0.05 Not enough data
880
No data No data Add
zoom track recorder 1 - 3 $1.53 8,100
6,600
Jul Add
multi track mixer 1 - 3 $2.59 1,000
4,400
Sep Add
analog multitrack recorders 1 - 3 $0.05 Not enough data
210
No data No data Add
yamaha multitrack recorders 1 - 3 $0.05 Not enough data
590
No data No data Add
4 track recorders 1 - 3 $1.98 1,900
1,900
Dec Add
four track recorder 1 - 3 $1.94 1,900
2,400
Jul Add
16 track recorder 1 - 3 $1.06 4,400
3,600
Jul Add
korg multitrack recorders 1 - 3 $2.35 260
210
Jul Add
guitar track recorder 1 - 3 $0.05 Not enough data
140
No data No data Add
cheap multitrack recorders 1 - 3 $1.10 210
170
Jul Add
boss multitrack recorders 1 - 3 $2.14 480
390
Aug Add
roland multitrack recorders 1 - 3 $0.05 Not enough data
390
No data No data Add
8 track recorders 1 - 3 $2.07 2,400
2,900
Dec Add
4 track recording 1 - 3 $1.39 1,900
3,600
Feb Add
eight track recorder 1 - 3 $0.05 Not enough data
390
No data No data Add
multitrack cassette recorders 1 - 3 $3.33 170
260
Jul Add
multitrack field recorder 1 - 3 $0.05 Not enough data
36
No data No data Add
multitrack digital recorder 1 - 3 $2.21 12,100
9,900
Jul Add
multitrack cd recorder 1 - 3 $0.05 Not enough data
480
No data No data Add
multitrack digital recording 1 - 3 $3.60 880
880
Jul Add
multitrack audio recorder 1 - 3 $0.05 Not enough data
720
No data No data Add
16 multitrack recorder 1 - 3 $0.05 Not enough data
170
No data No data Add
4 multitrack recorder 1 - 3 $0.05 Not enough data
260
No data No data Add
8 multitrack recorder 1 - 3 $0.05 Not enough data
720
No data No data Add
a multitrack recorder 1 - 3 $0.05 Not enough data
170
No data No data Add
and multitrack recorder 1 - 3 $0.05 Not enough data
91
No data No data Add
multitrack recorder comparison 1 - 3 $0.05 Not enough data
36
No data No data Add
multitrack recorder ebay 1 - 3 $0.05 Not enough data
36
No data No data Add
multitrack recorder for 1 - 3 $0.05 Not enough data
260
No data No data Add
multitrack recorder review 1 - 3 $0.05 Not enough data
480
No data No data Add
multitrack recorder under 1 - 3 $0.05 Not enough data
12
No data No data Add
multitrack recorder with 1 - 3 $0.05 Not enough data
170
No data No data Add
online multitrack recorder 1 - 3 $0.05 Not enough data
28
No data No data Add
professional multitrack recorder 1 - 3 $0.05 Not enough data
73
No data No data Add
used multitrack recorder 1 - 3 $1.61 170
210
Feb Add
cd multitrack recorder 1 - 3 $0.05 Not enough data
480
No data No data Add
handheld multitrack recorder 1 - 3 $0.05 Not enough data
22
No data No data Add
8 track cd recorder 1 - 3 $0.05 Not enough data
390
No data No data Add
usb multitrack recorder 1 - 3 $0.05 Not enough data
110
No data No data Add
tascam multitrack recorders 1 - 3 $2.97 390
880
Jul Add
best multitrack recorder 1 - 3 $0.05 Not enough data
720
No data No data Add
multitrack recorder reviews 1 - 3 $1.20 480
390
Jul Add
multitrack recorder mixer 1 - 3 $0.05 Not enough data
170
No data No data Add
track multitrack recorder 1 - 3 $0.05 Not enough data
590
No data No data Add
easiest multitrack recorder 1 - 3 $0.05 Not enough data
16
No data No data Add
linux multitrack recorder 1 - 3 $0.05 Not enough data
91
No data No data Add
analog multitrack recorder 1 - 3 $0.05 Not enough data
210
No data No data Add
mkii multitrack recorder 1 - 3 $0.05 Not enough data
170
No data No data Add
alesis multitrack recorder 1 - 3 $1.24 110
91
May Add
flash multitrack recorder 1 - 3 $0.05 Not enough data
36
No data No data Add
roland multitrack recorder 1 - 3 $1.39 260
320
Jul Add
akai multitrack recorder 1 - 3 $0.88 46
110
Mar Add
cheap multitrack recorder 1 - 3 $0.05 Not enough data
140
No data No data Add
boss multitrack recorder 1 - 3 $1.62 1,000
1,900
Jul Add
simultaneous multitrack recording 1 - 3 $0.05 Not enough data
73
No data No data Add
portastudio multitrack recorder 1 - 3 $0.05 Not enough data
170
No data No data Add
digital multitrack recording 1 - 3 $3.60 880
880
Jul Add
korg multitrack recorder 1 - 3 $2.49 1,900
1,300
Jul Add
analog multitrack recording 1 - 3 $0.05 Not enough data
110
No data No data Add
2488 multitrack recorder 1 - 3 $0.05 Not enough data
210
No data No data Add
yamaha multitrack recorder 1 - 3 $1.81 880
1,300
Jun Add
fostex multitrack recorders 1 - 3 $1.81 260
390
Jul Add
recorder 1 - 3 $1.20 7,480,000
9,140,000
Jul Add
studio recorder 1 - 3 $1.11 12,100
12,100
May Add
multitrack cassette recorder 1 - 3 $2.26 590
880
Jun Add
digital recording studio 1 - 3 $2.69 12,100
9,900
Jul Add
tascam multitrack recorder 1 - 3 $1.68 2,900
2,900
Jan Add
multitrack recording mixer 1 - 3 $0.05 Not enough data
170
No data No data Add
multi track program 1 - 3 $0.05 Not enough data
260
No data No data Add
ubuntu multitrack recorder 1 - 3 $0.05 Not enough data
22
No data No data Add
multitrack recorder w 1 - 3 $0.05 Not enough data
12
No data No data Add
zoom multitrack recorders 1 - 3 $2.51 480
590
Aug Add
digital music recorder 1 - 3 $1.77 33,100
33,100
Jan Add
multitrack portable recorder 1 - 3 $0.05 Not enough data
2,400
No data No data Add
multitrack recorder download 1 - 3 $0.05 Not enough data
320
No data No data Add
multitrack home recording 1 - 3 $0.05 Not enough data
210
No data No data Add
zoom multitrack recorder 1 - 3 $1.81 3,600
1,600
Aug Add
multitrack recorder program 1 - 3 $0.05 Not enough data
28
No data No data Add
free multitrack recorders 1 - 3 $0.05 Not enough data
140
No data No data Add
digital recorder 1 - 3 $1.92 1,500,000
1,220,000
Aug Add
zoom multitrack recording 1 - 3 $0.05 Not enough data
1,000
No data No data Add
fostex multitrack recorder 1 - 3 $2.04 2,900
1,900
Aug Add
multitrack video recording 1 - 3 $0.05 Not enough data
46
No data No data Add
multitrack pc recording 1 - 3 $1.11 590
480
Jul Add
multitrack live recording 1 - 3 $0.05 Not enough data
260
No data No data Add
multitrack tape recorder 1 - 3 $0.05 Not enough data
480
No data No data Add
hd16cd multitrack recording 1 - 3 $0.05 Not enough data
590
No data No data Add
live multitrack recording 1 - 3 $0.05 Not enough data
260
No data No data Add
digital audio recorder 1 - 3 $1.59 49,500
40,500
Jul Add
best multitrack recording 1 - 3 $0.05 Not enough data
390
No data No data Add
first multitrack recording 1 - 3 $0.05 Not enough data
16
No data No data Add
home multitrack recording 1 - 3 $0.05 Not enough data
210
No data No data Add
multitrack recording history 1 - 3 $0.05 Not enough data
210
No data No data Add
multitrack recording interface 1 - 3 $0.05 Not enough data
110
No data No data Add
multitrack recording system 1 - 3 $0.05 Not enough data
110
No data No data Add
multitrack recording tips 1 - 3 $0.05 Not enough data
58
No data No data Add
online multitrack recording 1 - 3 $0.05 Not enough data
28
No data No data Add
simple multitrack recording 1 - 3 $0.05 Not enough data
58
No data No data Add
windows multitrack recording 1 - 3 $0.05 Not enough data
210
No data No data Add
pc multitrack recording 1 - 3 $1.11 590
480
Jul Add
easy multitrack recording 1 - 3 $0.05 Not enough data
46
No data No data Add
multitrack recording hardware 1 - 3 $0.05 Not enough data
110
No data No data Add
multitrack recording device 1 - 3 $0.05 Not enough data
36
No data No data Add
multitrack recording techniques 1 - 3 $0.05 Not enough data
58
No data No data Add
multitrack recording tutorial 1 - 3 $0.05 Not enough data
46
No data No data Add
multitrack recording application 1 - 3 $0.05 Not enough data
16
No data No data Add
linux multitrack recording 1 - 3 $0.05 Not enough data
260
No data No data Add
portable multitrack recording 1 - 3 $0.05 Not enough data
140
No data No data Add
reaper multitrack recording 1 - 3 $0.05 Not enough data
22
No data No data Add
multi track studio 1 - 3 $3.02 2,400
2,900
Dec Add
multitrack computer recording 1 - 3 $2.45 390
390
Jul Add
stereo recorder 1 - 3 $1.03 74,000
74,000
Dec Add
multitrack recording 1 - 3 $2.05 18,100
22,200
Jul Add
multi track programs 1 - 3 $0.05 Not enough data
140
No data No data Add
cheap multitrack recording 1 - 3 $0.05 Not enough data
46
No data No data Add
multitrack music recorder 1 - 3 $0.05 Not enough data
170
No data No data Add
vista multitrack recording 1 - 3 $0.05 Not enough data
140
No data No data Add
multitrack tape recorders 1 - 3 $0.05 Not enough data
720
No data No data Add
minidisc multitrack recorder 1 - 3 $0.05 Not enough data
210
No data No data Add
multi track reel to reel 1 - 3 $0.05 Not enough data
73
No data No data Add
multitrack audio recorders 1 - 3 $0.05 Not enough data
2,900
No data No data Add
md8 multitrack recorder 1 - 3 $0.05 Not enough data
110
No data No data Add
multi track cd 1 - 3 $0.05 Not enough data
480
No data No data Add
ubuntu multitrack recording 1 - 3 $0.05 Not enough data
58
No data No data Add
multitrack studio recording 1 - 3 $2.88 1,900
2,400
Jul Add
portable multitrack recorders 1 - 3 $2.87 320
320
Jul Add
hard disk recorder 1 - 3 $1.01 33,100
49,500
Oct Add
multitrack recording studio 1 - 3 $2.88 1,900
2,400
Jul Add
free multitrack recorder
microphone 1 - 3 $1.37 4,090,000
3,350,000
Jul Add
shure microphones 1 - 3 $1.86 33,100
33,100
Jul Add
dynamic microphones 1 - 3 $1.40 4,400
5,400
Aug Add
microphones 1 - 3 $1.41 1,000,000
1,220,000
Jul Add
wireless microphones 1 - 3 $2.10 60,500
60,500
Jul Add
condenser microphone 1 - 3 $1.49 165,000
135,000
Jun Add
vocal microphones 1 - 3 $1.15 5,400
27,100
Jul Add
recording microphones 1 - 3 $2.26 49,500
49,500
Dec Add
drum microphones 1 - 3 $1.43 6,600
12,100
Nov Add
condenser microphones 1 - 3 $1.40 14,800
14,800
Dec Add
dynamic microphone 1 - 3 $1.40 49,500
40,500
May Add
lapel microphones 1 - 3 $1.52 3,600
5,400
May Add
akg microphones 1 - 3 $1.57 8,100
12,100
Mar Add
usb microphone 1 - 3 $1.15 201,000
201,000
Dec Add
microphone stand 1 - 3 $1.38 90,500
90,500
Dec Add
vintage microphones 1 - 3 $0.90 4,400
6,600
Jul Add
ribbon microphones 1 - 3 $1.03 1,900
2,400
Jul Add
stereo microphones 1 - 3 $1.24 6,600
5,400
Jul Add
condensor microphones 1 - 3 $1.17 880
1,000
Jul Add
professional microphones 1 - 3 $2.03 33,100
33,100
Apr Add
sennheiser microphones 1 - 3 $1.17 9,900
14,800
Dec Add
dpa microphones 1 - 3 $2.53 1,900
4,400
Mar Add
cordless microphones 1 - 3 $2.12 5,400
6,600
Jul Add
handheld microphones 1 - 3 $1.92 3,600
3,600
Oct Add
nady microphones 1 - 3 $1.65 6,600
6,600
Mar Add
headset microp |
